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George Spiro Dibie

Director of Photography / Cinematographer

"You are in charge of the look. Especially the technical look more than anything.  You report to the director. I want to add that it's a collaboration - the director, cinematographer, production designer - these are the guys who are responsible for the look… The director directs us, and I bring his vision to the screen -  what he has on the brain, how he wants it to look. I do that for him."

About This Interview

In his Archive interview, George Spiro Dibie discusses his childhood in Jerusalem and his passion for American films.  He speaks of his move to Los Angeles as a youngster and of his start in the entertainment industry -- as a member of the electrical department at Fox.  He details his rise up the ranks to Director of Photography and how his experience as an electrician and gaffer contributed to his expertise in cinematography.  Dibie describes lighting techniques he invented (Dibie net, Dibie square), shares the myth about his work on pilot episodes, and explains his contributions to series Barney Miller; Growing Pains; Night Court; Just the Ten of Us; and Sister, Sister, among others.  Stephen J. Abramson conducted the three-hour interview on July 26, 2010 in Sherman Oaks, CA.

Related To This Video

  • Shows
  • People
  • Topics
  • Genres

Shows

  • Barney Miller
  • Buffalo Bill
  • Growing Pains
  • Head of the Class
  • Just the Ten of Us
  • Mary's Incredible Dream
  • Mr. Belvedere
  • Murphy Brown
  • New Zoo Revue
  • Night Court
  • Room for Two
  • Sister, Sister

People

  • Candice Bergen
  • James Burrows
  • Diane English
  • Patricia Heaton
  • Mary Tyler Moore

Topics

  • Emmy Awards
  • Technological Innovation

Genres

  • Comedy Series
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  • Highlights
  • Chapters
  • Shows
  • People
  • Topics
  • Genres

Highlights

  • On the importance of smelling good in front of cast and crew - "Hi, Sexy"On the importance of smelling good in front of cast and crew - "Hi, Sexy"
    Clip begins at: 24:09, Duration: 01m 06s
  • On the challenges of lighting womenOn the challenges of lighting women
    Clip begins at: 20:14, Duration: 01m 08s
  • On the luck of every pilot he did becoming a seriesOn the luck of every pilot he did becoming a series
    Clip begins at: 46:52, Duration: 00m 46s
  • On changing the way sitcoms were lit in the 1970sOn changing the way sitcoms were lit in the 1970s
    Clip begins at: 52:25, Duration: 00m 40s

Chapters

  • Chapter 1
  • On his childhood in Jerusalem and love of films as a youngster; on moving to Los Angeles and his college years with Gene Hackman and Dustin Hoffman; on his first jobs after college - as an electrician at Fox
    Clip begins at: 0:26
  • On becoming a gaffer and creating Dibie-Dash Productions for documentary film work; on working as an electrician for television; on working with Barbra Streisand and Mary Tyler Moore
    Clip begins at: 15:55
  • On creating the Dibie Net; on lighting for Barney Miller; on changing the standards for sitcom lighting in the 1970s
    Clip begins at: 33:44
  • Chapter 2
  • On lighting for New Zoo Revue; on cinematography for Barney Miller; on the cast of Barney Miller
    Clip begins at: 0:0
  • On cinematography for Buffalo Bill, Mr. Belvedere, and Growing Pains
    Clip begins at: 26:02
  • Chapter 3
  • On cinematography for and the cast of Growing Pains; on cinematography for Night Court; on pilots he did for Warner Brothers; Murphy Brown, Head of the Class, Room For Two, Just the Ten of Us, Sister, Sister 
    Clip begins at: 0:0
  • On differences between cinematography and director of photography; on the Cinematographer's Guild
    Clip begins at: 32:04
  • On techniques he developed or utilizes: Dibie Square, OB, practical lighting, camera movements; on new technology and how he processes a script
    Clip begins at: 40:38
  • On serving on the Board of Directors for The Television Academy; on developments for television cinematography
    Clip begins at: 48:42
  • On advice to aspiring cinematographers; on how he'd like to be remembered
    Clip begins at: 54:04

