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Jeffrey Hayden

Director

"On '77 Sunset Strip' it would say on the front page of the scripts, "You may not change one word", you know, under the penalty of death… it was written that clearly.  We would shoot all morning based on the script.  Then we would go to lunch in the commissary; the essential cast.  We'd sit at a big round table reserved for us.  We'd bring the scripts, bring our pencils— rewriting the rest of the day's work and not say anything to anybody.  The producers would see the dailies and say 'terrific day's work.'  Never catching on that we had changed a little here, changed a little there."

About This Interview

In his Archive interview, Jeffrey Hayden talks about his career as an associate director in the first years of the ABC-TV network (1948-50) and as a prolific director of comedy and drama series from the 1950s to the 1980s, including: The Donna Reed Show, The Andy Griffith Show, 77 Sunset Strip, Peyton Place, Quincy M.E., Palmerstown U.S.A., and Knight Rider.  Hayden outlines how he came to produce one of the earliest sitcoms The Billy Bean Show (with Arnold Stang), before he began his work as a director gaining experience on such programs as the variety series The Bert Parks Show and quiz/variety show The Big Payoff. 

He talks about his acceptance into the Actors Studio and its influence on his work, and notes throughout the interview the importance of rehearsal and improvisation to his directing style. Among dramatic series, he comments on the Philco-Goodyear Playhouse (and a memorable production he did with a difficult James Dean), 77 Sunset Strip (and the rewrites he'd do with the cast during lunch hour, despite network warnings to stick to the script), and The Lloyd Bridges Show (which he describes as one of the most arduous directing jobs of his career).

He speaks fondly of his years on The Donna Reed Show, working with writer-producer Paul West who incorporated some of Hayden's own family life into scripts and The Andy Griffith Show, a reunion with Griffith whom Hayden knew from his college days.  For Peyton Place, Hayden notes his working relationship with breakout stars Ryan O'Neal and Mia Farrow (and the dramatic real-life moment when Farrow decided to cut her hair short mid-season).  Among the other personalities he discusses are: E. G. Marshall (The Bold Ones), Peter Deuel (Alias Smith and Jones), Raymond Burr (Ironside), and Jack Klugman (Quincy, M.E.).  Additionally for Quincy, Hayden discusses memorable episodes: "Seldom Silent, Never Heard," that influenced the passing of the Orphan Drug Act (ODA) and "Nowhere to Run," whose incest storyline hampered actor Charles Aidman's career. 

He recounts the challenges he faced working on the series The Incredible Hulk, Knight Rider, and Palmerstown U.S.A. (this series led to a DGA rule about providing drivers to locations). Lastly, he acknowledged his satisfying work on daytime soaps Capitol and Santa Barbara (a return to the kind of work he did in his "live" TV days) and on two documentaries he made in the 1990s.

Jeffrey Hayden was interviewed in Los Angeles, CA on April 29, 2010; Stephen Bowie conducted the two-and-a-half-hour interview.

Related To This Video

  • Shows
  • People
  • Topics
  • Professions

Shows

  • 77 Sunset Strip
  • Alias Smith and Jones
  • Andy Griffith Show, The
  • Bert Parks Show, The
  • Big Payoff, The
  • Billy Bean Show, The
  • Bold Ones, The
  • Burke's Law
  • Capitol
  • Children in America's Schools with Bill Moyers
  • Donna Reed Show, The
  • Gloria Swanson Hour, The
  • In the Heat of the Night
  • Incredible Hulk, The
  • Ironside
  • Knight Rider (1982-86, NBC)
  • Lassie
  • Leave it to Beaver
  • Lloyd Bridges Show, The
  • Loretta Young Show, The
  • Mannix
  • Max Liebman Presents
  • Palmerstown U.S.A.
  • Peyton Place
  • Philco-Goodyear Television Playhouse
  • Quincy, M.E.
  • Route 66
  • Santa Barbara
  • Stop the Music
  • Wonderful World of Disney, The aka Magical World of Disney, The

People

  • E. G. Marshall
  • Andy Griffith
  • Roy Huggins
  • Michael J. Fox
  • Jack Klugman
  • Paul Monash
  • Aaron Spelling

