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Dorothy Fontana

Writer

"My style has changed over the years. I look back at my original scripts and say, 'oh my gosh, I wrote that?' Because I don’t write like that now. It evolves, it changes, because as person you should be evolving and changing. That comes out in the writing."

About This Interview

Dorothy C. Fontana was interviewed for three-and-a-half hours in Studio City, CA. Fontana recalled her early career working for producers such as Samuel Peeples and Del Reisman, and described how she came to work for writer/producer Gene Roddenberry as his assistant on The Lieutenant. Next, she spoke about the development of the science-fiction series Star Trek. She talked at great length about the show, including discussing the cast, the technology, and working with Roddenberry. She also explained how she came to be a writer on the series, and described the episodes that she wrote. Later, she discussed her other many writing credits, including Star Trek: The Animated Series, The Streets of San Francisco, Logan’s Run, and The Waltons. Finally, Fontana talked about her experiences working on the first season of the series Star Trek: The Next Generation.  The interview was conducted by Karen Herman on December 29, 2003.

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Featured Content

Video: According to her Archive interview, Dorothy Fontana's favorite - Star Trek full episode "Journey to Babel" written by D.C. Fontana (airdate: November 17, 1967)

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Highlights

  • Dorothy "DC" Fontana on her favorite<i> Star Trek</i>  episode "Journey to Babel" about Spock's parents (01m 28s)Dorothy "DC" Fontana on her favorite Star Trek episode "Journey to Babel" about Spock's parents (01m 28s)
  • Dorothy "DC" Fontana on Leonard Nimoy and his character "Mr. Spock" on <i>Star Trek</i> (00m 46s)Dorothy "DC" Fontana on Leonard Nimoy and his character "Mr. Spock" on Star Trek (00m 46s)
  • Dorothy "DC" Fontana on "Uhura" and "Number One"- one of the first major female black characters, on <i>Star Trek</i> (01m 29s)Dorothy "DC" Fontana on "Uhura" and "Number One"- one of the first major female black characters, on Star Trek (01m 29s)
  • Dorothy "DC" Fontana on the <i>Star Trek</i>  episode "Friday's Child", over which she argued with Gene Rodenberry about the portrayal of women; she had a different ending (01m 55s)Dorothy "DC" Fontana on the Star Trek episode "Friday's Child", over which she argued with Gene Rodenberry about the portrayal of women; she had a different ending (01m 55s)

Chapters

  • Chapter 1
  • On her early years and influences, her education, and her interest in writing
  • On her first job in television as a secretary at Screen Gems in New York, where she decided to write for television
  • On moving to California and working at Revue Studios, where she was mentored by Samuel Peeples; on selling her first television story for The Tall Man;  on writing scripts for Shotgun Slade and Frontier Circus
  • On the challenges of being a woman writer and using D.C. Fontana on her scripts so that she would be given a chance
  • On becoming secretary for Del Reisman and Gene Roddenberry on The Lieutenant; and her early involvement in the Writers Guild
  • On the original concept and vision of Star Trek, the pilot process, and the sale of the series to NBC; on Desilu Studios where the series was filmed
  • Chapter 2
  • On Star Trek's production schedule; on other pilots being produced by Gene Roddenberry; on being hired on Star Trek
  • On Star Trek's initial production crew and on developing the look of the series and of the starship
  • On Star Trek's creation of aliens using "the Horta" from "The Devil in the Dark" episode as an example; on the technology used in Star Trek's world
  • On the casting of Star Trek; on her duties on the series; on being promoted to story editor; on working with the writers
  • On the direction given to Star Trek writers; on writing a television script; the minimal censorship issues
  • On the working environment in the Star Trek production offices; on Gene Roddenberry's working style
  • Chapter 3
  • On the Star Trek cast and the characters they portrayed
  • On the Star Trek episodes she wrote and some of her favorite episodes from the series
  • Chapter 4
  • On her least-favorite episode of Star Trek; Klingons; on Gene Roddenberry's "Great Bird of the Galaxy " nickname; on leaving the series at the end of the second season but remaining as a freelancer
  • On her freelance writing work including Bonanza, The Big Valley, Here Come the Brides, and Then Came Bronson
  • On her writing process and philosophy
  • On being associate producer of Star Trek: The Animated Series
  • Chapter 5
  • On Star Trek: The Animated Series
  • On writing for The Streets of San Francisco
  • Chapter 6
  • On the characters of Data, Picard and Riker on Star Trek: The Next Generation; updating the 1960s technology and worldview for The Next Generation; on some of the episodes she wrote; on leaving the series after the first season
  • On  Star Trek and Gene Roddenberry's legacy and Star Trek fan culture
  • On working on Star Trek: Deep Space Nine,  Babylon 5, and Earth: Final Conflict; on writing animation scripts
  • Chapter 7
  • Full Chapter Seven

