Bob Mackie
Costume Designer
About This Interview
In his interview for the Archive of American Television, Bob Mackie recounts his earliest experiences in Hollywood working for respected designers Edith Head and Jean Louis. He discusses working with Ray Aghayan on The Judy Garland Show, and recalls the notable television specials with which he was involved, including Brigadoon, Alice Through the Looking Glass, Carousel and Kismet. Mackie details his eleven-year tenure on The Carol Burnett Show, and explains the weekly requirements for designing costumes for the complex, ensemble show. He speaks fondly of designing costumes for Burnett’s most memorable characters: southern belle Starlett O’Hara from "Went With the Wind," dim-bulb secretary Mrs. Wiggins, shrill Eunice Harper Higgens, and fading legend Nora Desmond. Mackie describes his successful collaboration with Cher, beginning on The Sonny and Cher Comedy Hour and continuing with Cher, The Sonny and Cher Show, and her various television, concert, and public appearances (including her well-known Academy Award outfits). He also comments on his designs for Donny and Marie, The Diahann Carroll Show, and such feature films as “Lady Sings the Blues” and “Funny Lady.” He speaks about his most recent work, including a line of collectible dolls for Mattel’s Barbie, more television collaborations with Carol Burnett, and television specials including Gypsy and Mrs. Santa Claus. Finally, he reminisces about designing for such performers as Bette Midler, Bernadette Peters, Carol Channing, Elton John, Dinah Shore, Ann-Margret, Mitzi Gaynor and Lucille Ball. Jennifer Howard conducted the three hour interview in North Hollywood, CA on June 29, 2000.
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Highlights
Bob Mackie on the famous curtain-rod dress he made for Carol Burnett in a spinoff of Gone With the Wind on her show (02m 16s)
Bob Mackie on finding inspiration for costume designing on television (00m 39s)
Bob Mackie on Carol Burnett's signature roles
Bob Mackie on creating costumes for Alice Through The Looking Glass
Chapters
- Chapter 1
- On his childhood and early influences; on his love of movies and Technicolor; on his designs in college and his first professional job at Paramount
- On assisting Ray Aghayan on The Judy Garland Show; On working with Edith Head and Judy Garland
- On television specials for Danny Thomas and Jimmy Durante; on Alice Through the Looking Glass
- Chapter 2
- On creating costumes for Alice Through the Looking Glass; on the 1960's fashions
- On costume design for The Carol Burnett Show; on designing for film and Broadway; on designing for black and white television; on accommodating for star's pregnancy
- On his inspiration for designs; on the famous curtain-rod dress he made for Carol Burnett in a spoof of Gone With the Wind on her show
- Chapter 3
- On working within constraints of a budget; on dealing with censorship of designs; On the cast and fashions of The Carol Burnett Show
- On memorable characters and skits on The Carol Burnett Show - "Mrs. Wiggins," "Eunice," "Mama Harper," "Nora Desmond," and "Zelda"
- Chapter 4
- On "Charwoman" and his favorite costumes of The Carol Burnett Show; on Carol & Company; on television specials with Fred Astaire and Diana Ross
- On working on The Carol Burnett Show and The Sonny and Cher Show at the same time; On working with Cher
- Chapter 5
- On costume design for Marie Osmond of Donny and Marie; on The Diahann Carroll Show; on his book Dressing for Glamour
- On movies for which he did costumes - Lady Sings the Blues, Funny Lady, Pennies from Heaven, Staying Alive and Brenda Starr; on opening Bob Mackie Originals; on Mama's Family
- On designing clothing for the Red Carpet and designing production numbers for The Academy Awards; on designing for Barbie; On Gypsy and Tales From the City
- Chapter 6
- On some of the writers on the Sonny and Cher Show; on Mrs. Santa Claus; on working on a ballet done to Elvis music - Blue Suede Shoes, Ballet Rocks; on collaborating with Bette Midler
- On his thoughts on people with whom he's worked; on successful collaborations
- On his current projects; on his design style; on advice to aspiring costume designers
- Chapter 7
- On the state of costume design for television today; on believing MTV is the most visually interesting thing on TV; on career highlights
- On his regrets - never learning stage design; on how he'd like to be remembered


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