Topics

  • Creative Influences and Inspiration
  • Drama
  • Health and Medicine
  • Hollywood Blacklist (ca. 1950s)
  • Industry Crossroads
  • TV's Golden Age (1940s & ‘50s)

Professions

  • Director

Featured Content

Video: Opening titles to 77 Sunset Strip (as posted on You Tube):

Video: The Andy Griffith Show: "A Black Day for Mayberry" (airdate: 11/11/63), as posted on You Tube (Part 1)

Resources

Links:

DVD: The Donna Reed Show: Season Three (Hayden's first season with the show)

DVD: The Andy Griffith Show: The Complete Fourth Season (with episodes directed by Hayden)

IMDb entry on Jeffrey Hayden

Wikipedia entry on Jeffrey Hayden

YouTube video player - HTML5 compatible.
  • Highlights
  • Interview
  • Shows
  • People
  • Topics
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Highlights

  • Director Jeffrey Hayden on how the placement of The Big Payoff as Milton Berle's summer replacement helped his careerDirector Jeffrey Hayden on how the placement of The Big Payoff as Milton Berle's summer replacement helped his career
    Clip begins at: 27:25, Duration: 01m 04s
  • Director Jeffrey Hayden on memorable Philco-Goodyear Television Playhouse shows "Thunder of Silence" and "Run Like A Thief" (and his difficulties with James Dean on the latter)Director Jeffrey Hayden on memorable Philco-Goodyear Television Playhouse shows "Thunder of Silence" and "Run Like A Thief" (and his difficulties with James Dean on the latter)
    Clip begins at: 36:14, Duration: 03m 26s
  • Director Jeffrey Hayden on working with several trained geese on Lassie (and also how well-trained the dogs were on the show)Director Jeffrey Hayden on working with several trained geese on Lassie (and also how well-trained the dogs were on the show)
    Clip begins at: 49:30, Duration: 01m 48s
  • Director Jeffrey Hayden on working with Donna Reed on The Donna Reed ShowDirector Jeffrey Hayden on working with Donna Reed on The Donna Reed Show
    Clip begins at: 53:05, Duration: 00m 36s
  • Director Jeffrey Hayden on what made The Andy Griffith Show specialDirector Jeffrey Hayden on what made The Andy Griffith Show special
    Clip begins at: 11:12, Duration: 01m 08s
  • Director Jeffrey Hayden on how Mia Farrow came to impulsively cut her hair short following an altercation that happened on Peyton PlaceDirector Jeffrey Hayden on how Mia Farrow came to impulsively cut her hair short following an altercation that happened on Peyton Place
    Clip begins at: 27:42, Duration: 03m 38s
  • Director Jeffrey Hayden on Raymond Burr's great story sense on Ironside, but the difficulties in accommodating his contractual agreement that he would not do location work and would require TelePrompters for his scenesDirector Jeffrey Hayden on Raymond Burr's great story sense on Ironside, but the difficulties in accommodating his contractual agreement that he would not do location work and would require TelePrompters for his scenes
    Clip begins at: 49:58, Duration: 03m 27s
  • Director Jeffrey Hayden on Quincy episode "Nowhere to Run" and how its incest storyline affected guest star Charles AidmanDirector Jeffrey Hayden on Quincy episode "Nowhere to Run" and how its incest storyline affected guest star Charles Aidman
    Clip begins at: 00:03, Duration: 02m 19s
  • Director Jeffrey Hayden on how filming Palmerstown, U.S.A. at the Disney ranch led to a Directors Guild rule about providing drivers to locationsDirector Jeffrey Hayden on how filming Palmerstown, U.S.A. at the Disney ranch led to a Directors Guild rule about providing drivers to locations
    Clip begins at: 21:13, Duration: 03m 02s

