Horton Foote
Writer
About This Interview
Horton Foote (1916-2009) was interviewed for three-and-a-half hours in Hartford, CT. Mr. Foote discussed his work writing for “live” television dramatic anthology series. He talked about his relationship with producer Fred Coe who started him in television and later worked with him on the Philco-Goodyear Television Playhouse. Mr. Foote described in detail several of his benchmark television efforts during the "Golden Age of Television" including: Goodyear Television Playhouse: "The Trip to Bountiful," Philco Television Playhouse: "A Young Lady of Property," 1st Person Playhouse: "Death of the Old Man," Studio One: "The Traveling Lady," Playhouse 90: "The Old Man," and Playhouse 90: "Tomorrow." He spoke of the many talented actors who appeared in these productions including: Kim Stanley, Lillian Gish, Dorothy Gish, Eva Marie Saint, Steven Hill, Sterling Hayden, and Geraldine Page; as well as the creative directors of these shows, including: Vincent Donehue, Delbert Mann, Arthur Penn, John Frankenheimer, and Robert Mulligan. He also talked about his later television work for PBS, including adaptations from his Orphans Home Cycle (series of 9 plays); his writing for cable television; his feature film work, and close association with actor Robert Duvall; and his continuous writing for the stage. Mr. Foote also fondly remembered his childhood in Wharton, Texas, which has had a lifelong influence on his writing. The interview was conducted by Michael Rosen on June 26, 1999.
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Chapters
- Chapter 1
- Introduction
- On his early years growing up in Texas; on his interest in acting; on moving to New York where he appeared in theatrical productions at the Worlds Fair; on appearing on experimental television
- Chapter 2
- On his theater work; on moving to New York; on his play "Only the Heart"; on working with Tennessee Williams
- On meeting Vincent J. Donehue and Fred Coe; on his first TV job writing for The Gabby Hayes Show
- On the Kraft Television Theatre production of his play "Only the Heart"; on his early impressions of television; on Fred Coe's influence
- Chapter 3
- On his Broadway play "The Chase"
- On his work for Philco-Goodyear Television Playhouse including "The Rocking Chair" and "The Trip to Bountiful"
- On teleplays based on his plays (some of which he did not write the adaptation); on owning the rights to his works
- Chapter 4
- On his autobiographical style of writing "The Trip to Bountiful"
- On his work on Gulf Playhouse: First Person
- On bringing "The Trip to Bountiful" to Broadway; on continuing to work with Fred Coe on Philco-Goodyear Playhouse; on the Blacklist
- On writing for Playwrights '56, Studio One, and Playhouse 90 ("Old Man")
- Chapter 5
- On his work on Playhouse 90; on the end of "the golden age" of television
- On his teleplay "The Night of the Storm" for The DuPont Show of the Month, which prompted the idea for his theater opus "Orphan Home Cycle"
- On his film work including adapting To Kill a Mockingbird as a feature film; on some of his teleplays and adaptations; on the process of working with actors and adapting others' work
- Chapter 6
- On the Orphans Home Cycle; on "Tender Mercies"; on some of his later television work; on summing up his writing career; on some of the individuals he worked with
- Chapter 7
- On some of the individuals he worked with (continued); on how his final thoughts on writing and the importance of actors


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