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Dick Stiles

Art Director

"I always try to pay close attention to the needs of the show as far as what type of show it is. My style is not to overwhelm the performer or whoever is in front of us."

About This Interview

Dick Stiles (1933-2008) was interviewed for one hour at the Academy of Television Arts & Sciences headquarters in North Hollywood, CA. Stiles spoke about his early years and his interest in art, as well as his first foray into television at the University of Texas at Houston's station, KUHT. He recalled moving to Los Angeles and working as a CBS page until he was promoted to draftsman on The Red Skelton Show. He spoke about working at CBS' Television City and the introduction of color technology, as well as about the craft of drafting and art direction. He detailed his work on various other productions, culminating in a 27-year career as the art director of Wheel of Fortune. He also spoke about his contributions in the selection of artists and creation of sculptures on the plaza of the Television Academy's headquarters. The interview was conducted by Karen Herman on June 21, 2003.

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Shows

  • Carol Burnett Show, The (1967-1978)
    • Art Director Dick Stiles talks about his sculpture of Carol Burnett that resides as part of the Academy of Television Arts & Sciences Hall of Fame Plaza in North Hollywood, CA (02m 05s)

People

  • Carol Burnett
    • Art Director Dick Stiles talks about his sculpture of Carol Burnett that resides as part of the Academy of Television Arts & Sciences Hall of Fame Plaza in North Hollywood, CA (02m 05s)
  • Rod Serling
    • Art Director Dick Stiles on creating the Rod Serling sculpture in the Academy of Television Arts & Sciences Plaza in North Hollywood, CA (02m 21s)
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Submitted by TheKate123 on Thu, 2010-10-14 20:07.

he was my uncle.
not my biological uncle, but he was my grandparent's best friend before my dad and my aunt and uncle were born.

i only met him once when i was really little but he was an incredible man and i'm so sad i didn't get the chance to know him.

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