Interview

  • Part 1
  • Introduction
    Clip begins at: 0:0
  • On his background; on his theater studies at UNC; on starting at NBC in the radio division
    Clip begins at: 00:11
  • On producing the 1949 sitcom The Billy Bean Show, starring Arnold Stang; on converting former riding stables to editing suites for ABC; on his duties as an associate producer of remotes, such as Roller Derby
    Clip begins at: 06:29
  • On serving as an associate producer on Don Ameche musical-variety series Holiday Hotel; on directing interview series The Gloria Swanson Hour; on directing for Stop the Music, that led to his helming of variety series The Bert Parks Show; on the Actors Studio and what he took away from studying there under Lee Strasberg; on meeting his wife Eva Marie Saint; learning TV technique from Alex Segal; on the regulars and the schedule of The Bert Parks Show
    Clip begins at: 13:08
  • On his role as writer-director of The Big Payoff; on how the placement of The Big Payoff as Milton Berle's summer replacement was propitious; on directing two Max Liebman "spectaculars" in the mid-50s— "Lady in the Dark" and "The Chocolate Soldier"
    Clip begins at: 24:21
  • On getting hired for The Philco-Goodyear Television Playhouse's 1954-55 season; on working primarily with producer Gordon Duff since regular Philco producer Fred Coe was off with other projects; on two memorable productions of Philco-Goodyear Television Playhouse he directed: "Thunder of Silence" and "Run Like A Thief"; on his difficulties with James Dean during rehearsals of "Run Like A Thief"; on directing for "live" TV as similar to directing theater (versus the rushed schedule of filmed TV)
    Clip begins at: 34:09
  • On his stint at MGM in feature films, where he directed The Vintage (1957); on the Hollywood Blacklist; on directing for Lassie and The Loretta Young Show (for which he received the Robert E. Sherwood Award)
    Clip begins at: 43:04
  • On working with Donna Reed on The Donna Reed Show; on writer-producer Paul West; on his chats with Paul West about his personal life which ended up in scripts; on a couple examples of Hayden's personal life that West built Donna Reed Show scripts around
    Clip begins at: 53:05
  • Part 2
  • On the ensemble of The Donna Reed Show and how star Reed interacted with them; on the shooting schedule of The Donna Reed Show; on getting hired for The Andy Griffith Show; on having known Andy Griffith from college; on the ensemble of The Andy Griffith Show
    Clip begins at: 0:0
  • On working on Leave It to Beaver (which was not as satisfying as his other sitcom work); on what made The Andy Griffith Show special
    Clip begins at: 10:10
  • On getting hired on 77 Sunset Strip; on how he and the cast would work on new ideas for their current scripts at lunch; on working with producer Joel Rogosin; on how Lloyd Bridges required long hours on The Lloyd Bridges Show (and how Hayden quit smoking at this point in his life); on producer Aaron Spelling and the celebrity line-up on Burke's Law; on casting in local community theaters while directing on-location series Route 66
    Clip begins at: 13:34
  • On his year as one of the rotating directors on Peyton Place; on the good-natured relationship he had with star Ryan O'Neal; on how Mia Farrow came to impulsively cut her hair short following an altercation that happened on Peyton Place; on the ease of shooting Peyton Place for him due to the closeness of the studio and its vast resources
    Clip begins at: 25:44
  • On the rotating format of The Bold Ones; on the real-life contemporary medical issues addressed on The Bold Ones segment The New Doctors; on The New Doctors lead E. G. Marshall's talent; on writer-producer Roy Huggins' technique and talent for writing scripts; on the premise of Alias Smith and Jones; on his penchant for directing westerns; on the difficulty in location shooting on Alias Smith and Jones; on his reputation as a director who delivered on time; on Alias Smith and Jones lead Pete Deuel's personality and intellect and his suicide during the show's second season
    Clip begins at: 34:47
  • On the quality work that was done on Mannix; on Raymond Burr's great story sense on Ironside, but the difficulties in accommodating his contractual agreement that he would not do location work and would require TelePrompters for his scenes; on Quincy's plots, including the episode "Seldom Silent, Never Heard," that influenced the passing of the Orphan Drug Act (ODA)
    Clip begins at: 47:57
  • Part 3
  • On Quincy episode "Nowhere to Run" and how its incest storyline affected guest star Charles Aidman; on his work on The Incredible Hulk and his feelings about working with cinematographer John McPherson and star Bill Bixby; on the time challenge presented by the use of contact lens for Bill Bixby's transition from Dr. David Banner to the Hulk; on producer Kenneth Johnson
    Clip begins at: 0:0
  • On how each subsequent season of Knight Rider required more stunts; on star David Hasselhoff; on being excited for a Malibu script that ended up being done in the studio when he worked at Warner Bros.; on how the Knight Rider scripts were written piecemeal by different writers; on the premise of Palmerstown, U.S.A.; on how filming Palmerstown, U.S.A. at the Disney ranch led to a DGA rule about providing drivers to locations; on the talented cast, including Michael J. Fox; on directing for Magnum P.I. and Cagney & Lacey
    Clip begins at: 10:08
  • On how he came to direct the daytime serial Capitol and executive-produce Santa Barbara; on directing In the Heat of the Night; on the impact of his 1996 documentary Children in America's Schools with Bill Moyers; on a transition he noticed in TV from the theater-trained directors of his generation to more technically-oriented directors of today; on his career highlights; on working with Walt Disney (on the segment The Further Adventures of Gallegher for Walt Disney's Wonderful World of Color) and his regret at not working on other projects with him
    Clip begins at: 28:48

