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Alan Alda

Actor, Writer & Producer

“Wherever I could get work, I worked…. I thought I would be a stage actor.  It never occurred to me that I’d have some big success on television.”

About This Interview

Alan Alda describes his  M*A*S*H character “Benjamin Franklin ‘Hawkeye’ Pierce,” as “… a sharp wit, a little bit of a smart aleck, competitive about his surgery, liked to laugh, could make a little fun of himself, probably liked making fun of other people more, really liked women a lot and had an old fashioned idea about women, hated war and hated people dying if he could do something about it.” Alda was the recipient of multiple Emmys during the long run of  M*A*S*H, as its star, as well a writer and director. In his Archive interview, Alda speaks about his early years that included a serious bout with polio as a child. He acknowledges his improvisational performance background with Second City and Compass in Hyannis Port. He describes his early appearances on television, as a regular on the satirical  That Was the Week That Was and the syndicated version of the erudite guess-the-occupation quiz show  What’s My Line? For  M*A*S*H, Alda comments on the series’ production, including the creative contributions of writer/creator Larry Gelbart and producer Gene Reynolds; gives his impressions of the ensemble; and discusses memorable episodes. He reveals his feelings about filming the show’s last scene, which was both emotional and chaotic due to the extensive media presence, recounting “we got the last shot and then people closed in on us…. We were hugging and saying goodbye— and there’s all these people: ‘What’s it feel like? What are you gonna do next?’” Lastly, Alda mentions hosting the series  Scientific American Frontiers, as well as guest starring on  ER, for which he received his 29th Emmy nomination. Alan Alda was interviewed in New York, NY on November 17, 2000; Michael Rosen conducted the nearly three-hour interview.

Related To This Video

  • Shows
  • People
  • Topics
  • Genres

Shows

  • Dragnet
  • M*A*S*H
  • M*A*S*H: "The Interview"
  • Phil Silvers Show, The aka You’ll Never Get Rich aka Sergeant Bilko
  • Scientific American Frontiers
  • Secret Files, USA
  • That Was the Week that Was
  • Tonight Show Starring Johnny Carson, The

People

  • Steve Allen
  • Ossie Davis
  • Larry Gelbart
  • Burt Metcalfe
  • Harry Morgan
  • Gene Reynolds
  • Phil Silvers
  • Loretta Swit

Topics

  • Creative Influences and Inspiration
  • Emmy Awards
  • Historic Events and Social Change
  • Memorable Moments on Television
  • Pop Culture
  • TV’s Golden Age (1940s & ‘50s)
  • Television Industry

Genres

  • Comedy Series

Resources

  • Museum of Broadcast Communications' Encyclopedia of Television article: Alan Alda
  • Book: Never Have Your Dog Stuffed: And Other Things I've Learned by Alan Alda
  • Book: Things I Overheard While Talking to Myself by Alan Alda
  • DVD: M*A*S*H - Martinis and Medicine Complete Collection
  • IMDB entry on Alan Alda
  • Wikipedia entry on Alan Alda
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  • Highlights
  • Chapters
  • Shows
  • People
  • Topics
  • Genres

