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Aaron Ruben

Writer/ Producer/ Director

"I'm certainly proud to have been at the beginnings of The Andy Griffith Show. Andy gives me more credit than I deserve because he's quoted about how I set the style for that show. I don't know. I'm just glad I was there and was an important part of the structuring of the show. I nurtured it and nursed it and I thought I took really good care of it. It was five of the best years of my life in the business."

About This Interview

Aaron Ruben (1914-2010) was interviewed for four-and-a-half hours in Beverly Hills, CA. Ruben discussed his start as a radio writer for many popular stars including Dinah Shore, Burns and Allen, Fred Allen, Henry Morgan, and Milton Berle. He talked about the first time he worked in television on The Sam Levenson Show with writer Selma Diamond, and his television directorial debut on The Phil Silvers Show. In 1960, he produced his first television show, The Andy Griffith Show. Mr. Ruben talked about other television shows he produced including Gomer Pyle, USMC (which he also created), CPO Sharkey, Sanford and Son, and his work writing for Matlock. He also discussed his long-time philanthropic work with at-risk children. The interview was conducted by Morrie Gelman on February 25, 1999.

Related To This Video

  • Shows
  • People
  • Topics
  • Professions

Shows

  • Andy Griffith Show, The
  • CPO Sharkey
  • George Burns and Gracie Allen Show, The
  • Gomer Pyle, U.S.M.C.
  • Matlock
  • Phil Silvers Show, The aka You'll Never Get Rich aka Sergeant Bilko
  • Sam Levenson Show, The
  • Sanford and Son
  • Too Close for Comfort

People

  • Milton Berle
  • Sid Caesar
  • Ron Howard
  • Don Knotts
  • Sheldon Leonard

Topics

  • Hollywood Blacklist (ca. 1950s)
  • Minorities
  • Television Industry
  • Vietnam

Professions

  • Producer
  • Writers & Show Creators

Featured Content

Embeddable video clip: Aaron Ruben on his proudest achievement -- giving structure to The Andy Griffith Show

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  • Highlights
  • Interview
  • Shows
  • People
  • Topics
  • Genres
  • Professions

Highlights

  • Aaron Ruben on his proudest career achievemet -- structuring <i>The Andy Griffith Show</i>Aaron Ruben on his proudest career achievemet -- structuring The Andy Griffith Show
    Clip begins at: 05:30, Duration: 00m 54s
  • Aaron Ruben on the legacy of <i>The Andy Griffith Show</i> and on his favorite episode "Opie the Birdman"Aaron Ruben on the legacy of The Andy Griffith Show and on his favorite episode "Opie the Birdman"
    Clip begins at: 26:15, Duration: 04m 01s
  • Aaron Ruben on the multi-faceted skills of a good producer, what makes a good story "is a good story"Aaron Ruben on the multi-faceted skills of a good producer, what makes a good story "is a good story"
    Clip begins at: 20:28, Duration: 01m 47s
  • Aaron Ruben on first seeing Don Knotts' "nervous man" routine; how important he was for <i>The Andy Griffith Show</i> as Barney FifeAaron Ruben on first seeing Don Knotts' "nervous man" routine; how important he was for The Andy Griffith Show as Barney Fife
    Clip begins at: 22:33, Duration: 03m 16s
  • Aaron Ruben on why "Gomer Pyle" didn't go to Vietnam and why there were no African-American's in Mayberry on <i>The Andy Griffith Show</i>Aaron Ruben on why "Gomer Pyle" didn't go to Vietnam and why there were no African-American's in Mayberry on The Andy Griffith Show
    Clip begins at: 21:02, Duration: 02m 07s