Shows

  • Barney Miller
    • George Spiro Dibie on being the director of photography (D.P.) for Barney Miller and creating a distinctive look for the lighting
      Clip begins at: 42:29, Duration: 08m 51s
    • George Spiro Dibie on lighting Barney Miller
      Clip begins at: 57:21, Duration: 01m 22s
    • George Spiro Dibie on lighting multicamera, taped Barney Miller to look like a single camera show
      Clip begins at: 00:00, Duration: 26m 02s
  • Buffalo Bill
    • George Spiro Dibie on lighting Buffalo Bill
      Clip begins at: 26:02, Duration: 08m 11s
  • Growing Pains
    • George Spiro Dibie on lighting Growing Pains
      Clip begins at: 54:15, Duration: 02m 12s
    • George Spiro Dibie on cinematography for Growing Pains and what he brought to the show
      Clip begins at: 49:47, Duration: 08m 27s
    • George Spiro Dibie on cinematography for and the cast of Growing Pains
      Clip begins at: 00:01, Duration: 04m 49s
  • Head of the Class
    • George Spiro Dibie on working on Head of the Class
      Clip begins at: 13:38, Duration: 01m 30s
  • Just the Ten of Us
    • George Spiro Dibie on cinematography for Just the Ten of Us - the most fun he had on a show, but with some special lighting for actors' specific hairstyles
      Clip begins at: 25:01, Duration: 02m 10s
  • Mary's Incredible Dream
    • George Spiro Dibie on lighting Mary Tyler Moore's television special, Mary's Incredible Dream
      Clip begins at: 30:43, Duration: 06m 16s
  • Mr. Belvedere
    • George Spiro Dibie on cinematography for Mr. Belvedere
      Clip begins at: 34:13, Duration: 12m 26s
  • Murphy Brown
    • George Spiro Dibie on working on Murphy Brown
      Clip begins at: 18:17, Duration: 01m 57s
  • New Zoo Revue
    • George Spiro Dibie on the multi-camera children's show New Zoo Revue
      Clip begins at: 29:24, Duration: 00m 55s
    • George Spiro Dibie on lighting for New Zoo Revue
      Clip begins at: 00:00, Duration: 01m 51s
  • Night Court
    • George Spiro Dibie on cinematography for Night Court
      Clip begins at: 04:50, Duration: 08m 01s
    • George Spiro Dibie on working on Night Court
      Clip begins at: 09:54, Duration: 03m 44s
  • Room for Two
    • George Spiro Dibie on cinematography for Room for Two
      Clip begins at: 21:22, Duration: 01m 49s
  • Sister, Sister
    • George Spiro Dibie on cinematography for Sister, Sister
      Clip begins at: 27:11, Duration: 04m 53s