Highlights

  • Alan Alda on watching early burlesque acts like Abbott & Costello's "Who's on First" routine, and performing at a very young age on the stage with his father, a vaudevillian (01m 34s)Alan Alda on watching early burlesque acts like Abbott & Costello's "Who's on First" routine, and performing at a very young age on the stage with his father, a vaudevillian (01m 34s)
  • Alan Alda on writing and acting in homemade movies at an early age (02m 40s)Alan Alda on writing and acting in homemade movies at an early age (02m 40s)
  • Alan Alda discusses the network's objection to his showing a clip from his movie "The Four Seasons" on <i>The Tonight Show    </i> (02m 12s)Alan Alda discusses the network's objection to his showing a clip from his movie "The Four Seasons" on The Tonight Show (02m 12s)
  • Alan Alda on the last episode and the shooting of the last scene shot of <i>M*A*S*H</i> (02m 07s)Alan Alda on the last episode and the shooting of the last scene shot of M*A*S*H (02m 07s)
  • Alan Alda on his <i>M*A*S*H </i>character “Hawkeye” Pierce (02m 59s)Alan Alda on his M*A*S*H character “Hawkeye” Pierce (02m 59s)
  • Alan Alda on <i>M*A*S*H</i> show creator/writer Larry Gelbart (01m 39s)Alan Alda on M*A*S*H show creator/writer Larry Gelbart (01m 39s)
  • Alan Alda on working out a scene with Wayne Rogers on M*A*S*H, after shooting for the satisfaction of getting it right (01m 43s)Alan Alda on working out a scene with Wayne Rogers on M*A*S*H, after shooting for the satisfaction of getting it right (01m 43s)
  • Alan Alda on the <i>M*A*S*H</i> episode "Sometimes You Hear the Bullet"-- its dramatic significance and Alda's critique of a scene in which he cries on camera (01m 23s)Alan Alda on the M*A*S*H episode "Sometimes You Hear the Bullet"-- its dramatic significance and Alda's critique of a scene in which he cries on camera (01m 23s)
  • Alan Alda on winning an Emmy, and how some of your best writing work can come as a surprise (01m 30s)Alan Alda on winning an Emmy, and how some of your best writing work can come as a surprise (01m 30s)
  • Alan Alda's fidelity to Larry Gelbart's script to the extent that he spoke a typo on <i>M*A*S*H </i> (01m 27s)Alan Alda's fidelity to Larry Gelbart's script to the extent that he spoke a typo on M*A*S*H (01m 27s)
  • “Wherever I could get work, I worked…. I thought I would be a stage actor.  It never occurred to me that I’d have some big success on television.” (00m 18s)“Wherever I could get work, I worked…. I thought I would be a stage actor. It never occurred to me that I’d have some big success on television.” (00m 18s)
  • Alan Alda relates stories where he was forced to accommodate the camera; and how this sometimes sacrifices the ability of an actor to be spontaneous. (02m 53s)Alan Alda relates stories where he was forced to accommodate the camera; and how this sometimes sacrifices the ability of an actor to be spontaneous. (02m 53s)

Chapters

  • Chapter 1
  • On his name change, childhood, parents; seeing vaudeville and burlesque acts
  • On the influence of Vaudeville and burlesque on later television comedy
  • On his father (actor Robert Alda) and other early influences; performing with his father
  • On wanting to be a writer and writing his first sketch
  • On his mother
  • On early hobbies, wanting to be a writer, first job
  • On his early interest in making movies and performing and directing
  • On having polio as a child, developing an interest in reading
  • On listening to early radio shows with Arthur Godfrey, Jack Benny and their influence on him
  • Chapter 2
  • On Phil Silvers, Red Buttons bringing him onstage as a baby
  • On performing in Summer Stock as a teenager; wanting to be a writer
  • On enjoying early television; on his interest in magic
  • On his father performing on experimental television in the 1930s; appearing on television  on the program “Secret File, USA” in Europe with his father in the 1950s; on other early television roles
  • On being a stage actor v. a television actor; his approach to memorizing lines; on his methodology of working with other actors
  • On appearing on the Phil Silvers show and having trouble memorizing his lines
  • On being shy, getting to know his fellow actors
  • On the relationship between the writers and the actors on M*A*S*H, as facilitated by director Gene Reynolds.
  • Chapter 3
  • On his fidelity to the written word to the extent that he spoke a typo on M*A*S*H.
  • On the M*A*S*H episode “The Interview”
  • On his improvisational training
  • On Phil Silvers
  • On working as a stage actor and learning from theater actors, honing his acting skills, and reflects on his work on the theatrical production of "Pearly Victorious" with Ossie Davis.
  • On working at Naked City, learning from other actors; tricks of the trade in filming with shorter actors
  • On the challenges of acting on camera; and how this sometimes sacrifices the ability of an actor to be spontaneous.
  • On appearing briefly on various television episodes in the 50s and 60s
  • Chapter 4
  • On appearing on That Was the Week That Was
  • On TVQ ratings, game shows, how it may have helped him get cast on MASH
  • On his knowledge about the Vietnam War, reading the script for MASH
  • On MASH going on the air in 1972, social climate, censorship
  • On Network censorship at the beginning of MASH’s run; the “virgin” Islands episode
  • Chapter 5
  • On his character “Hawkeye” Pierce on M*A*S*H
  • On Gene Reynolds; on becoming interested in directing
  • On Larry Gelbart, Burt Metcalfe; on members of the cast of M*A*S*H
  • On working with Harry Morgan and his sense of humor
  • On specific episodes of M *A*S*H
  • On the M*A*S*H episode "Inga" and doing a handspring on his way down the aisle to accept the Emmy award for that episode
  • Chapter 6
  • On the last episode and the shooting of the last scene shot of M*A*S*H
  • On Scientific American Frontiers
  • On E.R. and being his own critic
  • On how fame to him had more negatives than positive
  • On his proudest achievment, his family

