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Jean Stapleton

Actress

“Truck drivers would call at me if they’d spot me on the street, and yell out ‘Edith!’ ….And I find most of the time, I’m addressed by my real name which is a great step of progress.  But if anybody calls me ‘Edith,’ I just correct them, say ‘the name is Jean.’”

About This Interview

Jean Stapleton says of All in the Family’s approach to topical issues, “There’s nothing like humor to burst what seems to be an enormous problem.  Humor reduces it to nothing and wipes it out.  That’s what humor does.  That was a great part of that show in terms of every issue, but especially bigotry.  And you know you make fun of something, it reduces it to nothing.”  Stapleton became a television icon as “Edith Bunker” on All in the Family, and was later associated with playing First Lady Eleanor Roosevelt on television and on the stage.  She recounts how she became interested in acting by reading the theater page in The New York Times (and attending the theater when she could).  She  describes her acting training and her Broadway roles.  She talks about balancing her career and family life, and talks about her work with her husband, William Putch, at the theater he founded, the Totem Pole Playhouse in Fayetteville, Pennsylvania.  Noting her casting in character parts in television, she recalls playing a secretary on Woman with a Past and an American Indian on cultural anthology Camera Three.  She also humorously mentions that in one of her early parts on TV, on the legal drama The Defenders, she was a woman who fingers a murderer— played by future co-star Carroll O’Connor.  On All in the Family, Stapleton discusses the pilots made, developing her character, singing the series theme song with Carroll O’Connor, and the collaborative nature of the show.  She also comments on the dramatic themes of the series— most notably the exposing of bigotry and prejudice— and gives details on some of the series most memorable episodes, including “Edith’s Christmas Story,” which dealt with breast cancer. She then explains how she left the role of “Edith Bunker” with the death of the character in the opener of the second season of Archie Bunker’s Place. Stapleton recalls producer/ series developer Norman Lear’s difficulty in allowing the Edith Bunker character to die: “Norman said on the phone, I just haven’t been able to say yes to this…. I said, ‘Norman you realize don’t you, she is only fiction,’ And there was a long pause.  And I thought I’ve hurt this dear man that I love so much.  And then the voice came back to me, ‘she isn’t.’  But, shortly thereafter, he gave the word and they made Edith die.”  She then discusses her post All in the Family appearances in a series of TV movies including Aunt Mary and Eleanor, First Lady of the World, as well as series work in the sitcom Bagdad Café and the children’s program Mrs. Piggle-Wiggle.  With fond acknowledgment of later-cast Angela Lansbury’s talent, Stapleton talks about turning down the lead role of Murder, She Wrote.  Other subjects Stapleton discusses in her interview are: the Hollywood Blacklist of the 1950s-60s, her involvement in the Women’s Rights Movement of the 1970s, and dealing with fame.  Jean Stapleton was interviewed in Brentwood, CA on November 28, 2000; Karen Herman conducted the two-hour interview.

Related To This Video

  • Shows
  • People
  • Topics
  • Genres

Shows

  • All in the Family
  • All in the Family: "Sammy's Visit"
  • Archie Bunker's Place
  • Aunt Mary
  • Bagdad Café
  • Camera Three
  • Defenders, The
  • Dr. Kildare
  • Eleanor, First Lady of the World
  • Jeffersons, The
  • Mrs. Piggle-Wiggle
  • Murder, She Wrote
  • Woman with a Past

People

  • Paul Bogart
  • E. G. Marshall
  • Mort Lachman
  • Angela Lansbury
  • Norman Lear
  • Rob Reiner
  • John Rich
  • Bud Yorkin

Topics

  • Creative Influences and Inspiration
  • Historic Events and Social Change
  • Memorable Moments on Television
  • Pop Culture
  • Television Industry

Genres

  • Commercials

Featured Content

Jean Stapleton interview selections

Jean Stapleton was inducted into the 15th Academy of Television Arts & Sciences Hall of Fame.Emmy Hall of Fame Logo

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  • Highlights
  • Chapters
  • Shows
  • People
  • Topics
  • Genres

Highlights

  • Jean Stapleton on how <i>All in the Family</i>  used comedy to expose social issues, including bigotry (00m 37s)Jean Stapleton on how All in the Family used comedy to expose social issues, including bigotry (00m 37s)
  • Jean Stapleton on her description of <i>All in the Family</i> ’s Edith Bunker (00m 56s)Jean Stapleton on her description of All in the Family ’s Edith Bunker (00m 56s)
  • Jean Stapleton on getting the acting “bug”<BR/> (00m 49s)Jean Stapleton on getting the acting “bug”
    (00m 49s)
  • On appearing on <i>The Defenders</i>  with future <i>All in the Family</i>  co-star Carroll O’Connor (00m 56s)On appearing on The Defenders with future All in the Family co-star Carroll O’Connor (00m 56s)