Shows

  • 77 Sunset Strip
    • Director Jeffrey Hayden on getting hired for 77 Sunset Strip, a switch after some time doing sitcoms
      Clip begins at: 13:34, Duration: 01m 07s
    • Director Jeffrey Hayden on how he and the cast would work on new ideas for their current scripts at lunch on 77 Sunset Strip
      Clip begins at: 14:43, Duration: 01m 49s
    • Director Jeffrey Hayden on working with 77 Sunset Strip producer Joel Rogosin
      Clip begins at: 16:36, Duration: 00m 42s
  • Alias Smith and Jones
    • Director Jeffrey Hayden on writer-producer Roy Huggins' technique and talent for writing scripts
      Clip begins at: 40:12, Duration: 01m 02s
    • Director Jeffrey Hayden on the premise of Alias Smith and Jones and his penchant for directing westerns
      Clip begins at: 41:14, Duration: 01m 56s
    • Director Jeffrey Hayden on the difficulty in location shooting on Alias Smith and Jones
      Clip begins at: 43:10, Duration: 00m 33s
    • Director Jeffrey Hayden on Alias Smith and Jones lead Pete Deuel's personality and intellect and his suicide during the show's second season
      Clip begins at: 45:43, Duration: 02m 11s
  • Andy Griffith Show, The
    • Director Jeffrey Hayden on the schedule of The Donna Reed Show
      Clip begins at: 02:14, Duration: 00m 19s
    • Director Jeffrey Hayden on getting hired for The Andy Griffith Show (and having known Griffith from their college days together)
      Clip begins at: 03:41, Duration: 00m 47s
    • Director Jeffrey Hayden on the ensemble of The Andy Griffith Show 
      Clip begins at: 06:02, Duration: 00m 48s
    • Director Jeffrey Hayden on what made The Andy Griffith Show special
      Clip begins at: 11:12, Duration: 01m 08s
  • Bert Parks Show, The
    • Director Jeffrey Hayden on the regulars and the schedule of The Bert Parks Show
      Clip begins at: 22:42, Duration: 01m 30s
  • Big Payoff, The
    • Jeffrey Hayden on serving as writer-director for The Big Payoff
      Clip begins at: 24:23, Duration: 03m 02s
    • Director Jeffrey Hayden on how the placement of The Big Payoff as Milton Berle's summer replacement helped his career
      Clip begins at: 27:25, Duration: 01m 04s
  • Billy Bean Show, The
    • Jeffrey Hayden on producing the early ABC sitcom The Billy Bean Show, starring Arnold Stang
      Clip begins at: 06:29, Duration: 01m 34s
    • Producer Jeffrey Hayden on using radio's The Aldrich Family as a sitcom template when creating episodes of The Billy Bean Show
      Clip begins at: 09:55, Duration: 01m 17s
  • Bold Ones, The
    • Director Jeffrey Hayden on the rotating format of The Bold Ones (and the real-life contemporary medical issues addressed on The New Doctors segment)
      Clip begins at: 34:47, Duration: 02m 49s
    • Director Jeffrey Hayden on E. G. Marshall's talent on The Bold Ones
      Clip begins at: 37:46, Duration: 01m 45s
    • Director Jeffrey Hayden on writer-producer Roy Huggins' technique and talent for writing scripts
      Clip begins at: 40:12, Duration: 01m 02s
  • Burke's Law
    • Director Jeffrey Hayden on producer Aaron Spelling and the celebrity line-up on Burke's Law
      Clip begins at: 21:57, Duration: 02m 15s
  • Capitol
    • Director Jeffrey Hayden on how he came to direct the daytime serial Capitol and executive-produce Santa Barbara
      Clip begins at: 28:48, Duration: 03m 15s
  • Children in America's Schools with Bill Moyers