Shows

  • Dragnet
    • Alan Alda relates a story Harry Morgan told him about how serious Jack Webb was on the set of Dragnet (01m 01s)
  • M*A*S*H
    • Alan Alda on the process of learning lines with the ensemble cast of M*A*S*H and the importance of laughter with fellow actors (05m 08s)
    • Alan Alda on the relationship between the writers and the actors on M*A*S*H, as facilitated by director Gene Reynolds. (03m 46s)
    • Alan Alda's fidelity to Larry Gelbart's script to the extent that he spoke a typo on M*A*S*H"Larry wrote it, so I said it" (02m 18s)
    • Alan Alda on the way improvisation was incorporated into the classic M*A*S*H episode "The Interview" (01m 46s)
    • Alan Alda discusses the approach of making a comedy show about war in developing M*A*S*H (04m 36s)
    • Alan Alda talks about the way Larry Gelbart got around the censors to use the word "virgin" in an episode of M*A*S*H (01m 14s)
    • Alan Alda on the research done on M*A*S*H (00m 32s)
    • Alan Alda describes the network's objection to the sight of a jock strap on an episode of M*A*S*H (01m 48s)
    • Alan Alda on his M*A*S*H character “Hawkeye” Pierce (02m 59s)
    • Alan Alda on getting shots just as the sun set while directing M*A*S*H (01m 51s)
    • Alan Alda on his impressions of M*A*S*H producer Gene Reynolds (02m 29s)
    • Alan Alda on M*A*S*H show creator/writer Larry Gelbart (01m 39s)
    • Alan Alda on the philosophy behind adding new characters to M*A*S*H (00m 41s)
    • Alan Alda on M*A*S*H executive producer Burt Metcalfe (01m 09s)
    • Alan Alda on working out a scene with Wayne Rogers on M*A*S*H, after shooting for the satisfaction of getting it right (01m 43s)
    • Alan Alda on Loretta Swit's contribution to making her M*A*S*H character three-dimensional. (01m 37s)
    • Alan Alda on working with Harry Morgan on M*A*S*H, and Morgan's sense of humor (01m 28s)
    • Alan Alda on the M*A*S*H episode "Sometimes You Hear the Bullet"-- its dramatic significance and Alda's critique of a scene in which he cries on camera (01m 23s)
    • Alan Alda on writing the M*A*S*H episode "Dear Sigmund" and the performance of Allan Arbus as Major Sidney Freedman (02m 14s)
    • Alan Alda on the M*A*S*H episode "Inga" (01m 07s)
    • Alan Alda on the content and the shooting of the last scene shot of M*A*S*H (04m 34s)
    • Alan Alda on the M*A*S*H finale (02m 19s)
    • Alan Alda on how CBS believed in M*A*S*H despite initial low ratings (00m 58s)
    • Alan Alda on why M*A*S*H was a successful television show (02m 04s)
  • M*A*S*H: "The Interview"
    • Alan Alda on the way improvisation was incorporated into the classic M*A*S*H episode "The Interview" (01m 46s)
  • Phil Silvers Show, The aka You’ll Never Get Rich aka Sergeant Bilko
    • Alan Alda on appearing on The Phil Silvers Show very in his early career (00m 46s)
  • Scientific American Frontiers
    • Alan Alda on Scientific American Frontiers (04m 24s)
    • Alan Alda describes the approach to the series Scientific American Frontiers, for which he serves as host. (04m 44s)
  • Secret Files, USA
    • Alan Alda on his father's appearance on Secret File USA (01m 44s)
  • That Was the Week that Was
    • Alan Alda talks about appearing on  That Was the Week That Was and rehearsing with David Frost through a closed door minutes before they went live (01m 09s)
    • Alan Alda describes the format of That Was the Week That Was and compares it to the British version (01m 47s)
  • Tonight Show Starring Johnny Carson, The
    • Alan Alda discusses the network's objection to his showing a clip from his movie "The Four Seasons" on The Tonight Show (02m 12s)