Shows

  • Babylon 5
    • Dorothy Fontana on Babylon 5  and on Michael Straczynski's vision for the series (05m 27s)
  • Big Valley, The
    • Dorothy Fontana on writing for  The Big Valley
      (02m 12s)
  • Bonanza
    • Dorothy Fontana on writing three scripts for Bonanza (01m 02s)
  • Buck Rogers in the 25th Century
    • Dorothy Fontana on writing a Buck Rogers in the 25th Century script (02m 44s)
  • Captain Simian and the Space Monkeys
    • Dorothy Fontana on this sci-fi takeoff show, based on Star Trek
  • Dallas
    • Dorothy Fontana on writing for Dallas early in its run (02m 05s)
  • Earth: Final Conflict
    • Dorothy Fontana on Earth: Final Conflict (01m 58s)
  • Frontier Circus
    • Dorothy Fontana briefly on writing scripts for Shotgun Slade and Frontier Circus
      (02m 25s)
  • Here Come the Brides
    • Dorothy Fontana on writing for  Here Come the Brides
      (01m 03s)
  • Lieutenant, The
    • Dorothy Fontana on becoming secretary for Del Reisman and Gene Roddenberry on The Lieutenant; and her early involvement in the Writers Guild
      (04m 11s)
  • Logan’s Run
    • Dorothy Fontana on being executive story consultant on Logan's Run (03m 17s)
  • Mission: Impossible
    • Dorothy Fontana on Star Trek's production schedule and how the series was initially picked up
      (03m 15s)
  • Shotgun Slade
    • Dorothy Fontana briefly on writing scripts for Shotgun Slade and Frontier Circus (02m 25s)
  • Six Million Dollar Man, The
    • Dorothy Fontana on writing two scripts for The Six Million Dollar Man and getting NASA's full cooperation (02m 58s)
  • Star Trek
    • Dorothy Fontana on the original concept and vision of Star Trek, the pilot process, and the sale of the series to NBC (04m 58s)
    • Dorothy Fontana on Star Trek's production schedule and how the series was initially picked up
      (03m 15s)
    • Dorothy Fontana on Star Trek's initial production crew and on developing the look of the series and of the starship
      (03m 36s)
    • Dorothy Fontana on Star Trek's creation of aliens using "the Horta" from "The Devil in the Dark" episode as an example
      (01m 52s)
    • Dorothy Fontana on the technology used in Star Trek's world
      (02m 41s)
    • Dorothy Fontana on the casting of Star Trek; on her duties on the series; on being promoted to story editor; on working with the writers
      (08m 30s)
    • Dorothy Fontana on the direction given to Star Trek writers; on writing a television script; the minimal censorship issues; working with Gene Roddenberry
      (08m 30s)
    • Dorothy Fontana on the cast of Star Trek and their characters (10m 31s)
    • Dorothy Fontana on the Star Trek episode "Charlie X" (01m 41s)
    • Dorothy Fontana on the Star Trek episode "This Side of Paradise", which elevated her to story editor on the series (02m 04s)
    • Dorothy Fontana on her favorite Star Trek episode "Journey to Babel" about Spock's parents (01m 28s)
    • Dorothy Fontana on the Star Trek episode "Friday's Child", over which she argued with Gene Rodenberry about the portrayal of women; she had a different ending (01m 55s)
    • Dorothy Fontana on her least-favorite episode of Star Trek; Klingons; on Gene Roddenberry's "Great Bird of the Galaxy" nickname (02m 11s)
  • Star Trek: Deep Space Nine
    • Dorothy Fontana on Star Trek: Deep Space Nine (01m 34s)
  • Star Trek: The Animated Series
    • Dorothy Fontana on being associate producer of Star Trek: The Animated Series
      (09m 38s)
    • Dorothy Fontana on Star Trek: The Animated Series storylines (02m 06s)
  • Star Trek: The Next Generation
    • Dorothy Fontana on the development and casting of Star Trek: The Next Generation
    • Dorothy Fontana on the characters and storylines of Star Trek: The Next Generation (18m 08s)
  • Streets of San Francisco
    • Dorothy Fontana on writing for The Streets of San Francisco (03m 13s)
  • Tall Man, The
    • Dorothy Fontana on the first story she sold for television on The Tall Man (01m 19s)
  • Then Came Bronson
    • Dorothy Fontana on writing for  Then Came Bronson
      (00m 48s)
  • Waltons, The
    • Dorothy Fontana on writing the episode "The Beau" for The Waltons (02m 28s)

