James Burrows
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from the Museum of Broadcast Communications Encyclopedia of Television
James Burrows is one of the few television directors who has made the successful transition to producer. He became one of the top sitcom directors at MTM Productions, the company founded by Mary Tyler Moore and Grant Tinker. Later, as well working as the resident director for Taxi, Burrows helped form the independent production company responsible for the long-running NBC series Cheers. His critically acclaimed directing and production talents have won numerous awards, including seven Emmies.
One of Burrow's first goals was to establish an identity separate from that of his famous father, Abe, who had written the books for a number of successful musicals, including Guys and Dolls and How to Succeed In Business Without Really Trying. Ironically, the senior Burrows had also written for the popular 1930s radio series Duffy's Tavern, which, like Cheers, was set in a bar. While this did not inspire the younger Burrows to duplicate that situation in Cheers, his father's work on a stage adaptation of Truman Capote's Breakfast at Tiffanys, which starred Mary Tyler Moore, did lead James Burrows to an informal meeting with MTM President Grant Tinker. At that time, the younger Burrows was known simply as "Abe's kid."
In 1974, while directing theater in Florida, Burrows asked Tinker for a job at MTM and was hired him to observe other MTM sitcom directors, with his first assignment being The Bob Newhart Show. Tinker recounts in his autobiography, Tinker in Television, that as Burrows became more comfortable with his role as observer, he began drawing closer to action on the Bob Newhart set, causing Newhart to turn to his producer and demand, "Get that guy out of here. He makes me nervous."
This incident marked a significant turning point in Burrows' career, for Tinker responded by teaming Burrows with MTM's veteran director Jay Sandrich. The two hit it off immediately, and Burrows proved a quick study. Today he is considered as accomplished a director as Sandrich himself. Like Sandrich, he developed a directing style sensitive to the specific needs of the weekly sitcom format, which includes actors who already have a deep understanding of the characters they portray. Burrows' goal is to make his actors "director proof," so that subsequent directors do not erode the developed, established personae.
Burrows stayed with MTM until 1977, gaining directing experience on every sitcom they produced, including The Bob Newhart Show. He then joined MTM alumni James L. Brooks, Stan Daniels, David Davis and Ed. Weinberger on the series Taxi, for which he directed 76 episodes. Because Taxi had such a large set, Burrows became one of the first directors to use four cameras simultaneously, an adaptation of the three-camera system that had been a staple of sitcom production since I Love Lucy. A testament to his talent, Burrows won Emmies in both 1980 and 1981 for his Taxi efforts.
In 1982, Burrows, along with Glen and Les Charles, formed the Charles-Burrows-Charles Company and created and produced Cheers. Lasting into the 1990s, Cheers allowed Burrows, now in the role of producer, to carry on the tradition of quality television established two decades earlier at MTM. Although the Charles-Burrows-Charles Company disbanded after Cheers voluntarily retired, Burrows has continued working as a director for such sitcoms as Wings, Flesh 'N' Blood, Friends, News Radio and Will & Grace.
