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Aaron Ruben

Writer/ Producer/ Director

"I'm certainly proud to have been at the beginnings of The Andy Griffith Show. Andy gives me more credit than I deserve because he's quoted about how I set the style for that show. I don't know. I'm just glad I was there and was an important part of the structuring of the show. I nurtured it and nursed it and I thought I took really good care of it. It was five of the best years of my life in the business."

About This Interview

Aaron Ruben (1914-2010) was interviewed for four-and-a-half hours in Beverly Hills, CA. Ruben discussed his start as a radio writer for many popular stars including Dinah Shore, Burns and Allen, Fred Allen, Henry Morgan, and Milton Berle. He talked about the first time he worked in television on The Sam Levenson Show with writer Selma Diamond, and his television directorial debut on The Phil Silvers Show. In 1960, he produced his first television show, The Andy Griffith Show. Mr. Ruben talked about other television shows he produced including Gomer Pyle, USMC (which he also created), CPO Sharkey, Sanford and Son, and his work writing for Matlock. He also discussed his long-time philanthropic work with at-risk children. The interview was conducted by Morrie Gelman on February 25, 1999.

Related To This Video

  • Shows
  • People
  • Topics
  • Genres

Shows

  • Andy Griffith Show, The
  • CPO Sharkey
  • Caesar’s Hour
  • George Burns and Gracie Allen Show, The
  • Gomer Pyle, U.S.M.C.
  • Matlock
  • Phil Silvers Show, The aka You’ll Never Get Rich aka Sergeant Bilko
  • Sam Levenson Show, The
  • Sanford and Son
  • Too Close for Comfort

People

  • Gracie Allen
  • Milton Berle
  • Sid Caesar
  • Ron Howard
  • Don Knotts
  • Sheldon Leonard

Topics

  • Historic Events and Social Change
  • Television Industry

Genres

  • Comedy Series

Featured Content

Embeddable video clip: Aaron Ruben on his proudest achievement -- giving structure to The Andy Griffith Show

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  • Highlights
  • Chapters
  • Shows
  • People
  • Topics
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Highlights

  • Aaron Ruben on his proudest career achievemet -- structuring <i>The Andy Griffith Show</i> (00m 50s)Aaron Ruben on his proudest career achievemet -- structuring The Andy Griffith Show (00m 50s)
  • Aaron Ruben on the multi-faceted skills of a good producer, what makes a good story "is a good story" (01m 47s)Aaron Ruben on the multi-faceted skills of a good producer, what makes a good story "is a good story" (01m 47s)
  • Aaron Ruben on working on <i>Caesar's Hour</i> with Sid Caesar, other writers on that show (09m 50s)Aaron Ruben on working on Caesar's Hour with Sid Caesar, other writers on that show (09m 50s)
  • Aaron Ruben on first seeing Don Knotts' "nervous man" routine; how important he was for <i>The Andy Griffith Show</i> as Barney Fife (03m 17s)Aaron Ruben on first seeing Don Knotts' "nervous man" routine; how important he was for The Andy Griffith Show as Barney Fife (03m 17s)
  • Aaron Ruben on why "Gomer Pyle" didn't go to Vietnam and why there were no African-American's in Mayberry on <i>The Andy Griffith Show</i> (02m 06s)Aaron Ruben on why "Gomer Pyle" didn't go to Vietnam and why there were no African-American's in Mayberry on The Andy Griffith Show (02m 06s)
  • Aaron Ruben on how he came to work on <i>Sanford &amp; Son</i> with Norman Lear; how he suggested the main characters be Black but the network wanted an Italian (03m 55s)Aaron Ruben on how he came to work on Sanford & Son with Norman Lear; how he suggested the main characters be Black but the network wanted an Italian (03m 55s)

Chapters

  • Chapter 1
  • On his early years and education growing up in Chicago; on his interest in acting and comedy
  • On beginning his career in radio; writing for Wally Brown, Burns & Allen, and Fred Allen
  • Chapter 2
  • On writing for Fred Allen's radio show
  • On writing for Milton Berle's radio show
  • On his first TV writing job for The Sam Levenson Show
  • On transitioning to television writing from radio 
  • Chapter 3
  • On working with Selma Diamond; on working on  Caesar's Hour with Sid Caesar, other writers on that show
  • On the Blacklist and being subpoenaed to testify
  • On working on The Phil Silvers Show with Nat Hiken
  • Chapter 4
  • On working on with Neil Simon
  • On first joining The Andy Griffith Show, which he saw as a pilot; on executive producer Sheldon Leonard; on first meeting Andy Griffith; on Don Knotts; on Ron Howard; on Jim Nabors
  • Chapter 5
  • On casting Jim Nabors on The Andy Griffith Show; the production of The Andy Griffith Show and its sponsors; on the legacy of The Andy Griffith Show
  • On creating and producing Gomer Pyle, USMC
  • On his one feature film The Comic; on starting on Sanford and Son
  • Chapter 6
  • On developing, casting, and producing Sanford & Son
  • On various projects for television
  • On creating and producing CPO Sharkey starring Don Rickles
  • Chapter 7
  • On CPO Sharkey; on dealing with networks; on Don Rickles
  • On various short-lived programs he worked on 
  • On producing The Ted Knight Show ( Too Close for Comfort after it went to syndication); and Ted Knight's death
  • On writing for Matlock; looking back at the CBS "rural purge" when Mayberry was canceled; starting to volunteer with children
  • Chapter 8
  • On his charitable work; on his last pilot pitch
  • On his proudest achievement; on the changes in television since he began; his advice to aspiring writers; on his favorite episode of The Andy Grifith Show
  • Chapter 9
  • On "Opie the Birdman" (cont.); on how he'd like to be remembered; on helping children; on television writing as it was done on The Andy Griffith Show
  • On some of the people he worked with throughout his career including George Burns (and his genius at being a straight man), Ed Wynn, Dick Van Dyke, and others
  • Chapter 10
  • On his family
  • On some photos illustrating various highlights in his career