People

  • Samuel A. Peeples
    • Dorothy Fontana on the original concept and vision of Star Trek, the pilot process, and the sale of the series to NBC
      (04m 58s)
    • Dorothy Fontana on being mentored in television writing by Samuel Peeples (01m 11s)
  • Lucille Ball
    • Dorothy Fontana on the status of Desilu Studios at the time Star Trek was being developed
      (01m 02s)
  • Majel Barrett-Roddenberry
    • Dorothy Fontana on Earth: Final Conflict (01m 58s)
  • George Clayton Johnson
    • Dorothy Fontana on George Clayton Johnson's work on Star Trek (00m 58s)
  • Ellen Corby
    • Dorothy Fontana on writing the episode "The Beau" for The Waltons
      (02m 28s)
  • Oliver Crawford
    • Dorothy Fontana on Oliver Crawford and Richard Matheson's work on Star Trek
      (00m 58s)
  • James Doohan
    • Dorothy Fontana on the cast of Star Trek and their characters
      (10m 31s)
  • Harlan Ellison
    • Dorothy Fontana on Harlan Ellison's work on Star Trek  on the episode "City on the Edge of Forever"
      (00m 42s)
  • Herbert F. Solow
    • Dorothy Fontana on Star Trek's production schedule and how the series was initially picked up
      (03m 15s)
  • David Gerrold
    • Dorothy Fontana on the Star Trek episode "The Trouble with Tribbles" (01m 21s)
  • Earl Hamner, Jr.
    • Dorothy Fontana on writing the episode "The Beau" for The Waltons
      (02m 28s)
  • Matt Jeffries
    • Dorothy Fontana on Star Trek's initial production crew and on developing the look of the series and of the starship
      (03m 36s)
  • DeForest Kelley
    • Dorothy Fontana on the casting of Star Trek
      (01m 39s)
  • Walter Koenig
    • Dorothy Fontana on the cast of Star Trek and their characters
      (10m 31s)
  • Jack Lord
    • Dorothy Fontana on the casting of Star Trek (01m 39s)
  • Quinn Martin
    • Dorothy Fontana on writing for The Streets of San Francisco
      (03m 13s)
  • Richard Matheson
    • Dorothy Fontana on Oliver Crawford and Richard Matheson's work on Star Trek
      (00m 58s)
  • Nichelle Nichols
    • Dorothy Fontana on the cast of Star Trek and their characters
      (10m 31s)
  • Leonard Nimoy
    • Dorothy Fontana on the first story she sold for television on The Tall Man
      (01m 19s)
    • Dorothy Fontana on Leonard Nimoy and his character "Mr. Spock" on Star Trek (00m 46s)
  • Del Reisman
    • Dorothy Fontana on becoming secretary for Del Reisman and Gene Roddenberry on The Lieutenant; and her early involvement in the Writers Guild
      (04m 11s)
  • Gene Roddenberry
    • Dorothy Fontana on Star Trek's initial production crew and on developing the look of the series and of the starship
      (03m 36s)
    • Dorothy Fontana on her least-favorite episode of Star Trek; Klingons; on Gene Roddenberry's "Great Bird of the Galaxy" nickname
      (02m 11s)
    • Dorothy Fontana on becoming secretary for Del Reisman and Gene Roddenberry on The Lieutenant; and her early involvement in the Writers Guild
      (04m 11s)
    • Dorothy Fontana on working on Star Trek: The Next Generation and Gene Roddenberry's legacy (06m 18s)
    • Dorothy Fontana on the original concept and vision of Star Trek, the pilot process, and the sale of the series to NBC
      (04m 58s)
    • Dorothy Fontana on Star Trek's production schedule and how the series was initially picked up
      (03m 15s)
  • William Shatner
    • Dorothy Fontana on the casting of Star Trek
      (01m 39s)
    • Dorothy Fontana on William Shatner and his "Captain Kirk" character on Star Trek (01m 40s)
  • Barbara Stanwyck
    • Dorothy Fontana on writing for  The Big Valley
      (02m 12s)
  • Michael Straczynski
    • Dorothy Fontana on Babylon 5  and on Michael Straczynski's vision for the series (05m 27s)
  • George Takei
    • Dorothy Fontana on the cast of Star Trek and their characters
      (10m 31s)