    • Director Jeffrey Hayden on the impact of his 1996 documentary Children in America's Schools with Bill Moyers
      Clip begins at: 41:31, Duration: 01m 05s
  • Donna Reed Show, The
    • Director Jeffrey Hayden on working with Donna Reed on The Donna Reed Show
      Clip begins at: 53:05, Duration: 00m 36s
    • Director Jeffrey Hayden on The Donna Reed Show producer Paul West
      Clip begins at: 53:56, Duration: 01m 03s
    • Director Jeffrey Hayden on stories from his personal life that writer-producer Paul West used on The Donna Reed Show
      Clip begins at: 55:37, Duration: 01m 07s
    • Director Jeffrey Hayden on The Donna Reed Show's ensemble and how Reed interacted with them
      Clip begins at: 00:01, Duration: 01m 23s
    • Director Jeffrey Hayden on the schedule of The Donna Reed Show
      Clip begins at: 01:24, Duration: 00m 50s
  • Gloria Swanson Hour, The
    • Jeffrey Hayden briefly on directing interview show The Gloria Swanson Hour
      Clip begins at: 12:56, Duration: 00m 31s
  • In the Heat of the Night
    • Director Jeffrey Hayden briefly on directing In the Heat of the Night
      Clip begins at: 32:03, Duration: 01m 03s
  • Incredible Hulk, The
    • Director Jeffrey Hayden on his work on The Incredible Hulk and his feelings about working with cinematographer John McPherson and star Bill Bixby
      Clip begins at: 04:52, Duration: 02m 05s
    • Director Jeffrey Hayden on the time challenge presented by the use of contact lens for Bill Bixby's transition from Dr. David Banner to the Hulk
      Clip begins at: 04:52, Duration: 02m 05s
    • Director Jeffrey Hayden on producer Kenneth Johnson
      Clip begins at: 08:55, Duration: 01m 08s
  • Ironside
    • Director Jeffrey Hayden on Raymond Burr's great story sense on Ironside, but the difficulties in accommodating his contractual agreement that he would not do location work and would require TelePrompters for his scenes
      Clip begins at: 49:58, Duration: 03m 27s
  • Knight Rider (1982-86, NBC)
    • Director Jeffrey Hayden on how each subsequent season of Knight Rider required more stunts
      Clip begins at: 10:08, Duration: 01m 24s
    • Director Jeffrey Hayden on Knight Rider star David Hasselhoff
      Clip begins at: 11:33, Duration: 00m 29s
    • Director Jeffrey Hayden on how the Knight Rider scripts were written piecemeal by different writers
      Clip begins at: 15:31, Duration: 02m 30s
  • Lassie
    • Director Jeffrey Hayden on working with several trained geese on Lassie (and also how well-trained the dogs were on the show)
      Clip begins at: 49:30, Duration: 01m 48s
  • Leave it to Beaver
    • Director Jeffrey Hayden on Leave it to Beaver as not as satisfying as his other sitcom work
      Clip begins at: 10:10, Duration: 01m 02s
  • Lloyd Bridges Show, The
    • Director Jeffrey Hayden on how Lloyd Bridges required long hours on The Lloyd Bridges Show (and how Hayden quit smoking at this point in his life)
      Clip begins at: 17:30, Duration: 04m 26s
  • Loretta Young Show, The
    • Director Jeffrey Hayden briefly on working on The Loretta Young Show and winning an award
      Clip begins at: 51:39, Duration: 01m 19s
  • Mannix
    • Director Jeffrey Hayden on the quality work that was done on Mannix
      Clip begins at: 47:57, Duration: 01m 56s
  • Max Liebman Presents
    • Jeffrey Hayden on directing Max Liebman spectaculars "Lady in the Dark" and "The Chocolate Soldier"
      Clip begins at: 30:56, Duration: 01m 43s