-Michael Kassel
Highlights
James Burrows on the series finale of Cheers
Clip begins at: 18:31, Duration: 02m 22s
James Burrows on the theme song and titles to Cheers
Clip begins at: 17:35, Duration: 03m 44s
James Burrows on getting hired to direct Taxi
Clip begins at: 00:22, Duration: 02m 13s
James Burrows on one of the biggest laughs he's ever seen - on Friends
Clip begins at: 12:33, Duration: 01m 47s
James Burrows on why Will & Grace can get away with some of the topics it covers; on being involved with a somehwat political show
Clip begins at: 23:41, Duration: 02m 32s
James Burrows on how he'd like to be remembered
Clip begins at: 18:10, Duration: 00m 21s
Interview
- Part 1
- On his childhood and early influences; on the nickname Danny DeVito gave him; on his parents divorce when he was five; on moving from LA to NY; on his father, playwright/director Abe Burrows; on being on Person to Person when he was a child; on meeting celebrities when he was young; on his mother and sister; on his father being called before the House Un-American Activities Commission
Clip begins at: 0:0 - On his hobbies as a child; on not wanting to get into show business; on attending Oberlin College and the Yale School of Drama; on moving to LA to be the dialogue coach on a pilot his father had written; on meeting Mel Brooks; on interviewing and returning to the theater; on working on Holly Golightly
Clip begins at: 08:35 - On doing dinner theater; on running a theater in San Diego; on getting his first job on The Mary Tyler Moore Show; on learning multicamera directing from watching The Bob Newhart Show
Clip begins at: 22:29 - Part 2
- On watching The Bob Newhart Show and The Mary Tyler Moore Show; on learning from Jay Sandrich on The Mary Tyler Moore Show; on his first time directing The Mary Tyler Moore Show; on directing The Bob Newhart Show; on directing more episodes of The Mary Tyler Moore Show
Clip begins at: 0:22 - On directing Phyllis; on directing Lou Grant; on directing a pilot for Steven Bochco; on on directing Laverne & Shirley; on directing for the short-lived sitcom Fay and Rob Reiner's Free Country; on learning a lot about directing from Rob Reiner
Clip begins at: 17:28 - Part 3
- On getting hired to direct Taxi; on having the same agent for over 30 years; on the cast and opening sequence of Taxi; on the challenges of being the series director of Taxi; on meeting up again with Les and Glen Charles; on the writers and specific episodes of Taxi
Clip begins at: 0:23 - On Andy Kaufman's "Latka" and "Tony Clifton" on Taxi; on Danny DeVito's "Louie De Palma"; on the four camera setup on Taxi; on the cancellation of Taxi; on forming a production company with Les and Glen Charles
Clip begins at: 17:20 - Part 4
- On the origin of Cheers; on casting Ted Danson and Shelley Long on Cheers; on NBC Executives being concerned about Cheers being set in a bar; on the look of the bar
Clip begins at: 0:20 - On "Norm's" position in the bar; on casting George Wendt as "Norm"; on casting "Coach" and "Cliff Clavin" on Cheers; on the theme song and titles to Cheers; on a typical work week on Cheers; on keeping the energy up; on the writers room on Cheers; on the ratings the first season; on winning Emmys and feeling like the show was a hit
Clip begins at: 12:21 - Part 5
- On Cheers winning Emmys and gaining in popularity; on specific episodes of Cheers; on Kelsey Grammer as "Frasier Crane" on Cheers; on Shelley Long leaving and Kirstie Alley joining the cast of Cheers; on "Woody" getting maried
Clip begins at: 0:29 - On casting Woody Harrelson as "Woody" on Cheers; on memorable guest stars on Cheers; on the series finale; on the legacy of Cheers; on Frasier; on working with Kelsey Grammer; on Frasier's farcical elements
Clip begins at: 15:25 - Part 6
- On guest stars on Frasier; on the popularity of the show; on directing Friends and knowing it would be a hit; on the ensemble cast of Friends; on one of the biggest laughs he's ever seen - on Friends; ; on bonding with the cast in Las Vegas
Clip begins at: 0:19 - On leaving Friends for Caroline in the City - a show from his production company Three Sisters; on Union Square and Will & Grace; on the humor and diversity on Will & Grace
Clip begins at: 15:56 - Part 7
- On the characters of "Jack" and "Karen" on Will & Grace; on guest stars on the show; on directing every episode of Will & Grace; on how Will & Grace has been perceived in the gay community; on where the show was headed at that time; on how he selects which pilots he will do; on working on the pilots of many successful series
Clip begins at: 0:21 - On wishing The Goodbye Girl had become a successful series; on his proudest career achievement; on advice to aspiring directors; on making cameos in shows he directs; on how he'd like to be remembered
Clip begins at: 14:25


Mr. Burrows,
Accidentaly found your picture, you looks just I met you in your home Bridge Water/Vermont. I was your chef cooking for you, your guest and family.
I don't belive you don't have sense of humor, your successfulls are throughout hard work, persistence and never give-up.
It is my email address if you would like to contact me: anamattei@sbcglobal.net.
They can still do a black Sam, however, it could be a new show, called, anyone still drinking in Compton?
It's interesting that James Burrows directed so many comedy hits because he really doesn't have a sense of humor.
@usetheluck Are you crazy? The actors who played them are in their 60s...and no other actors will suffice for a remake.
they wanted a black sam that would have been nice to see.
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