Frances Buss Buch
Director
About This Interview
Frances Buss Buch (1917-2010) was interviewed for two hours plus in Hendersonville, NC. She described how a two-week temporary job at CBS led to an over decade-long association with the network, and her historic role as CBS’ very first female director. She detailed her work at CBS before and after broadcasting was interrupted during World War II. She talked about her assistance creating maps for the news program on December 7, 1941, when the Japanese attacked Pearl Harbor. She described several of the earliest commercial broadcasts on CBS which featured her on-camera, including The Country Dance, a monthly dance program by the American Country Dance Society; Children’s Story, in which a story was read to a child, “illustrated” by an artist on camera; and the CBS Television Quiz, which featured such games as “Peanuts in the Bottle” in which a contestant attempted to spoon peanuts into an empty milk bottle that they held on their head. She talked about some of her earliest directorial efforts such as Sorry Wrong Number, an adaptation of the famed radio show. Buch talked about several of the key creative talent at CBS at the time including Worthington Miner and Gilbert Seldes. She spoke in great detail about other early CBS series including The Missus Goes A-Shopping, To the Queen’s Taste with Dione Lucas, The Whistling Wizard, and Mike and Buff. She also talked about CBS’ color experimentation and her role as a director of the first color broadcast for the network on June 25, 1951 (she says she directed the show's "live" commercials). She also discussed "Telecolor Clinics," a series of television documentaries done for the American Cancer Society. The interview was conducted by Karen Herman on June 16, 2005.
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Watch By Chapter
- Chapter 1
- On her early years growing up in St. Louis and her early interest in theatre
- On her first jobs as an actress in radio, theatre, and modeling in New York
- On getting her first job at CBS TV as a replacement receptionist where Peter Goldmark was secretly testing color television technology; on remaining at CBS where she was put on the air
- On some of the first shows on CBS including dancing on Country Dance; Red Cross First Aid; appearing on-camera on CBS Television Quiz
- On appearing on Children's Story; on why the television industry was starting to expand; on CBS Television Quiz games
- On being on-camera
- On learning about Pearl Harbor being attacked and going to CBS TV and working on the news reports; on Gilbert Seldes
- Chapter 2
- On how World War II affected CBS' development of TV; on working on Navy training films; on meeting her future husband
- On returning to CBS after the war; on working on Navy training films "Castaways" about a Navy pilot who bailed out over the Pacific and "Makeup from the Neck Down" an exercise film for the WAVES
- On her first directing work on such programs as The Missus Goes A-Shopping, The CBS Television Quiz and King's Party Line
- On directing sports shows for CBS including a boxing show where boxers didn't have enough trunks to go around; on directing Dodgers games
- On being a female director in early television; on directing To the Queen's Taste aka Dione Lucas Cooking School
- Chapter 3
- On her role as a camera director and her process
- On directing To the Queen's Taste and working with host Dione Lucas
- On directing What's It Worth? and the technology in television at the time of the early 1950s
- Chapter 4
- On directing The Whistling Wizard (continued)
- On directing the magazine show Vanity Fair
- On the layout of a control room
- On directing Sorry, Wrong Number (1946)
- On directing The Stork Club remotes
- On being aware of the Hollywood Blacklist and signing a loyalty oath for CBS
- On working with crews and her direct demeanor on the set; marrying in 1949
- On seeing changes in the television business with ad agencies becoming more powerful; on her last project, directing American Cancer Society documentaries, "Telecolor Clinics"
- Chapter 5
- On retiring from CBS and moving to New Jersey with her husband
- On her favorite memory of working at CBS: the Grand Central Terminal where studios were located
- On summing up her thoughts on television; and the press she received; her advice to aspiring professionals






