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David Pressman

Director

"An unprepared director who comes to rehearsal not fully prepared is a disaster. Don’t depend on improvisation.... Like a conductor of an orchestra, you have to know your instruments and how they work and what can they do.  Otherwise, the musicians will find you out. And so will the actors."

About This Interview

David Pressman (1913-2011) was interviewed for three hours plus in New York, NY.  Pressman recounted his arrival in the U.S. from Russia in 1922 and his early interest in acting.  He talked about acting at the Neighborhood Playhouse in the 1930s and his entrance into WWII in the early 40s (as well as describing the feeling of returning home from the war, seeing the Statue of Liberty from a porthole on his ship).  He talked about the Actor’s Studio that was created in 1947, which he described as a “gym” for actors.  He spoke in great detail about the “live” prestige ABC television drama series Actors Studio that started shortly after the Studio itself opened and which featured many of the emerging talent at the time.  Pressman talked about appearing as an actor in the very first production of Actors Studio and then becoming one of the series primary directors.  He talked about the process by which the productions were staged and directed for television.  He listed the writers, performers, and other talent who worked on the show and the series’ struggle for sponsorship.  Pressman talked about the excitement of working in “live” television and talked about other anthology series he directed.  He detailed his struggle to work as a director in television despite the shadow of the Hollywood Blacklist, and how he ultimately switched careers to teaching until the end of the blacklist, when he returned to television, notably as an Emmy Award-winning director of the daytime serial One Life to Live.  B-roll consisted of photos of Esso Repertory Theater, Prudential’s On Stage, the CBS control room during a production of The Play’s the Thing, and Pressman’s appearance as an actor in a small role on One Life to Live.  Pressman also showed off his daytime Emmy Awards and talked about receiving them.  The interview was conducted by Karen Herman on July 27, 2004.

Related To This Video

  • Shows
  • People
  • Topics

Shows

  • Actors Studio
  • Another World
  • Defenders, The
  • Esso Repertory Theatre
  • N.Y.P.D.
  • Nurses, The
  • One Life to Live
  • Philip Morris Playhouse, The
  • Treasury Men in Action

People

  • Agnes Nixon
  • Erika Slezak

Topics

  • Historic Events and Social Change
  • Technological Innovation
  • Television Industry
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  • Highlights
  • Chapters
  • Shows
  • People
  • Topics

Highlights

  • David Pressman on casting and directing 
        <i>Actor's Studio</i> (Jocelyn Brando, Kim Hunter, Lee Grant, Rod Steiger, E.G. Marshall) (04m 11s)David Pressman on casting and directing Actor's Studio (Jocelyn Brando, Kim Hunter, Lee Grant, Rod Steiger, E.G. Marshall) (04m 11s)
  • David Pressman on learning his was blacklisted and on being fired from 
        <i>Treasury Men in Action</i> (05m 02s)David Pressman on learning his was blacklisted and on being fired from Treasury Men in Action (05m 02s)
  • David Pressman on directing 
        <i>The Philip Morris Playhouse</i>while he was blacklisted (06m 27s)David Pressman on directing The Philip Morris Playhousewhile he was blacklisted (06m 27s)
  • David Pressman on directing 
        <i>Another World</i> live-on-tape (00m 41s)David Pressman on directing Another World live-on-tape (00m 41s)
  • David Pressman on directing 
        <i>One Life to Live</i> (starting in 1970 for 28 years) (10m 05s)David Pressman on directing One Life to Live (starting in 1970 for 28 years) (10m 05s)

Chapters

  • Chapter 1
  • Full Chapter One
  • Chapter 2
  • Full Chapter Two
  • Chapter 3
  • Full Chapter Three
  • Chapter 4
  • Full Chapter Four
  • Chapter 5
  • Full Chapter Five
  • Chapter 6
  • Full Chapter Six
  • Chapter 7
  • Full Chapter Seven

Shows

  • Actors Studio
    • David Pressman on casting and directing Actor's Studio (Jocelyn Brando, Kim Hunter, Lee Grant, Rod Steiger, E.G. Marshall) (04m 11s)
    • David Pressman on the change of Actor's Studio to The Play's the Thing on CBS and comparing the rules for directors on ABC vs. NBC vs. CBS (03m 29s)
  • Another World
    • David Pressman on directing Another World live-on-tape (00m 41s)
    • David Pressman on directing Another World  (05m 14s)
  • Defenders, The
    • David Pressman on directing one episode of The Defenders (01m 55s)
  • Esso Repertory Theatre
    • David Pressman on his first television job (and his first use of videotape) after being blacklisted: directing Esso Repertory Theatre for David Susskind (02m 11s)
  • N.Y.P.D.
    • David Pressman on directing NYPD (01m 41s)
  • Nurses, The
    • David Pressman on directing the soap opera The Nurses (01m 51s)
  • One Life to Live
    • David Pressman on directing One Life to Live (starting in 1970 for 28 years) (10m 05s)
    • Director David Pressman on the production details and producers of One Life to Live  
      (03m 10s)
    • David Pressman on the writing on One Life to Live   and how technology has changed the production process (02m 05s)
    • Director David Pressman on some of the social issues (i.e. drugs, racial issues) covered on One Live to Live (03m 22s)
    • David Pressman on storylines of One Life to Live (the trial of Vicki with Judith Light) (01m 08s)
  • Philip Morris Playhouse, The
    • David Pressman on directing The Philip Morris Playhouse while he was blacklisted (06m 27s)
  • Treasury Men in Action
    • David Pressman on directing Treasury Men in Action (03m 31s)
    • David Pressman on learning his was blacklisted and on being fired from Treasury Men in Action (05m 02s)

People

  • Elia Kazan
    • David Pressman on Elia Kazan's rationalization for naming names during the Blacklist era
      (03m 36s)
  • Agnes Nixon
    • David Pressman on working with One Life to Live creator Agnes Nixon (who offered him the job to produce All My Children) (01m 03s)
  • Irna Phillips
    • David Pressman (director on Another World) on Irna Phillips (01m 39s)
  • Doris Quinlan
    • Director David Pressman on the production details and producers of One Life to Live  
      (03m 10s)
  • Erika Slezak
    • David Pressman on directing Erika Slezak on One Life to Live (01m 57s)
  • David Susskind
    • David Pressman on his first television job (and his first use of videotape) after being blacklisted: directing Esso Repertory Theatre for David Susskind
      (02m 11s)

Topics

  • Historic Events and Social Change > Diversity in Television > Minorities
    • Director David Pressman on some of the social issues (i.e. drugs, racial issues) covered on One Live to Live
      (03m 22s)
  • Historic Events and Social Change > Health and Medicine
    • Director David Pressman on some of the social issues (i.e. drugs, racial issues) covered on One Live to Live
      (03m 22s)
  • Technological Innovation
    • David Pressman on his first television job (and his first use of videotape) after being blacklisted: directing Esso Repertory Theatre for David Susskind
      (00m 20s)
  • Television Industry > Industry Crossroads > Hollywood Blacklist (ca. 1950s)
    • David Pressman on learning his was blacklisted and on being fired from Treasury Men in Action (05m 02s)
    • David Pressman on being blacklisted; on teaching at Boston University from 1954-1959 during his unemployment; on then running the Neighborhood Playhouse; on the end of the blacklist; on trying to get jobs in television during the blacklist period; on David Susskind hiring him for television (08m 53s)
    • David Pressman on how he was personally affected by his blacklisting (04m 47s)
    • David Pressman on "secretly" directing The Philip Morris Playhouse while he was blacklisted
      (06m 27s)
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