Topics

  • Creative Influences and Inspiration
    • Dorothy Fontana on being mentored in television writing by Samuel Peeples
      (01m 11s)
    • Dorothy Fontana on updating the 1960s Star Trek worldview when making Star Trek: The Next Generation
      (01m 34s)
  • Historic Events and Social Change > Diversity in Television > Women
    • Dorothy Fontana on the challenges of being a woman writer and using D.C. Fontana on her scripts so that she would be given a chance
      (03m 01s)
    • Dorothy Fontana on "Uhura" and "Number One"- one of the first major female black characters, on Star Trek (01m 29s)
    • Dorothy  Fontana on the Star Trek episode "Friday's Child", over which she argued with Gene Rodenberry about the portrayal of women; she had a different ending (01m 55s)
    • Dorothy Fontana on writing for The Streets of San Francisco
      (03m 13s)
  • Pop Culture > Characters & Catchphrases
    • Dorothy Fontana on the original concept and vision of Star Trek, the pilot process, and the sale of the series to NBC
      (01m 02s)
    • Dorothy Fontana on the technology used in Star Trek's world
      (02m 41s)
    • Dorothy Fontana on Star Trek's "Klingons" (01m 23s)
  • Pop Culture > Classic TV series episodes > Drama
    • Dorothy Fontana on Star Trek's creation of aliens using "the Horta" from "The Devil in the Dark" episode as an example
      (01m 52s)
  • Television Industry > Censorship / Standards & Practices
    • Dorothy Fontana on the minimal censorship issues on Star Trek (00m 40s)
  • Television Industry > Industry Crossroads > Industry Strikes
    • Dorothy Fontana on working at Revue Studios during the actor and writers' strikes in 1960 (01m 24s)
  • Television Industry > Studio Management
    • Dorothy Fontana on the status of Desilu Studios at the time Star Trek was being developed (01m 02s)

Genres

  • Animation
    • Dorothy Fontana on being associate producer of Star Trek: The Animated Series
      (09m 38s)
  • Sci-Fi/Supernatural Series
    • Dorothy Fontana on the original concept and vision of Star Trek, the pilot process, and the sale of the series to NBC
      (01m 02s)
    • Dorothy Fontana on Star Trek's creation of aliens using "the Horta" from "The Devil in the Dark" episode as an example; on the technology used in Star Trek's world
      (04m 33s)
    • Dorothy Fontana on the messages incorporated into Star Trek scripts (02m 27s)
    • Dorothy Fontana on updating the 1960s Star Trek worldview when making Star Trek: The Next Generation
      (01m 34s)
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Submitted by Trekkie on Sat, 2011-12-31 22:53.

What a valuable interview this is in so many ways. DC Fontana understands ST-TOS better than anyone else and this conversation proves it.

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