Shows

  • Andy Griffith Show, The
    • Aaron Ruben on how he came to work on The Andy Griffith Show after working on Sgt. Bilko, as a producer (03m 19s)
    • Aaron Ruben on working with Sheldon Leonard on the cast of the Andy Griffith Show, how the show was a spinoff from the Danny Thomas Show (01m 11s)
    • Aaron Ruben on the legacy of The Andy Griffith Show and on his favorite episode "Opie the Birdman" (03m 55s)
    • Aaron Ruben on The Andy Griffth Show episode "Opie the Birdman" (cont.) (01m 07s)
  • CPO Sharkey
    • Aaron Ruben on creating and producing CPO Sharkey starring Don Rickles (03m 28s)
    • Aaron Ruben on creating the show CPO Sharkey; his relationship with the networks (01m 49s)
  • Caesar’s Hour
    • Aaron Ruben on working on Caesar's Hour with Sid Caesar, other writers on that show (09m 50s)
  • George Burns and Gracie Allen Show, The
    • Aaron Ruben on writing for George Burns and Gracie Allen's radio show (02m 50s)
  • Gomer Pyle, U.S.M.C.
    • Aaron Ruben on creating and producing Gomer Pyle, U.S.M.C. (14m 10s)
  • Matlock
    • On writing for Matlock
      (00m 50s)
  • Phil Silvers Show, The aka You’ll Never Get Rich aka Sergeant Bilko
    • Aaron Ruben on working on the Phil Silvers Show with Nat Hiken
    • Aaron Ruben on the Phil Silvers Show; Neil "Doc" Simon was a writer, who wrote "Come Blow Your Horn" during this period (01m 57s)
  • Sam Levenson Show, The
    • Aaron Ruben his first TV writing job for The Sam Levenson Show
      (02m 54s)
  • Sanford and Son
    • Aaron Ruben on how he came to work on Sanford & Son with Norman Lear; how he suggested the main characters be Black but the network wanted an Italian (03m 55s)
    • Aaron Ruben on the difficulty of finding actors for Sanford & Son; how Redd Foxx came to be cast (05m 49s)
    • Aaron Ruben on producing Sanford & Son and working with the cast and crew (09m 46s)
  • Too Close for Comfort
    • Aaron Ruben on producing The Ted Knight Show ( Too Close for Comfort after it went to syndication); and Ted Knight's sudden death 
      (02m 24s)

People

  • Gracie Allen
    • Aaron Ruben on writing for George Burns and Gracie Allen's radio show (02m 50s)
  • Fred Allen
    • Aaron Ruben on writing for Fred Allen's radio show
      (11m 58s)
  • Milton Berle
    • Aaron Ruben on writing for Milton Berle's radio show (07m 08s)
  • George Burns
    • Aaron Ruben on writing for George Burns and Gracie Allen's radio show (02m 50s)
  • Sid Caesar
    • Aaron Ruben on the domineering presence of Sid Caesar (08m 25s)
  • Selma Diamond
    • Aaron Ruben on Selma Diamond's persona (02m 06s)
  • Redd Foxx
    • Aaron Ruben on how Redd Foxx came to be cast on Sanford & Son; the cast of All in the Family sat through the casting (03m 54s)
  • Nat Hiken
    • Aaron Ruben on working on the Phil Silvers Show with Nat Hiken
  • Ron Howard
    • Aaron Ruben on noticing the talents of Ron Howard as a young kid on The Andy Griffith Show; his professionalism (01m 25s)
  • Don Knotts
    • Aaron Ruben on first seeing Don Knotts' "nervous man" routine; how important he was for The Andy Griffith Show as Barney Fife (03m 17s)
  • Sheldon Leonard
    • Aaron Ruben on Sheldon Leonard's "seminars" which were held with The Andy Griffith Show writers (03m 34s)
    • Aaron Ruben on the career of Sheldon Leonard, from actor to producer; how he conviced Ruben to become a producer (04m 25s)
  • Sam Levenson
    • Aaron Ruben his first TV writing job for The Sam Levenson Show
      (02m 54s)
  • Jim Nabors
    • Aaron Ruben on how Jim Nabor's character "Gomer Pyle" was developed (14m 10s)
  • Don Rickles
    • Aaron Ruben on creating and producing CPO Sharkey starring Don Rickles (03m 28s)
    • Aaron Ruben on why Don Rickles never achieved success in television; why his show CPO Sharkey never took off (00m 38s)

Topics

  • Historic Events and Social Change > Diversity in Television > Minorities
    • Aaron Ruben on why "Gomer Pyle" didn't go to Vietnam and why there were no African-American's in Mayberry on The Andy Griffith Show
      (02m 06s)
    • Aaron Ruben on developing, casting, and producing Sanford & Son (19m 38s)
  • Historic Events and Social Change > War > Vietnam
    • Aaron Ruben on why "Gomer Pyle" didn't go to Vietnam and why there were no African-American's in Mayberry on The Andy Griffith Show
      (02m 06s)
  • Television Industry
    • Aaron Ruben on the critical role ratings played in show survivals (00m 44s)
  • Television Industry > Industry Crossroads > Hollywood Blacklist (ca. 1950s)
    • Aaron Ruben on getting a subpoena to testify during the Hollywood Blacklist  (05m 23s)

Genres

  • Comedy Series
    • Aaron Ruben on why "Gomer Pyle" didn't go to Vietnam and why there were no African-American's in Mayberry on The Andy Griffith Show
      (02m 06s)
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