Interview

  • Part 1
  • On his early years and education growing up in Chicago; on his interest in acting and comedy
    Clip begins at: 0:0
  • On beginning his career in radio; writing for Wally Brown, Burns & Allen, and Fred Allen
    Clip begins at: 18:08
  • Part 2
  • On writing for Fred Allen's radio show
    Clip begins at: 0:0
  • On writing for Milton Berle's radio show
    Clip begins at: 12:00
  • On his first TV writing job for The Sam Levenson Show
    Clip begins at: 19:43
  • On transitioning to television writing from radio 
    Clip begins at: 22:42
  • Part 3
  • On working with Selma Diamond; on working on Caesar's Hour with Sid Caesar, other writers on that show
    Clip begins at: 0:0
  • On the Blacklist and being subpoenaed to testify
    Clip begins at: 13:24
  • On working on The Phil Silvers Show with Nat Hiken
    Clip begins at: 17:58
  • Part 4
  • On working on with Neil Simon
    Clip begins at: 0:0
  • On first joining The Andy Griffith Show, which he saw as a pilot; on executive producer Sheldon Leonard; on first meeting Andy Griffith; on Don Knotts; on Ron Howard; on Jim Nabors
    Clip begins at: 01:54
  • Part 5
  • On casting Jim Nabors on The Andy Griffith Show; the production of The Andy Griffith Show and its sponsors; on the legacy of The Andy Griffith Show
    Clip begins at: 0:0
  • On creating and producing Gomer Pyle, USMC
    Clip begins at: 10:25
  • On his one feature film The Comic; on starting on Sanford and Son
    Clip begins at: 24:35
  • Part 6
  • On developing, casting, and producing Sanford & Son
    Clip begins at: 0:0
  • On various projects for television
    Clip begins at: 19:39
  • On creating and producing CPO Sharkey starring Don Rickles
    Clip begins at: 25:12
  • Part 7
  • On CPO Sharkey; on dealing with networks; on Don Rickles
    Clip begins at: 0:0
  • On various short-lived programs he worked on 
    Clip begins at: 04:05
  • On producing The Ted Knight Show (Too Close for Comfort after it went to syndication); and Ted Knight's death
    Clip begins at: 16:23
  • On writing for Matlock; looking back at the CBS "rural purge" when Mayberry was canceled; starting to volunteer with children
    Clip begins at: 18:45
  • Part 8
  • On his charitable work; on his last pilot pitch
    Clip begins at: 0:0
  • On his proudest achievement; on the changes in television since he began; his advice to aspiring writers; on his favorite episode of The Andy Grifith Show
    Clip begins at: 05:18
  • Part 9
  • On "Opie the Birdman" (cont.); on how he'd like to be remembered; on helping children; on television writing as it was done on The Andy Griffith Show
    Clip begins at: 0:0
  • On some of the people he worked with throughout his career including George Burns (and his genius at being a straight man), Ed Wynn, Dick Van Dyke, and others
    Clip begins at: 13:15
  • Part 10
  • On his family
    Clip begins at: 0:0
  • On some photos illustrating various highlights in his career
    Clip begins at: 06:11

Shows

  • Andy Griffith Show, The
    • Aaron Ruben on how he came to work on The Andy Griffith Show after working on Sgt. Bilko, as a producer
      Clip begins at: 01:54, Duration: 03m 31s
    • Aaron Ruben on working with Sheldon Leonard on the cast of the Andy Griffith Show, how the show was a spinoff from the Danny Thomas Show
      Clip begins at: 12:33, Duration: 01m 11s
    • Aaron Ruben on the legacy of The Andy Griffith Show and on his favorite episode "Opie the Birdman"
      Clip begins at: 26:15, Duration: 04m 01s
    • Aaron Ruben on The Andy Griffth Show episode "Opie the Birdman" (cont.)
      Clip begins at: 00:04, Duration: 01m 08s
  • CPO Sharkey
    • Aaron Ruben on creating and producing CPO Sharkey starring Don Rickles
      Clip begins at: 25:12, Duration: 03m 28s
    • Aaron Ruben on creating the show CPO Sharkey ; his relationship with the networks
      Clip begins at: 00:00, Duration: 01m 51s
  • Caesar's Hour
    • Aaron Ruben on working on Caesar's Hour with Sid Caesar, other writers on that show
      Clip begins at: 02:50, Duration: 09m 50s
  • George Burns and Gracie Allen Show, The
    • Aaron Ruben on writing for George Burns and Gracie Allen's radio show
      Clip begins at: 22:17, Duration: 02m 50s
  • Gomer Pyle, U.S.M.C.
    • Aaron Ruben on creating and producing Gomer Pyle, U.S.M.C.
      Clip begins at: 10:25, Duration: 14m 10s
  • Matlock
    • On writing for Matlock
      Clip begins at: 18:45, Duration: 00m 59s
  • Phil Silvers Show, The aka You'll Never Get Rich aka Sergeant Bilko
    • Aaron Ruben on working on the Phil Silvers Show with Nat Hiken
      Clip begins at: 17:58
    • Aaron Ruben on the Phil Silvers Show ; Neil "Doc" Simon was a writer, who wrote "Come Blow Your Horn" during this period
      Clip begins at: 00:00, Duration: 01m 54s
  • Sam Levenson Show, The
    • Aaron Ruben his first TV writing job for The Sam Levenson Show
      Clip begins at: 19:48, Duration: 02m 54s
  • Sanford and Son
    • Aaron Ruben on how he came to work on Sanford & Son with Norman Lear; how he suggested the main characters be Black but the network wanted an Italian
      Clip begins at: 00:00, Duration: 03m 58s
    • Aaron Ruben on the difficulty of finding actors for Sanford & Son ; how Redd Foxx came to be cast
      Clip begins at: 04:04, Duration: 05m 49s
    • Aaron Ruben on producing Sanford & Son and working with the cast and crew
      Clip begins at: 09:53, Duration: 09m 46s
  • Too Close for Comfort
    • Aaron Ruben on producing The Ted Knight Show (Too Close for Comfort after it went to syndication); and Ted Knight's sudden death 
      Clip begins at: 16:23, Duration: 02m 22s