People

  • Danny Arnold
    • George Spiro Dibie on Danny Arnold's lighting preferences for Barney Miller
      Clip begins at: 45:04, Duration: 06m 16s
    • George Spiro Dibie on Danny Arnold
      Clip begins at: 00:00, Duration: 01m 51s
  • Candice Bergen
    • George Spiro Dibie on working on Murphy Brown with Candice Bergen
      Clip begins at: 18:58, Duration: 01m 16s
  • James Burrows
    • George Spiro Dibie on working with James Burrows on Night Court
      Clip begins at: 09:54, Duration: 00m 13s
  • Kirk Cameron
    • George Spiro Dibie on Growing Pains actor Kirk Cameron
      Clip begins at: 01:24, Duration: 02m 04s
  • Ron Carey
    • George Spiro Dibie on actor Ron Carey
      Clip begins at: 22:17, Duration: 00m 49s
  • Dabney Coleman
    • George Spiro Dibie on actor Dabney Coleman
      Clip begins at: 29:26, Duration: 01m 25s
  • Geena Davis
    • George Spiro Dibie on actress Geena Davis from Buffalo Bill
      Clip begins at: 32:34, Duration: 00m 57s
  • Leonardo DiCaprio
    • George Spiro Dibie on Growing Pains actor Leonardo DiCaprio
      Clip begins at: 04:04, Duration: 00m 46s
  • Diane English
    • George Spiro Dibie on working on Murphy Brown with Diane English
      Clip begins at: 18:17, Duration: 01m 57s
  • Farrah Fawcett
    • George Spiro Dibie on lighting Farrah Fawcett at the peak of her career
      Clip begins at: 36:59, Duration: 02m 07s
  • Max Gail
    • George Spiro Dibie on actor Max Gail
      Clip begins at: 21:15, Duration: 00m 24s
  • Ron Glass
    • George Spiro Dibie on actor Ron Glass
      Clip begins at: 21:39, Duration: 00m 13s
  • Tracey Gold
    • George Spiro Dibie on Growing Pains actress Tracey Gold
      Clip begins at: 03:28, Duration: 00m 36s
  • Gene Hackman
    • George Spiro Dibie on his college years with Gene Hackman and Dustin Hoffman
      Clip begins at: 06:49, Duration: 01m 18s
  • Patricia Heaton
    • George Spiro Dibie on working with Patricia Heaton
      Clip begins at: 22:36, Duration: 00m 35s
  • Howard Hesseman
    • George Spiro Dibie on working with Howard Hesseman on Head of the Class
      Clip begins at: 13:38, Duration: 01m 14s
  • Christopher Hewett
    • George Spiro Dibie on actor Christopher Hewett
      Clip begins at: 45:19, Duration: 00m 12s
  • Dustin Hoffman
    • George Spiro Dibie on his college years with Gene Hackman and Dustin Hoffman
      Clip begins at: 06:49, Duration: 01m 18s
  • Joanna Kerns
    • George Spiro Dibie on actress Joanna Kerns
      Clip begins at: 57:37, Duration: 00m 35s
    • George Spiro Dibie on how Joanna Kerns is responsible for Tracey Gold getting help for anorexia
      Clip begins at: 03:40, Duration: 00m 24s
  • John Larroquette
    • George Spiro Dibie on working with John Laroquette on Night Court
      Clip begins at: 10:33, Duration: 00m 14s
  • Linda Lavin
    • George Spiro Dibie on Executive Producer Linda Lavin's lighting preferences
      Clip begins at: 31:37, Duration: 00m 57s
  • Hal Linden
    • George Spiro Dibie on actor Hal Linden
      Clip begins at: 20:55, Duration: 00m 20s
  • Paul Newman
    • George Spiro Dibie on working with Paul Newman on Billy the Kid
      Clip begins at: 39:06, Duration: 02m 07s
  • Merle Oberon
    • George Spiro Dibie on the OB - named for cinematographer, Merle Oberon
      Clip begins at: 42:23, Duration: 01m 42s
  • Gregory Peck
    • George Spiro Dibie on working with Gregory Peck
      Clip begins at: 41:13, Duration: 01m 17s
  • Markie Post
    • George Spiro Dibie on working with Markie Post on Night Court
      Clip begins at: 11:01, Duration: 00m 24s
  • Harry Stradling, Sr.
    • George Spiro Dibie on what he learned from cinematographers James Wong Howe and Harry Stradling, Sr.
      Clip begins at: 22:44, Duration: 05m 33s
    • George Spiro Dibie on Oscar-winning cinematographer Harry Stradling, Sr. being colorblind
      Clip begins at: 28:17, Duration: 01m 07s
  • Barbra Streisand
    • George Spiro Dibie on the importance of smelling good in front of cast and crew; on his admiration of Barbra Streisand
      Clip begins at: 24:09, Duration: 01m 06s
  • Alan Thicke
    • George Spiro Dibie on Growing Pains actor Alan Thicke
      Clip begins at: 00:01, Duration: 01m 23s
  • Danny Thomas
    • George Spiro Dibie on trying to get a directing job from Danny Thomas
      Clip begins at: 11:43, Duration: 00m 31s
  • Mary Tyler Moore
    • George Spiro Dibie on working with Mary Tyler Moore on her television specials
      Clip begins at: 30:19, Duration: 06m 40s
  • Abe Vigoda
    • George Spiro Dibie on actor Abe Vigoda
      Clip begins at: 23:22, Duration: 00m 32s
  • James Wong Howe
    • George Spiro Dibie on what he learned from cinematographers James Wong Howe and Harry Stradling, Sr.
      Clip begins at: 22:28, Duration: 02m 47s

Topics

  • Choose ..
  • Emmy Awards
    • George Spiro Dibie on the technique for which he won his first Emmy 
      Clip begins at: 37:58, Duration: 00m 51s
    • George Spiro Dibie on winning his first Emmy 
      Clip begins at: 39:56, Duration: 03m 03s
    • George Spiro Dibie on winning 2 Emmys for Growing Pains - largely for lighting night scenes
      Clip begins at: 55:13, Duration: 01m 41s
    • George Spiro Dibie on winning his 5th Emmy for Sister, Sister
      Clip begins at: 30:55, Duration: 01m 09s
  • Technological Innovation
    • George Spiro Dibie on how new technology is always a work in progress
      Clip begins at: 46:34, Duration: 01m 06s

Genres

  • Choose ..
  • Comedy Series
    • George Spiro Dibie on being the director of photography (D.P.) for Barney Miller and creating a distinctive look for the lighting
      Clip begins at: 42:29, Duration: 08m 51s
    • George Spiro Dibie on lighting multicamera, taped program Barney Miller to look like a single camera show
      Clip begins at: 00:00, Duration: 26m 02s
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