Dorothy Fontana
Writer
About This Interview
Dorothy C. Fontana was interviewed for three-and-a-half hours in Studio City, CA. Fontana recalled her early career working for producers such as Samuel Peeples and Del Reisman, and described how she came to work for writer/producer Gene Roddenberry as his assistant on The Lieutenant. Next, she spoke about the development of the science-fiction series Star Trek. She talked at great length about the show, including discussing the cast, the technology, and working with Roddenberry. She also explained how she came to be a writer on the series, and described the episodes that she wrote. Later, she discussed her other many writing credits, including Star Trek: The Animated Series, The Streets of San Francisco, Logan’s Run, and The Waltons. Finally, Fontana talked about her experiences working on the first season of the series Star Trek: The Next Generation. The interview was conducted by Karen Herman on December 29, 2003.
Related To This Video
Featured Content
Video: According to her Archive interview, Dorothy Fontana's favorite - Star Trek full episode "Journey to Babel" written by D.C. Fontana (airdate: November 17, 1967)
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Highlights
Dorothy "DC" Fontana on her favorite Star Trek episode "Journey to Babel" about Spock's parents (01m 28s)
Dorothy "DC" Fontana on Leonard Nimoy and his character "Mr. Spock" on Star Trek (00m 46s)
Dorothy "DC" Fontana on "Uhura" and "Number One"- one of the first major female black characters, on Star Trek (01m 29s)
Dorothy "DC" Fontana on the Star Trek episode "Friday's Child", over which she argued with Gene Rodenberry about the portrayal of women; she had a different ending (01m 55s)
Chapters
- Chapter 1
- On her early years and influences, her education, and her interest in writing
- On her first job in television as a secretary at Screen Gems in New York, where she decided to write for television
- On moving to California and working at Revue Studios, where she was mentored by Samuel Peeples; on selling her first television story for The Tall Man; on writing scripts for Shotgun Slade and Frontier Circus
- On the challenges of being a woman writer and using D.C. Fontana on her scripts so that she would be given a chance
- On becoming secretary for Del Reisman and Gene Roddenberry on The Lieutenant; and her early involvement in the Writers Guild
- On the original concept and vision of Star Trek, the pilot process, and the sale of the series to NBC; on Desilu Studios where the series was filmed
- Chapter 2
- On Star Trek's production schedule; on other pilots being produced by Gene Roddenberry; on being hired on Star Trek
- On Star Trek's initial production crew and on developing the look of the series and of the starship
- On Star Trek's creation of aliens using "the Horta" from "The Devil in the Dark" episode as an example; on the technology used in Star Trek's world
- On the casting of Star Trek; on her duties on the series; on being promoted to story editor; on working with the writers
- On the direction given to Star Trek writers; on writing a television script; the minimal censorship issues
- On the working environment in the Star Trek production offices; on Gene Roddenberry's working style
- Chapter 3
- On the Star Trek cast and the characters they portrayed
- On the Star Trek episodes she wrote and some of her favorite episodes from the series
- Chapter 4
- On her least-favorite episode of Star Trek; Klingons; on Gene Roddenberry's "Great Bird of the Galaxy " nickname; on leaving the series at the end of the second season but remaining as a freelancer
- On her freelance writing work including Bonanza, The Big Valley, Here Come the Brides, and Then Came Bronson
- On her writing process and philosophy
- On being associate producer of Star Trek: The Animated Series
- Chapter 5
- On Star Trek: The Animated Series
- On writing for The Streets of San Francisco
- Chapter 6
- On the characters of Data, Picard and Riker on Star Trek: The Next Generation; updating the 1960s technology and worldview for The Next Generation; on some of the episodes she wrote; on leaving the series after the first season
- On Star Trek and Gene Roddenberry's legacy and Star Trek fan culture
- On working on Star Trek: Deep Space Nine, Babylon 5, and Earth: Final Conflict; on writing animation scripts
- Chapter 7
- Full Chapter Seven


What a valuable interview this is in so many ways. DC Fontana understands ST-TOS better than anyone else and this conversation proves it.
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