Chapters

  • Chapter 1
  • On choosing her stage name; on her parents; on getting the acting “bug”
  • On her acting training and making the rounds; on her first Broadway role; on researching the role of Eleanor Roosevelt
  • On her early television appearances in “under-fives” and her first regular role; on appearing in “Damn Yankees” and “Bells Are Ringing”
  • On her television appearance on Camera Three; on her marriage to William Putch and maintaining her career; on appearing at the Totem Pole Playhouse; on appearing on an early episode of Dr. Kildare
  • Chapter 2
  • On making the rounds as a character actress; on the Hollywood Blacklist; on appearing on The Defenders with future All in the Family co-star Carroll O’Connor
  • On reading for All in the Family; on her initial characterization of Edith Bunker and the traits that developed through rehearsal
  • On All in the Famil y co-star Carroll O’Connor; on the long gestation from pilots to airing of the All in the Family; on the frankness of the material; on the casting of Rob Reiner and Sally Struthers as “Mike” and “Gloria”
  • On performing “Those Were the Days,” the theme song from All in the Family; on the response to the show; on the collaborative nature of the set; on series developer/executive producer Norman Lear
  • Chapter 3
  • On Norman Lear’s business partner Bud Yorkin; on All in the Family directors John Rich and Paul Bogart; on the issues dealt with on All in the Family; on her involvement with the women rights movement of the 1970s
  • On avoiding typecasting due to Edith Bunker; on fame; on memorable episodes of All in the Family; on leaving Edith Bunker with the death of her character on the second season of Archie Bunker’s Place
  • On the growth of Edith Bunker over the course of the series; on her favorite episodes; on taking a buyout from residuals on All in the Family
  • Chapter 4
  • On the TV movie Aunt Mary; on being directed by her son John Putch in the feature film Pursuit of Happiness; on the TV movie Eleanor, First Lady of the World; on turning down the lead part in Murder, She Wrote
  • On the short-lived sitcom Bagdad Café; on the family series Mrs. Piggle-Wiggle; on her one-woman show “Eleanor: Her Secret Journey”
  • On ageism; on advice to aspiring actors; on the fan mail she receives; on some of the actors and producers she worked with in television
  • On the donation of Archie and Edith’s chairs from the set of All in the Family to the Smithsonian Institution