  • Palmerstown U.S.A.
    • Director Jeffrey Hayden on the premise of Palmerstown, U.S.A.
      Clip begins at: 19:57, Duration: 01m 20s
    • Director Jeffrey Hayden on how filming Palmerstown, U.S.A. at the Disney ranch led to a Directors Guild rule about providing drivers to locations
      Clip begins at: 21:13, Duration: 03m 02s
    • Director Jeffrey Hayden on the talented cast of Palmerstown, U.S.A., including Michael J. Fox
      Clip begins at: 24:15, Duration: 02m 49s
  • Peyton Place
    • Director Jeffrey Hayden on his year as one of the rotating directors on Peyton Place
      Clip begins at: 25:44, Duration: 01m 23s
    • Director Jeffrey Hayden on the good-natured relationship he had with star Ryan O'Neal
      Clip begins at: 27:07, Duration: 00m 33s
    • Director Jeffrey Hayden on how Mia Farrow came to impulsively cut her hair short following an altercation that happened on Peyton Place
      Clip begins at: 27:42, Duration: 03m 38s
    • Director Jeffrey Hayden on the ease of shooting Peyton Place for Hayden due to the closeness of the studio and its vast resources
      Clip begins at: 32:21, Duration: 00m 55s
    • Director Jeffrey Hayden on the ease of shooting Peyton Place for him due to the closeness of the studio and its vast resources
      Clip begins at: 32:21, Duration: 00m 55s
  • Philco-Goodyear Television Playhouse
    • Director Jeffrey Hayden on being hired for The Philco-Goodyear Television Playhouse's 1954-55 season
      Clip begins at: 34:09, Duration: 00m 35s
    • Director Jeffrey Hayden on the writers who worked on The Philco-Goodyear Television Playhouse
      Clip begins at: 34:44, Duration: 00m 30s
    • Director Jeffrey Hayden on working with producer Gordon Duff on The Philco-Goodyear Television Playhouse
      Clip begins at: 35:14, Duration: 01m 00s
    • Director Jeffrey Hayden on memorable Philco-Goodyear Television Playhouse shows "Thunder of Silence" and "Run Like A Thief" (and his difficulties with James Dean on the latter)
      Clip begins at: 36:14, Duration: 03m 26s
  • Quincy, M.E.
    • Director Jeffrey Hayden on Quincy's plots, including the episode "Seldom Silent, Never Heard," that influenced the passing of the Orphan Drug Act (ODA)
      Clip begins at: 54:39, Duration: 04m 20s
    • Director Jeffrey Hayden on Quincy episode "Nowhere to Run" and how its incest storyline affected guest star Charles Aidman
      Clip begins at: 00:03, Duration: 02m 19s
  • Route 66
    • Director Jeffrey Hayden on casting in local community theaters while directing on-location series Route 66
      Clip begins at: 24:12, Duration: 01m 29s
  • Santa Barbara
    • Director Jeffrey Hayden on how he came to direct the daytime serial Capitol and executive-produce Santa Barbara
      Clip begins at: 28:48, Duration: 03m 15s
  • Stop the Music
    • Director Jeffrey Hayden on his work on Stop the Music and how it led to The Bert Parks Show
      Clip begins at: 13:28, Duration: 01m 26s
    • Director Jeffrey Hayden on his work on Stop the Music and how it led to The Bert Parks Show
      Clip begins at: 13:28, Duration: 01m 26s
  • Wonderful World of Disney, The aka Magical World of Disney, The
    • Director Jeffrey Hayden on working with Walt Disney (on the segment The Further Adventures of Gallegher for Walt Disney's Wonderful World of Color) and his regret at not working on other projects with him
      Clip begins at: 42:40, Duration: 02m 00s