People

  • Gracie Allen
    • Aaron Ruben on writing for George Burns and Gracie Allen's radio show
      Clip begins at: 22:29, Duration: 03m 00s
  • Fred Allen
    • Aaron Ruben on writing for Fred Allen's radio show
      Clip begins at: 00:35, Duration: 12m 00s
  • Milton Berle
    • Aaron Ruben on writing for Milton Berle's radio show
      Clip begins at: 12:00, Duration: 07m 43s
  • George Burns
    • Aaron Ruben on writing for George Burns and Gracie Allen's radio show
      Clip begins at: 22:29, Duration: 03m 00s
  • Sid Caesar
    • Aaron Ruben on the domineering presence of Sid Caesar
      Clip begins at: 04:13, Duration: 08m 25s
  • Selma Diamond
    • Aaron Ruben on Selma Diamond's persona
      Clip begins at: 00:00, Duration: 02m 06s
  • Redd Foxx
    • Aaron Ruben on how Redd Foxx came to be cast on Sanford & Son; the cast of All in the Family sat through the casting
      Clip begins at: 04:04, Duration: 03m 54s
  • Nat Hiken
    • Aaron Ruben on working on the Phil Silvers Show with Nat Hiken
      Clip begins at: 17:58
  • Ron Howard
    • Aaron Ruben on noticing the talents of Ron Howard as a young kid on The Andy Griffith Show; his professionalism
      Clip begins at: 25:49, Duration: 01m 31s
  • Don Knotts
    • Aaron Ruben on first seeing Don Knotts' "nervous man" routine; how important he was for The Andy Griffith Show as Barney Fife
      Clip begins at: 22:33, Duration: 03m 16s
  • Sheldon Leonard
    • Aaron Ruben on Sheldon Leonard's "seminars" which were held with The Andy Griffith Show writers
      Clip begins at: 09:44, Duration: 03m 34s
    • Aaron Ruben on the career of Sheldon Leonard, from actor to producer; how he conviced Ruben to become a producer
      Clip begins at: 05:10, Duration: 05m 29s
  • Sam Levenson
    • Aaron Ruben his first TV writing job for The Sam Levenson Show
      Clip begins at: 19:43, Duration: 02m 59s
  • Jim Nabors
    • Aaron Ruben on how Jim Nabor's character "Gomer Pyle" was developed
      Clip begins at: 10:25, Duration: 14m 10s
  • Don Rickles
    • Aaron Ruben on creating and producing CPO Sharkey starring Don Rickles
      Clip begins at: 25:12, Duration: 03m 28s
    • Aaron Ruben on why Don Rickles never achieved success in television; why his show CPO Sharkey never took off
      Clip begins at: 03:25, Duration: 00m 40s

Topics

  • Historic Events and Social Change > Diversity in Television > Minorities
    • Aaron Ruben on why "Gomer Pyle" didn't go to Vietnam and why there were no African-American's in Mayberry on The Andy Griffith Show
      Clip begins at: 21:02, Duration: 02m 07s
    • Aaron Ruben on developing, casting, and producing Sanford & Son
      Clip begins at: 00:01, Duration: 19m 38s
  • Historic Events and Social Change > War > Vietnam
    • Aaron Ruben on why "Gomer Pyle" didn't go to Vietnam and why there were no African-American's in Mayberry on The Andy Griffith Show
      Clip begins at: 21:02, Duration: 02m 07s
  • Television Industry
    • Aaron Ruben on the critical role ratings played in show survivals
      Clip begins at: 02:45, Duration: 00m 45s
  • Television Industry > Industry Crossroads > Hollywood Blacklist (ca. 1950s)
    • Aaron Ruben on getting a subpoena to testify during the Hollywood Blacklist 
      Clip begins at: 12:34, Duration: 05m 24s

Genres

  • Comedy Series
    • Aaron Ruben on why "Gomer Pyle" didn't go to Vietnam and why there were no African-American's in Mayberry on The Andy Griffith Show
      Clip begins at: 21:02, Duration: 02m 07s

Professions

  • Producer
    • Aaron Ruben on the multi-faceted skills of a good producer, what makes a good story "is a good story"
      Clip begins at: 20:29
  • Writers & Show Creators > Writer
    • Aaron Ruben on Sheldon Leonard's "seminars" which were held with The Andy Griffith Show writers
      Clip begins at: 09:44, Duration: 03m 34s
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Submitted by kida on Tue, 2012-08-21 19:55.

I would really appreciate the efforts you all have made here to make this page more informative. Thanks again. That is some inspirational stuff. Never knew that opinions could be this varied.

Submitted by kookee01 on Tue, 2012-05-29 05:47.

They have a strong understanding of the format and are devoted to the production process. They review scripts and take directions from stage managers and producers. -Arthur van der Vant

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