Shows

  • All in the Family
    • Jean Stapleton on refusing to reprise Edith or a likeness thereof in TV commercials (00m 37s)
    • On appearing on The Defenders with future All in the Family co-star Carroll O’Connor (00m 56s)
    • Jean Stapleton on reading for All in the Family and her impressions of the pilot script
      (01m 54s)
    • Jean Stapleton on her initial characterization of Edith Bunker, and seeing a single episode of the British show on which All in the Family was based, Till Death Do Us Part (01m 41s)
    • Jean Stapleton on creating Edith Bunker’s characterization including her constant hurrying and nasal voice (00m 54s)
    • Jean Stapleton on her description of All in the Family’s Edith Bunker (00m 56s)
    • Jean Stapleton on All in the Family co-star Carroll O’Connor (00m 54s)
    • Jean Stapleton on the long gestation period between the All in the Family pilots and a series pick-up (01m 12s)
    • Jean Stapleton on why ABC passed on All in the Family (00m 36s)
    • Jean Stapleton on her opinion of the frank nature of All in the Family (00m 56s)
    • Jean Stapleton on the casting of Rob Reiner and Sally Struthers as “Mike” and “Gloria” on All in the Family, following recasts from the pilots (01m 24s)
    • Jean Stapleton on performing “Those Were the Days,” the theme song from All in the Family, and a lyric that proved problematic (00m 34s)
    • Jean Stapleton on filming All in the Family in front of a live audience
      (00m 27s)
    • Jean Stapleton on the collaborative nature of the All in the Family set (00m 52s)
    • Jean Stapleton on All in the Family executive producer/series developer Norman Lear
      (01m 00s)
    • Jean Stapleton on All in the Family director John Rich (01m 55s)
    • Jean Stapleton on All in the Family director Paul Bogart (01m 00s)
    • Jean Stapleton on All in the Family director Paul Bogart (01m 08s)
    • Jean Stapleton on how All in the Family used comedy to expose social issues, including bigotry (00m 37s)
    • Jean Stapleton on consciously trying to avoid being typecast by Edith Bunker
      (01m 32s)
    • Jean Stapleton on dealing with fame (01m 22s)
    • Jean Stapleton on the pilot of The Jeffersons, aired as the All in the Family episode “The Jeffersons Move Up” (00m 50s)
    • Jean Stapleton on the decision to have the character of Edith Bunker die, in the Archie Bunker’s Place episode “Archie Alone” (03m 27s)
    • Jean Stapleton on the All in the Family episode “Edith’s Christmas Story” which dealt with breast cancer
      (01m 01s)
    • Jean Stapleton on the growth of Edith Bunker over the course of All in the Family, as seen in such episodes as “Edith’s Night Out” (02m 06s)
    • Jean Stapleton on learning to be open for all projects, as a result of her work on All in the Family (00m 30s)
    • Jean Stapleton on taking a buyout from residuals on All in the Family (01m 22s)
    • Jean Stapleton on the donation of Archie and Edith’s chairs from the set of All in the Family to the Smithsonian Institution (01m 03s)
  • All in the Family: "Sammy's Visit"
    • Jean Stapleton on All in the Family director John Rich (01m 55s)
    • Jean Stapleton on how All in the Family used comedy to expose bigotry (00m 37s)
  • Archie Bunker's Place
    • Jean Stapleton on the decision to have the character of Edith Bunker die, in the Archie Bunker’s Place episode “Archie Alone” (03m 27s)
  • Aunt Mary
    • Jean Stapleton on the television movie Aunt Mary (02m 40s)
  • Bagdad Café
    • Jean Stapleton on the short-lived sitcom Bagdad Cafe (01m 04s)
  • Camera Three
    • Jean Stapleton on her appearance on Camera Three
      (01m 20s)
  • Defenders, The
    • On appearing on The Defenders with future All in the Family co-star Carroll O’Connor (00m 56s)
    • Jean Stapleton on working on The Defenders with E.G. Marshall (00m 20s)
  • Dr. Kildare
    • Jean Stapleton on appearing on an early episode of Dr. Kildare (00m 48s)
  • Eleanor, First Lady of the World
    • Jean Stapleton on researching her role as Eleanor Roosevelt (02m 16s)
    • Jean Stapleton on Eleanor, First Lady of the World (00m 48s)
  • Jeffersons, The
    • Jean Stapleton on the pilot of The Jeffersons, aired as the All in the Family episode “The Jeffersons Move Up” (00m 50s)
  • Mrs. Piggle-Wiggle
    • Jean Stapleton on the family series Mrs. Piggle-Wiggle, the role she played, and working with producer/actress Shelley Duvall
      (01m 20s)
  • Murder, She Wrote
    • Jean Stapleton on turning down the lead role in Murder, She Wrote (01m 31s)
  • Woman with a Past
    • Jean Stapleton on being happy to get cast on the short-lived soap opera Woman with a Past (00m 31s)

People

  • Paul Bogart
    • Jean Stapleton on All in the Family director Paul Bogart (01m 00s)
  • Bette Davis
    • Jean Stapleton on Bette Davis (who she was with when Archie and Edith’s chairs were being donated from the set of All in the Family to the Smithsonian Institution) (02m 18s)
  • Shelley Duvall
    • Jean Stapleton on the family series Mrs. Piggle-Wiggle, the role she played, and working with producer/actress Shelley Duvall (01m 20s)
  • E. G. Marshall
    • Jean Stapleton on working on The Defenders with E.G. Marshall (00m 20s)
  • Mort Lachman
    • Jean Stapleton on writer/producer Mort Lachman (00m 23s)
  • Angela Lansbury
    • Jean Stapleton on turning down the lead role in Murder, She Wrote (01m 31s)
  • Norman Lear
    • Jean Stapleton on the decision by Norman Lear to have the character of Edith Bunker die, in the Archie Bunker’s Place episode “Archie Alone” (03m 27s)
    • Jean Stapleton on the All in the Family episode “Edith’s Christmas Story” which dealt with breast cancer, and how Norman Lear convinced her to do the story
      (01m 01s)
    • Jean Stapleton on All in the Family executive producer/series developer Norman Lear
      (01m 00s)
  • Don Nicholl
    • Jean Stapleton on All in the Family producer Don Nicholl (00m 53s)
  • Carroll O’Connor
    • On appearing on The Defenders with future All in the Family co-star Carroll O’Connor (00m 56s)
    • Jean Stapleton on All in the Family co-star Carroll O’Connor (00m 54s)
  • John Putch
    • Jean Stapleton on working with her son John Putch
      (00m 50s)
  • John Randolph
    • Jean Stapleton on John Randolph and others standing up to the Hollywood Blacklist (01m 00s)
  • Rob Reiner
    • Jean Stapleton on the casting of Rob Reiner and Sally Struthers as “Mike” and “Gloria” on All in the Family, following recasts from the pilots (01m 24s)
  • John Rich
    • Jean Stapleton on All in the Family director John Rich (01m 55s)
  • Eleanor Roosevelt
    • Jean Stapleton on researching her role as Eleanor Roosevelt (02m 16s)
  • Sally Struthers
    • Jean Stapleton on the casting of Rob Reiner and Sally Struthers as “Mike” and “Gloria” on All in the Family, following recasts from the pilots (01m 24s)
  • Bud Yorkin
    • All in the Family's Jean Stapleton on Bud Yorkin (00m 39s)

