Leonard Nimoy
Actor & Director
About This Interview
Leonard Nimoy expresses how he felt at being Emmy-nominated: "I cried. I thought, whoa. Wow. What a thrill. Particularly because the nominations are done by your fellow actors, and I thought: they're getting it, they can see what I'm doing.... it just really moved me deeply." Leonard Nimoy received an Emmy nomination for each season of Star Trek , playing now-iconic "Mr. Spock," and is also known for hosting the documentary series In Search Of... and as a director of series TV and films (including two Star Trek features). In his Archive interview, Nimoy reminisces about growing up in the inner city of Boston: the mix of nationalities in his neighborhood and his stage debut at the age of eight at a community theater. He discusses his acting ambitions and his move to Hollywood, making television appearances on such series as The Pinky Lee Show and Matinee Theater. He chronicles his life as a struggling actor, commenting on his regularity in playing ethnic roles and heavies while working on western series such as Wagon Train and Gunsmoke and on several series produced by syndication giant Ziv Television Programs, among them West Point, Sea Hunt, and Highway Patrol. He recounts auditioning for The Lieutenant, a series produced by Gene Roddenberry, which led to his casting on Star Trek. Backtracking to his '50s experiences, he notes his time in the Army (assigned to mount Army-produced shows) and describes his role (and meager pay) for his first starring feature film Kid Monk Baroni, as well as his first work in a sci-fi role in the serial Zombies of the Startosphere. He also talks about his work as an acting teacher. For Star Trek, he speaks in great detail about his character "Mr. Spock" and gives the origin of such Vulcanisms as the Vulcan salute and nerve pinch (both of which he invented); describes a typical workweek on the series; eludes to the restrictive budget and strict adherence to schedule; describes Gene Roddenberry's vision for the series; gives his impressions of his fellow cast mates; and looks back on several notable episodes. On creating the "Mr. Spock" character, Nimoy reveals: "[During a scene once] Spock had one word to say, and the word was 'fascinating.' And we're looking at this thing on the screen, and I got caught up in that energy and I said, "facinating!" And the director gave me a brilliant note which said: be different. Be the scientist. Be detached. See it as something that's a curiosity rather than a threat. I said, 'fascinating.' Well, a big chunk of the character was born right there." Nimoy then speaks frankly about his work as a series regular on Mission:Impossible, which he ultimately found unfulfilling. He discuses later career highlights including his work as narrator/host of In Search of... and star of such television movies as A Woman Called Golda and Never Forget. He notes his second career as a director, initially with an episode of Rod Serling's Night Gallery and his graduation to such popular feature films as Star Trek III and IV and Three Men and a Baby. Leonard Nimoy was interviewed in Beverly Hills, CA on November 2, 2000; Karen Herman conducted the four-hour interview.
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Video: Leonard Nimoy's appearance on Shatner's Raw Nerve
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Watch By Chapter
- Chapter 1
- On his early years growing up in Boston; on his first acting experience, age eight, at a community theater; on appearing in and listening to radio
- On his memories of selling newspapers on Pearl Harbor day; on getting the acting bug; on his disappointing experience studying at the Pasadena Playhouse; on setting himself up in Hollywood with the help of actress Ruth Roman
- On his appearance on TV's The Pinky Lee Show and earliest memories of watching television; on being a struggling actor; on other early TV exposure on: Lights, Camera, Action and Matinee Theater
- Chapter 2
- On his appearance on Matinee Theater (continued); on working in live TV; on guest appearances in series produced by syndication giant Ziv Television Programs: West Point and Sea Hunt, by which he earned a living
- On a significant guest appearance on Wagon Train in the episode “The Estaban Zamora Story” (acting with Ernest Borgnine); on his penchant for playing ethnic roles; on his guest appearances on Bonanza and a television movie revival (acting with character actor Ben Johnson); on why villains were not allowed to smoke on Ziv Television Programs’ syndicated shows, due to sponsorship
- On the plot of a Gunsmoke episode he guest-starred in, “Treasure of John Walking Fox”; on series star Vic Morrow helping him to get work on Combat!; on auditioning and winning a guest part on The Lieutenant, which led him to be cast on Star Trek; on taking a small part on Get Smart
- Chapter 3
- On his guest appearances on the series: Dragnet, M Squad, Broken Arrow, and Highway Patrol (and the cost cutting techniques of shows he did in those days)
- On appearing on The Man From U.N.C.L.E. and shadowing director Joseph Sargent to learn how to direct for television (per producer Norman Felton); on appearing on The Outer Limits episode “I Robot” in the 1960s and the remake in the 1990s
