Bob Schiller and Bob Weiskopf
Writer
About This Interview
Bob Weiskopf was interviewed along with longtime collaborator Bob Schiller for four hours in Santa Monica, CA, consisting of two parts: three hours together and a half-hour with each alone. Individually, they each explained how they got their respective starts in the entertainment industry, and about the many famed radio shows and performers that they were associated with in their early careers, including "Duffy’s Tavern" (Schiller) and "The Fred Allen Show" (Weiskopf). Together, they remembered how they came to form their partnership, and the many early television projects for which they wrote. The duo spent a great deal of time recalling their years as staff writers on I Love Lucy (later The Lucy-Desi Comedy Hour), and their collaboration on that show with Jess Oppenheimer, Madelyn Pugh Davis and Bob Carroll, as well as the show’s stars. They looked back on the writing process for the show, and the events that took place behind the scenes each week. Next, they talked about their work on such programs as The Lucy Show, The Red Skelton Show, The Carol Burnett Show and The Flip Wilson Show. They recalled in detail their collaboration with producer Norman Lear on Maude, and the balance that was often required of them as writer/producers to find humor in dramatic situations. Later, they talked about their work on other Lear shows, including All in the Family, Archie Bunker’s Place, Sanford and Son and Checking In. Finally, they discussed their most recent work on various television projects and pilots, and their honor at being awarded the Writers Guild of America’s Paddy Chayefsky Laurel Award for Television Achievement in 1988. The interview was conducted by Karen Herman on April 4, 2000.
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Highlights
Bob Schiller and Bob Weiskopf on writing for television versus radio (02m 42s)
Bob Schiller and Bob Weiskopf on the longest laugh on I Love Lucy and how William Asher didn't think it would work
Bob Schiller and Bob Weiskopf on their style of writing for I Love Lucy with "backwards plotting" (14m 51s)
Bob Schiller and Bob Weiskopf on "Lucy Does the Tango" episode of I Love Lucy (02m 03s)
Bob Schiller and Bob Weiskopf on their favorite Lucy episode; the "classic" title given to the I Love Lucy and how much they got paid
Chapters
- Chapter 1
- Solo interview with Bob Weiskopf on his early childhood, family, and his early interests and education
- Bob Weiskopf on his first writing job with Eddie Cantor
- Bob Weiskopf on the Rudy Valee Show (radio); on Jess Oppenheimer; on working during wartime (WWII)
- Bob Weiskopf on The Fred Allen Show (formerly "Town Hall Tonight) on radio
- Bob Weiskopf on being drafted in the Army during WWII; on leaving the Fred Allen Show
- Bob Weiskopf on the first time he saw television
- Bob Weiskopf on writing for Make Room For Daddy for Danny Thomas, briefly
- Chapter 2
- Interview with Bob Schiller on his childhood, and "growing up with words"
- Bob Schiller on his early interest in humor and his education at UCLA; early work in advertising
- Bob Schiller on his service in the Army during WWII
- Bob Schiller on his early work writing for radio; how he got hired by Ed Gardner to write for Duffy's Tavern
- Bob Schiller on working for Mel Blanc, The Adventures of Ozzie and Harriet
- Bob Schiller on transitioning to television from radio
- Bob Schiller on working with Ed Wynn
- Chapter 3
- Joint interview with Bob Schiller and Bob Weiskopf; on how they became writing partners
- Bob Schiller and Bob Weiskopf on Make Room for Daddy; the first television show they worked on as partners and other tv shows- That's my Boy, My Favorite Husband, the Bob Cummings Show
- Bob Schiller and Bob Weiskopf on writing for It's Always Jan with Janis Paige
- Bob Schiller and Bob Weiskopf on how they came to write for I Love Lucy in its fourth season, the most popular show on tv at the time; on Bob Carroll and Madelyn Pugh Davis
- Bob Schiller and Bob Weiskopf on working with Lucille Ball
- Bob Schiller and Bob Weiskopf on the I Love Lucy writing process
- Chapter 4
- Bob Schiller and Bob Weiskopf on the writing process on I Love Lucy and a typical workweek
- Bob Schiller and Bob Weiskopf on the musical skits on I Love Lucy and the rehearsal process
- Bob Schiller and Bob Weiskopf on how little rewriting there was on I Love Lucy and hardly any ad-libbing
- Bob Schiller and Bob Weiskopf on the rest of the below-the-line crew on I Love Lucy
- Bob Schiller and Bob Weiskopf on I Love Lucy' s guest stars like Orson Welles
- Bob Schiller and Bob Weiskopf on some of the storylines on I Love Lucy; stomping on the grapes, Bob Hope
- Bob Schiller and Bob Weiskopf on "Lucy Does the Tango" episode of I Love Lucy
- Chapter 5
- Bob Schiller and Bob Weiskopf on the last half-hour episodes of I Love Lucy; on their individual favorite episodes
- Bob Schiller and Bob Weiskopf on the "classic" title given to the I Love Lucy and how much they got paid
- Bob Schiller and Bob Weiskopf on the personal relationship between Desi Arnaz and Lucille Ball; on how the departure of Bob Carroll and Madelyn Pugh Davis affected them
- Bob Schiller and Bob Weiskopf on the last Desilu production with Ernie Kovacs
- Bob Schiller and Bob Weiskopf on writing for films
- Bob Schiller and Bob Weiskopf on the Lucy show
- Chapter 6
- On the Lucy show; on leaving I Love Lucy
- Bob Schiller and Bob Weiskopf on moving from Lucy to the Red Skelton Show; and Red's reputation among writers
- On writing for Phyllis Diller, Carol Burnett, Flip Wilson, and Norman Lear
- Chapter 7
- On Maude and its star Bea Arthur
- On All in the Family
- Chapter 8
- On the creating the character of "Archie Bunker"
- Chapter 9
- Full Chapter Nine


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