People

  • Steve Allen
    • Alan Alda on his adoration for comedian Steve Allen and recollects the spontaneity of the "Man in the Street" routines on Steve Allen's Tonight Show (04m 19s)
  • Allan Arbus
    • Alan Alda on writing the M*A*S*H episode "Dear Sigmund" and the performance of Allan Arbus as Major Sidney Freedman (02m 14s)
  • Ossie Davis
    • Alan Alda worked with Ossie Davis in "Pearly Victorious" and talks about how impressed he was with the actor (01m 44s)
  • Larry Gelbart
    • Alan Alda's fidelity to Larry Gelbart's script to the extent that he spoke a typo on M*A*S*H (01m 27s)
    • Alan Alda on M*A*S*H show creator/writer Larry Gelbart (01m 39s)
  • Buster Keaton
    • Alan Alda on watching from the wings Buster Keaton perform on stage. (01m 00s)
  • Burgess Meredith
    • Alda describes working with and being influenced by actor Burgess Meredith with Naked City, and having to accomodate Mr. Meredith's height (02m 17s)
  • Burt Metcalfe
    • Alan Alda on M*A*S*H executive producer Burt Metcalfe (01m 09s)
  • Harry Morgan
    • Alan Alda on working with Harry Morgan on M*A*S*H, and Morgan's sense of humor (01m 28s)
  • Gene Reynolds
    • Alan Alda on the relationship between the writers and the actors on M*A*S*H, as facilitated by director Gene Reynolds. (01m 47s)
    • Alan Alda on M*A*S*H producer Gene Reynolds (02m 29s)
  • Wayne Rogers
    • Alan Alda on working out a scene with Wayne Rogers on M*A*S*H, after shooting for the satisfaction of getting it right (01m 43s)
  • Phil Silvers
    • Alan Alda describes Phil Silvers as a unique comedian who created a distinct character (01m 01s)
  • Loretta Swit
    • Alan Alda on Loretta Swit's contribution to making her M*A*S*H character three-dimensional. (01m 37s)
  • Jack Webb
    • Alan Alda relates a story Harry Morgan told him about how serious Jack Webb was on the set of Dragnet (01m 01s)