People

  • Charles Aidman
    • Director Jeffrey Hayden on Quincy episode "Nowhere to Run" and how its incest storyline affected guest star Charles Aidman
      Clip begins at: 00:03, Duration: 02m 19s
  • Gert Anderson
    • Director Jeffrey Hayden on the quality work that was done on Mannix (and reuniting with Donna Reed Show cinematographer Gert Anderson)
      Clip begins at: 47:57, Duration: 01m 56s
  • Carl Betz
    • Director Jeffrey Hayden on The Donna Reed Show's ensemble and how Reed interacted with them
      Clip begins at: 00:01, Duration: 01m 23s
  • Bill Bixby
    • Director Jeffrey Hayden on his work on The Incredible Hulk and his feelings about working with cinematographer John McPherson and star Bill Bixby
      Clip begins at: 04:52, Duration: 02m 05s
  • Lloyd Bridges
    • Director Jeffrey Hayden on how Lloyd Bridges required long hours on The Lloyd Bridges Show (and how Hayden quit smoking at this point in his life)
      Clip begins at: 17:30, Duration: 04m 26s
  • Raymond Burr
    • Director Jeffrey Hayden on Raymond Burr's great story sense on Ironside, but the difficulties in accommodating his contractual agreement that he would not do location work and would require TelePrompters for his scenes
      Clip begins at: 49:58, Duration: 03m 27s
  • James Dean
    • Director Jeffrey Hayden on memorable Philco-Goodyear Television Playhouse shows "Thunder of Silence" and "Run Like A Thief" (and his difficulties with James Dean on the latter)
      Clip begins at: 36:14, Duration: 03m 26s
  • Pete Deuel
    • Director Jeffrey Hayden on Alias Smith and Jones lead Pete Deuel's personality and intellect and his suicide during the show's second season
      Clip begins at: 45:43, Duration: 02m 11s
  • Walt Disney
    • Director Jeffrey Hayden on working with Walt Disney (on the segment The Further Adventures of Gallegher for Walt Disney's Wonderful World of Color) and his regret at not working on other projects with him
      Clip begins at: 42:40, Duration: 02m 00s
  • Gordon Duff
    • Director Jeffrey Hayden on working with producer Gordon Duff on The Philco-Goodyear Television Playhouse
      Clip begins at: 35:14, Duration: 01m 00s
  • Shelley Fabares
    • Director Jeffrey Hayden on The Donna Reed Show's ensemble and how Reed interacted with them
      Clip begins at: 00:01, Duration: 01m 23s
  • Mia Farrow
    • Director Jeffrey Hayden on how Mia Farrow came to impulsively cut her hair short following an altercation that happened on Peyton Place
      Clip begins at: 27:42, Duration: 03m 38s
  • E. G. Marshall
    • Director Jeffrey Hayden on E. G. Marshall's talent on The Bold Ones
      Clip begins at: 37:46, Duration: 01m 45s
  • Will Geer
    • Director Jeffrey Hayden on the Hollywood Blacklist and how he helped actor Will Geer
      Clip begins at: 48:38, Duration: 00m 37s
  • Andy Griffith
    • Director Jeffrey Hayden on getting hired for The Andy Griffith Show (and having known Griffith from their college days together)
      Clip begins at: 03:41, Duration: 00m 47s
  • Roy Huggins
    • Director Jeffrey Hayden on writer-producer Roy Huggins' technique and talent for writing scripts
      Clip begins at: 40:12, Duration: 01m 32s
  • Michael J. Fox
    • Director Jeffrey Hayden on the talented cast of Palmerstown, U.S.A., including Michael J. Fox
      Clip begins at: 24:15, Duration: 02m 49s
  • Kenneth Johnson
    • Director Jeffrey Hayden on producer Kenneth Johnson
      Clip begins at: 08:55, Duration: 01m 08s
  • Jack Klugman
    • Director Jeffrey Hayden on Quincy's plots, including the episode "Seldom Silent, Never Heard," that influenced the passing of the Orphan Drug Act (ODA)
      Clip begins at: 54:39, Duration: 04m 20s
    • Director Jeffrey Hayden on Jack Klugman's insistence at making the Quincy episode "Nowhere to Run" and how its incest storyline affected guest star Charles Aidman
      Clip begins at: 00:03, Duration: 02m 19s
  • Eva Marie Saint
    • Director Jeffrey Hayden on meeting his wife of many years, actress Eva Marie Saint, and her entrance into the Actors Studio
      Clip begins at: 19:32, Duration: 01m 07s
  • John McPherson
    • Director Jeffrey Hayden on his work on The Incredible Hulk and his feelings about working with cinematographer John McPherson and star Bill Bixby
      Clip begins at: 04:52, Duration: 02m 05s
  • Paul Monash
    • Director Jeffrey Hayden on how Mia Farrow came to impulsively cut her hair short and Paul Monash's solution to the problem on the set of Peyton Place
      Clip begins at: 27:42, Duration: 03m 38s
  • Ryan O'Neal
    • Director Jeffrey Hayden on the good-natured relationship he had with star Ryan O'Neal
      Clip begins at: 27:07, Duration: 00m 33s
  • Donna Reed
    • Director Jeffrey Hayden on working with Donna Reed on The Donna Reed Show
      Clip begins at: 53:05, Duration: 00m 36s
  • Joel Rogosin
    • Director Jeffrey Hayden on working with 77 Sunset Strip producer Joel Rogosin
      Clip begins at: 16:36, Duration: 00m 42s
  • Aaron Spelling
    • Director Jeffrey Hayden on producer Aaron Spelling and the celebrity line-up on Burke's Law
      Clip begins at: 21:57, Duration: 02m 15s
  • Lee Strasberg
    • Director Jeffrey Hayden on Lee Strasberg, personally and professionally
      Clip begins at: 17:44, Duration: 01m 03s
  • Gloria Swanson
    • Jeffrey Hayden briefly on directing interview show The Gloria Swanson Hour
      Clip begins at: 12:56, Duration: 00m 31s
  • Paul West
    • Director Jeffrey Hayden on The Donna Reed Show producer Paul West
      Clip begins at: 53:56, Duration: 01m 03s