- On serving in the Army in the mid-50s, becoming an “entertainment specialist” to Army-produced shows; on getting an agent and landing the feature film Kid Monk Baroni , in which he played the title role (a boxer); on his family’s take on his choice of profession
- Chapter 4
- On appearing in his first sci-fi role, in the 1952 serial Zombies of the Stratosphere; on how appearing in a stage production of “The Three Musketeers” for children got him the job on a feature film version of radio-TV’s Queen for a Day; on the Hollywood blacklist and how he became involved in teaching as an indirect result
- On teaching acting, circa the late 1950s; on how he prepares for a role, and the importance of subtext
- On the intimacy the camera can provide to an actor; on how being an actor informed his directing; on getting cast on Star Trek; on Star Trekproducer Gene Roddenberry’s description of “Spock”; on “Spock’s” make-up
- Chapter 5
- On his make-up as Star Trek’
s “Mr. Spock”; on the reaction of the network to the Spock character; on the premise of Star Trek;
on how the series was useful as a platform for its writers; on what he
was told about lead Jeffrey Hunter’s departure following the initial
pilot
- On the character of “Mr. Spock” and developing his traits
- On precedent of a Spock-like character in The Day the Earth Stood Still; on being influenced in his “minimalist” Spock characterization by something he saw Harry Belafonte do on stage in the ‘50s; on abandoning an actor’s “emotion” as a requirement for playing “Dr. Spock” and how playing him effected him personally; on his typical workweek on Star Trek; on Star Trek's "transporter"
- Chapter 6
- On Star Trek’s bridge set; on the show’s restrictive budget; on Lucille Ball complimenting him; on the directors of Star Trek and the tight adherence to schedule; on his unfulfilled interest in directing for Star Trek; on comparing Star Trek’s short shooting schedule to that of “sister series” Mission:Impossible
- On Star Trek creator/producer Gene Roddenberry involvement during the show’s run and vision for the series; on Star Trek writer/producer Gene L. Coon and his idea of the Klingons; on associate producer Robert H. Justman; on the interrelationship between McCoy, Spock, Capt. Kirk; on working with the show’s ensemble
- On working with Star Trek co-star William Shatner; on Star Trek’s popularity and the network’s mismanaging of its timeslot, which hastened its cancellation
- Chapter 7
- On the Star Trek episode “The Devil in the Dark”; on “Vulcanisms”: the mind meld, the Vulcan nerve pinch, the Vulcan salute (and its use in the episode “Amok Time”); on his favorite and least favorite Star Trek episodes; on being Emmy-nominated for each of the three seasons of Star Trek
- On the legacy of Star Trek; on being cast in Mission:Impossible, and how ultimately he found the job unfulfilling; on the premise of Mission:Impossible and on the character he played, master-of-disguise “Paris”; on the cast of Mission:Impossible— Peter Graves, Greg Morris, Peter Lupus, Sam Elliot, and Lesley Ann Warren; on his favorite episode of Mission:Impossible; on the television movie Assault on the Wayne
- On becoming a director at Universal Studios; on feeling typecast as a heavy while at Universal in the early 1970s; on being replaced on creator/producer Gene Roddenberry’s pilot Questor (aka The Questor Tapes) in the mid ‘70s; on directing the Rod Serling's Night Gallery episode "Death on a Barge"; on hosting In Search Of...
- Chapter 8
- On producer Alan Landsburg’s concept for In Search Of…; on starring with Ingrid Bergman in her final performance in A Woman Called Golda; on his disappointment with Star Trek—The Motion Picture; on getting hired to direct Star Trek III; on Star Trek: The Next Generation
- On his experience directing the feature film Three Men and A Baby; on starring in the television movie Never Forget , and its reception
- On his interest in photography; on the ups and downs of fame; on his proudest achievements (including his first Emmy nomination for Star Trek; his Broadway experiences; the reception of Star Trek IV, which he directed)
Discussed In This Interview
shows
people
- Lesley Ann Warren
- Lucille Ball
- Ingrid Bergman
- Ernest Borgnine
- Lloyd Bridges
- James Coburn
- Gene Coon
- Jeff Corey
- Marc Daniels
- James Doohan
- Sam Elliot
- Norman Felton
- Peter Graves
- Jeffrey Hunter
- Ben Johnson
- Robert Justman
- DeForest Kelley
- Walter Koenig
- Alan Landsburg
- Peter Lupus
- Greg Morris
- Vic Morrow
- Nichelle Nichols
- Joseph Pevney
- Gene Roddenberry
- Ruth Roman
- Boris Sagal
- Joseph Sargent
- William Shatner
- George Takei
topics
- Bloopers
- Drama
- Studio Management
- Minorities
- Censorship / Standards & Practices
- Fame & Celebrity
- Hollywood Blacklist (ca. 1950s)
- Minorities
- Creative Influences and Inspiration
- Censorship / Standards & Practices
- Censorship / Standards & Practices
- Characters & Catchphrases
- Characters & Catchphrases
- Creative Influences and Inspiration
- Characters & Catchphrases
- Drama
- Characters & Catchphrases
- Characters & Catchphrases
- Fame & Celebrity