Topics

  • Creative Influences and Inspiration
    • Alan Alda on his adoration for the early radio comedians and talk show hosts such as Arthur Godfrey and Steve Allen (04m 19s)
    • Alan Alda on how the burlesque comics and vaudeville influenced him at an early age (02m 45s)
    • Alan Alda talks about learning from other performers and actors by standing in the wings, literally, to see the tricks behind their craft (57m 46s)
    • Alan Alda describes working with and being influenced by actor Burgess Meredith with Naked City (03m 32s)
    • Alan Alda on writing the M*A*S*H episode "Dear Sigmund" (01m 34s)
    • Alan Alda on the craft of writing (00m 42s)
  • Emmy Awards
    • Alan Alda on doing a handspring down the aisle to accept the Emmy Award for writing (00m 39s)
  • Historic Events and Social Change > Diversity in Television > Women
    • Alan Alda on Loretta Swit's contribution to making her M*A*S*H character three-dimensional. (01m 37s)
  • Historic Events and Social Change > War > Korean Conflict
    • Alan Alda defines the connection between the Korean war setting of M*A*S*H and the contemporary conflict in Vietnam (01m 24s)
  • Historic Events and Social Change > War > Vietnam
    • Alan Alda defines the connection between the Korean war setting of M*A*S*H and the contemporary conflict in Vietnam (01m 24s)
  • Memorable Moments on Television > We Cried
    • Alan Alda on the M*A*S*H episode "Sometimes You Hear the Bullet"-- its dramatic significance and Alda's critique of a scene in which he cries on camera (01m 23s)
  • Pop Culture > Characters & Catchphrases
    • Alan Alda describes his M*A*S*H character “Hawkeye” Pierce (02m 59s)
  • TV’s Golden Age (1940s & ‘50s)
    • Alan Alda on his father Robert Alda's early TV parts. (01m 44s)
  • Television Industry > Censorship / Standards & Practices
    • Alan Alda talks about Standards & Practices' objection to the use the word "virgin" in an episode of M*A*S*H (01m 16s)
    • Alan Alda relates the "family hour" concept of the 1970s to censorship (01m 38s)
    • Alan Alda describes the network's objection to the sight of a jock strap on an episode of M*A*S*H (01m 48s)
  • Television Industry > Fame & Celebrity
    • Alan Alda on the downsides of fame (03m 50s)

Genres

  • Comedy Series
    • Alan Alda on seeing early vaudeville acts and the comedy of George Burns and Gracie Allen, and how it relates to later television comedy. (02m 26s)
    • Alan Alda on his love for comedians Bob Hope, Jack Benny, and Steve Allen (04m 06s)
    • Alan Alda on the importance of laughter with his fellow actors on M*A*S*H, and in life. (59m 47s)
    • Alan Alda talks about learning from other performers and actors by standing in the wings, literally, to see the tricks behind their craft (02m 36s)
  • Game Shows
    • Alan Alda on how his TVQ rating from game show appearances may have helped him get cast on M*A*S*H (03m 22s)
  • News and Documentary
    • Alan Alda on Scientific American Frontiers (04m 24s)
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Submitted by Anonymous on Tue, 2011-12-27 10:43.

Alan Alda is someone who brought heart to TV

Submitted by Anonymous on Tue, 2011-12-06 12:10.

The interviewer here really needs some lessons! Here he is with this brilliant man and the questions and interaction was very poor. I can think of a dozen current interviewers who could have done so much better job!

Submitted by Se1ander on Sun, 2011-04-10 19:36.

Starts 00:27

Submitted by Happycook1029 on Tue, 2011-04-05 18:54.

I love Alan Alda. But to me it seem like he was not enjoying himself. but I guess after a three hour interveiw one would get tired.

Submitted by drunkenrobot89 on Fri, 2011-03-25 05:38.

Alan Alda has to be one of my favorite actors of all time and favorite human beings and i feel bad he had to deal with this interviewer

Submitted by casperguylkn on Tue, 2011-03-22 01:32.

There's someone who dislikes this?

Submitted by ejoio2 on Sat, 2010-12-04 15:31.

god alan talking about stripper might give me nightmares

Submitted by tdwon on Mon, 2010-10-04 04:58.

The interviewer is hopeless. Alda is interesting, courteous and makes the exchange work despite that fact.

Submitted by GooGobbler113 on Wed, 2010-09-15 21:59.

Behold! A truly great man...

Submitted by jclax63 on Sat, 2010-09-11 20:48.

Hey! I like to point out we have a great aray of docuentaries in Britain not just animals eating each other.

Submitted by rogelead on Thu, 2010-08-05 07:00.

loving this interview! he is just so interesting!

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