Topics

  • Creative Influences and Inspiration
    • Director Jeffrey Hayden on how he and the cast would work on new ideas for their current scripts at lunch on 77 Sunset Strip
      Clip begins at: 14:43, Duration: 01m 49s
  • Historic Events and Social Change > Health and Medicine
    • Director Jeffrey Hayden on Quincy's plots, including the episode "Seldom Silent, Never Heard," that influenced the passing of the Orphan Drug Act (ODA)
      Clip begins at: 54:39, Duration: 04m 20s
  • Pop Culture > Classic TV series episodes > Drama
    • Director Jeffrey Hayden on Quincy's plots, including the episode "Seldom Silent, Never Heard," that influenced the passing of the Orphan Drug Act (ODA)
      Clip begins at: 54:39, Duration: 04m 20s
  • TV's Golden Age (1940s & ‘50s)
    • Director Jeffrey Hayden on directing for "live" TV as similar to directing theater (versus the rushed schedule of filmed TV)
      Clip begins at: 39:44, Duration: 01m 32s
  • Television Industry > Industry Crossroads
    • Director Jeffrey Hayden on how filming Palmerstown, U.S.A. at the Disney ranch led to a Directors Guild rule about providing drivers to locations
      Clip begins at: 21:13, Duration: 03m 02s
  • Television Industry > Industry Crossroads > Hollywood Blacklist (ca. 1950s)
    • Director Jeffrey Hayden on the Hollywood Blacklist and how he helped actor Will Geer
      Clip begins at: 48:38, Duration: 00m 37s

Genres

  • Western Series
    • Director Jeffrey Hayden on his affinity for the western genre, having directed for such series as The Men from Shiloh and Alias Smith and Jones
      Clip begins at: 42:22, Duration: 00m 42s
    • Director Jeffrey Hayden on the difficulty in location shooting on Alias Smith and Jones
      Clip begins at: 42:22, Duration: 00m 42s
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