Topics

  • Creative Influences and Inspiration
    • Jean Stapleton on advice to aspiring actors
      (01m 21s)
  • Historic Events and Social Change > Diversity in Television
    • Jean Stapleton on how All in the Family used comedy to expose social issues, including bigotry (00m 37s)
  • Historic Events and Social Change > Diversity in Television > Women
    • Jean Stapleton, All in the Family's "Edith Bunker," on her involvement with the women rights movement of the 1970s (01m 15s)
  • Memorable Moments on Television > We Considered
    • Jean Stapleton on how All in the Family used comedy to expose social issues, including bigotry (00m 37s)
  • Memorable Moments on Television > We Cried
    • Jean Stapleton on the decision to have the character of Edith Bunker die, in the Archie Bunker’s Place episode “Archie Alone” (03m 27s)
  • Pop Culture > Characters & Catchphrases
    • Jean Stapleton on her initial characterization of Edith Bunker, and seeing a single episode of the British show on which All in the Family was based, Till Death Do Us Part (01m 41s)
    • Jean Stapleton on creating Edith Bunker’s characterization including her constant hurrying and nasal voice (00m 54s)
    • Jean Stapleton on her description of All in the Family’s Edith Bunker (00m 56s)
    • Jean Stapleton on the decision to have the character of Edith Bunker die, in the Archie Bunker’s Place episode “Archie Alone” (03m 27s)
    • Jean Stapleton on the growth of Edith Bunker over the course of All in the Family, as seen in such episodes as “Edith’s Night Out” (02m 06s)
  • Pop Culture > Classic TV series episodes > Comedy
    • Jean Stapleton on the All in the Family episode “Edith’s Christmas Story” which dealt with breast cancer
      (01m 01s)
  • Pop Culture > TV Theme Songs
    • Jean Stapleton on performing “Those Were the Days,” the theme song from All in the Family, and a lyric that proved problematic (00m 34s)
  • Television Industry
    • Jean Stapleton on learning to be open for all projects, as a result of her work on All in the Family (00m 30s)
    • Jean Stapleton on taking a buyout from residuals on All in the Family (01m 22s)
  • Television Industry > Fame & Celebrity
    • Jean Stapleton on the professional reasons for not giving her age (00m 45s)
    • Jean Stapleton on her marriage to producer/director William Putch and maintaining her career (01m 30s)
    • Jean Stapleton on refusing to reprise Edith or a likeness thereof in TV commercials (00m 37s)
    • Jean Stapleton on dealing with fame (01m 22s)
    • Jean Stapleton on Bette Davis (who she was with when Archie and Edith’s chairs were being donated from the set of All in the Family to the Smithsonian Institution) (02m 18s)
  • Television Industry > Industry Crossroads > Hollywood Blacklist (ca. 1950s)
    • Jean Stapleton on John Randolph and others standing up to the Hollywood Blacklist (01m 00s)

Genres

  • Comedy Series
    • Jean Stapleton on how All in the Family used comedy to expose social issues, including bigotry (00m 37s)
  • Commercials
    • Jean Stapleton on refusing to reprise Edith or a likeness thereof in TV commercials (00m 37s)
  • Music Shows & Variety Shows/Specials
    • Jean Stapleton on consciously trying to avoid being typecast as Edith Bunker, by declining, among other things, guest appearances on variety shows that were a variation of Edith
      (01m 32s)
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