Alan Alda
Actor, Writer & Producer
About This Interview
Alan Alda describes his M*A*S*H character “Benjamin Franklin ‘Hawkeye’ Pierce,” as “… a sharp wit, a little bit of a smart aleck, competitive about his surgery, liked to laugh, could make a little fun of himself, probably liked making fun of other people more, really liked women a lot and had an old fashioned idea about women, hated war and hated people dying if he could do something about it.” Alda was the recipient of multiple Emmys during the long run of M*A*S*H, as its star, as well a writer and director. In his Archive interview, Alda speaks about his early years that included a serious bout with polio as a child. He acknowledges his improvisational performance background with Second City and Compass in Hyannis Port. He describes his early appearances on television, as a regular on the satirical That Was the Week That Was and the syndicated version of the erudite guess-the-occupation quiz show What’s My Line? For M*A*S*H, Alda comments on the series’ production, including the creative contributions of writer/creator Larry Gelbart and producer Gene Reynolds; gives his impressions of the ensemble; and discusses memorable episodes. He reveals his feelings about filming the show’s last scene, which was both emotional and chaotic due to the extensive media presence, recounting “we got the last shot and then people closed in on us…. We were hugging and saying goodbye— and there’s all these people: ‘What’s it feel like? What are you gonna do next?’” Lastly, Alda mentions hosting the series Scientific American Frontiers, as well as guest starring on ER, for which he received his 29th Emmy nomination. Alan Alda was interviewed in New York, NY on November 17, 2000; Michael Rosen conducted the nearly three-hour interview.
Related To This Video
Resources

- Museum of Broadcast Communications' Encyclopedia of Television article: Alan Alda
- Book: Never Have Your Dog Stuffed: And Other Things I've Learned by Alan Alda
- Book: Things I Overheard While Talking to Myself by Alan Alda
- DVD: M*A*S*H - Martinis and Medicine Complete Collection
- IMDB entry on Alan Alda
- Wikipedia entry on Alan Alda
You need Flash player 8+ and JavaScript enabled to view this video.
Highlights
Alan Alda on watching early burlesque acts like Abbott & Costello's "Who's on First" routine, and performing at a very young age on the stage with his father, a vaudevillian (01m 34s)
Alan Alda on writing and acting in homemade movies at an early age (02m 40s)
Alan Alda discusses the network's objection to his showing a clip from his movie "The Four Seasons" on The Tonight Show (02m 12s)
Alan Alda on the last episode and the shooting of the last scene shot of M*A*S*H (02m 07s)
Alan Alda on his M*A*S*H character “Hawkeye” Pierce (02m 59s)
Alan Alda on M*A*S*H show creator/writer Larry Gelbart (01m 39s)
Alan Alda on working out a scene with Wayne Rogers on M*A*S*H, after shooting for the satisfaction of getting it right (01m 43s)
Alan Alda on the M*A*S*H episode "Sometimes You Hear the Bullet"-- its dramatic significance and Alda's critique of a scene in which he cries on camera (01m 23s)
Alan Alda on winning an Emmy, and how some of your best writing work can come as a surprise (01m 30s)
Alan Alda's fidelity to Larry Gelbart's script to the extent that he spoke a typo on M*A*S*H (01m 27s)
“Wherever I could get work, I worked…. I thought I would be a stage actor. It never occurred to me that I’d have some big success on television.” (00m 18s)
Alan Alda relates stories where he was forced to accommodate the camera; and how this sometimes sacrifices the ability of an actor to be spontaneous. (02m 53s)
Chapters
- Chapter 1
- On his name change, childhood, parents; seeing vaudeville and burlesque acts
- On the influence of Vaudeville and burlesque on later television comedy
- On his father (actor Robert Alda) and other early influences; performing with his father
- On wanting to be a writer and writing his first sketch
- On his mother
- On early hobbies, wanting to be a writer, first job
- On his early interest in making movies and performing and directing
- On having polio as a child, developing an interest in reading
- On listening to early radio shows with Arthur Godfrey, Jack Benny and their influence on him
- Chapter 2
- On Phil Silvers, Red Buttons bringing him onstage as a baby
- On performing in Summer Stock as a teenager; wanting to be a writer
- On enjoying early television; on his interest in magic
- On his father performing on experimental television in the 1930s; appearing on television on the program “Secret File, USA” in Europe with his father in the 1950s; on other early television roles
- On being a stage actor v. a television actor; his approach to memorizing lines; on his methodology of working with other actors
- On appearing on the Phil Silvers show and having trouble memorizing his lines
- On being shy, getting to know his fellow actors
- On the relationship between the writers and the actors on M*A*S*H, as facilitated by director Gene Reynolds.
- Chapter 3
- On his fidelity to the written word to the extent that he spoke a typo on M*A*S*H.
- On the M*A*S*H episode “The Interview”
- On his improvisational training
- On Phil Silvers
- On working as a stage actor and learning from theater actors, honing his acting skills, and reflects on his work on the theatrical production of "Pearly Victorious" with Ossie Davis.
- On working at Naked City, learning from other actors; tricks of the trade in filming with shorter actors
- On the challenges of acting on camera; and how this sometimes sacrifices the ability of an actor to be spontaneous.
- On appearing briefly on various television episodes in the 50s and 60s
- Chapter 4
- On appearing on That Was the Week That Was
- On TVQ ratings, game shows, how it may have helped him get cast on MASH
- On his knowledge about the Vietnam War, reading the script for MASH
- On MASH going on the air in 1972, social climate, censorship
- On Network censorship at the beginning of MASH’s run; the “virgin” Islands episode
- Chapter 5
- On his character “Hawkeye” Pierce on M*A*S*H
- On Gene Reynolds; on becoming interested in directing
- On Larry Gelbart, Burt Metcalfe; on members of the cast of M*A*S*H
- On working with Harry Morgan and his sense of humor
- On specific episodes of M *A*S*H
- On the M*A*S*H episode "Inga" and doing a handspring on his way down the aisle to accept the Emmy award for that episode
- Chapter 6
- On the last episode and the shooting of the last scene shot of M*A*S*H
- On Scientific American Frontiers
- On E.R. and being his own critic
- On how fame to him had more negatives than positive
- On his proudest achievment, his family


Alan Alda is someone who brought heart to TV
The interviewer here really needs some lessons! Here he is with this brilliant man and the questions and interaction was very poor. I can think of a dozen current interviewers who could have done so much better job!
Starts 00:27
I love Alan Alda. But to me it seem like he was not enjoying himself. but I guess after a three hour interveiw one would get tired.
Alan Alda has to be one of my favorite actors of all time and favorite human beings and i feel bad he had to deal with this interviewer
There's someone who dislikes this?
god alan talking about stripper might give me nightmares
The interviewer is hopeless. Alda is interesting, courteous and makes the exchange work despite that fact.
Behold! A truly great man...
Hey! I like to point out we have a great aray of docuentaries in Britain not just animals eating each other.
loving this interview! he is just so interesting!
Post new comment