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Mike Post

Composer

"Look at the picture. A lot of guys make the mistake of going, 'This is what I feel.' Look at the picture. Your art on somebody else's art.  They already did their art. Look at the picture. By the way, did I say look at the picture?"

About This Interview

In his nearly three-hour Archive interview, Mike Post talks about his early interest in music and his formative years as a studio musician. He recalls his early successes as a music producer, including producing the first album for First Edition, the band that made Kenny Rogers famous and producing the number one hit "Classical Gas". He discusses his first big break in television as the musical director of the newly revamped The Andy Williams Show (1969-71), making him the youngest person to hold that title at the time. He recounts his longtime partnership with Pete Carpenter and their collaborative efforts on many of the major dramatic shows of the 1970s and '80s. He speaks about his chance meeting with Stephen J. Cannell that led to his extensive work with Cannell, Dick Wolf and Steven Bochco. Post describes the work of a television composer as someone who layers their art on another's in a true spirit of collaboration. He outlines his compositions and memorable theme songs for such series as T he Rockford Files, Hill Street Blues, The Greatest American Hero, L.A. Law, Cop Rock (theme by Randy Newman) and Law & Order. Stephen J. Abramson conducted the interview on May 25, 2005 in Burbank, California.

Related To This Video

  • Shows
  • People
  • Topics
  • Professions

Shows

  • A-Team, The
  • Andy Williams Show, The
  • Baa-Baa Black Sheep aka Black Sheep Squadron
  • Cop Rock
  • Doogie Howser, M.D.
  • Grammys, The
  • Greatest American Hero, The
  • Hill Street Blues
  • L. A. Law
  • Lassie
  • Law & Order
  • Law & Order: Special Victims Unit
  • Magnum, P. I.
  • NYPD Blue
  • Quantum Leap
  • Richie Brockelman, Private Eye
  • Rockford Files, The
  • Toma
  • White Shadow, The

People

  • Steven Bochco
  • Stephen J. Cannell
  • Tom Smothers
  • Andy Williams
  • Dick Wolf

Topics

  • Pop Culture
  • TV Theme Songs
  • Television Industry

Professions

  • Music Professionals

Featured Content

Watch the intro/theme to "Richie Brockelman, Private Eye":

Mike Post album cover

Downloads Available (from Amazon): Television Theme Songs - Mike Post

 

 

Resources

from the Museum of Broadcast Communications Encyclopedia of Television

Mike Post

Mike Post, one of the most successful composers in television history, has written music for television since the 1970s. He has won five Grammy awards for his theme songs and, by his own count, has scored over 2,000 hours of film. Post has produced the signature melodies for programs such as Hill Street Blues, L.A. Law and NYPD Blue. His distinct themes often have intense, industrial rock music cross-cut with smooth jazz sounds. These compositions are noted for their unique blending of styles as well as for the dramatic manner in which they complement a show's narrative.

Post is regarded as the youngest musician ever to be appointed as musical director for a television program, assuming that role in 1969, at age 24, on The Andy Williams Show. Prior to that appointment, Post worked primarily as a session musician for a number of major artists including Sammy Davis Jr., Dean Martin and Sonny and Cher--he played guitar on "I Got You Babe" in 1965. He was also a successful producer and arranger, winning a Grammy at age 22 for Best Instrumental Arrangement on Mason Williams' "Classical Gas."

Post began his career in Los Angeles with the country-rock band First Edition, featuring Kenny Rogers. In the late 1960s he joined forces with Pete Carpenter, trombonist, arranger, and a veteran of television theme scoring, and began to write music for television. Post and Carpenter began working for producer Stephen J. Cannell and first wrote the theme for Cannell's cop show Toma in 1973. The Rockford Files theme, however, was their breakthrough assignment. The whimsical synthesizer melodies seemed perfectly suited to the ironic character of James Garner's Rockford. The score sealed their reputations and won Post his first Grammy Award for Best Instrumental Arrangement in 1975.

Hill Street Blues brought more accolades and continued success. The theme song, an elegant composition of simple, poignant piano music, struck a chord with audiences and soared onto the pop charts. It also impressed his peers and the critics and brought Post two more Grammys in 1981--one for Best Pop Instrumental Performance and one for Best Instrumental Composition.

Hill Street Blues also marked the beginning of a long-running, creative collaboration with Steven Bochco. One of the most prolific producers of successful dramatic series in the 1980s and 1990s, Bochco hired Post to write the Hill Street Blues theme and has worked closely with him ever since. The composer's career was largely established by the music he composed for Bochco's police or law-oriented dramas.

Post's work is wholly devoted to compelling a program's storyline and contributing to its overall tone. The slick, polished opening sounds of L.A. Law and the aggressive, chaotic drumbeats punctuating the segments of NYPD Blue episodes are examples of talent for melding images, emotions and sounds. He is also exceptionally resourceful in orchestrating his award-winning melodies. To achieve the unique sound of the NYPD Blue theme, for example, he used, among other effects, 1,000 Japanese men jumping up and down on a wooden floor, a cheese grater, and a subway horn. All these ideas are largely inspired by the program's script, and Post's ability to encompass a show's character in his music is what has landed him atop the elite class of Hollywood composers. Only Pat Williams, Henry Mancini and Dave Grusin have attained comparable levels of success and respect in this field.

Ironically, his music has become so popular that the themes play on pop radio, a medium wholly disconnected from the visual drama he is committed to enhancing. One of his songs, "The Greatest American Hero," is among the few TV themes ever to reach the number one spot on the Pop Singles charts. Others, such as the themes for Hill Street Blues and The Rockford Files, have reached the Top 10. His popular and unique compositions are not Mike Post's only enduring legacy to television, however. He can also be credited with elevating television scoring to a fine art, and creating a new dimension of drama with his "ear for the visual."

-Jennifer Moreland

 

FURTHER READING

Borzillo, Carrie. "TV Composer Mike Post Takes BMI Award (Lifetime Achievement)." Billboard (New York), 28 May 1994.

Harris, Steve. Film and Television Composers: An International Discography, 1920-1989. Jefferson, North Carolina: McFarland, 1992.

Olsen, David C., editor. Best of the 80's: TV Songbook: A Prime Time Anthology. Miami, Florida: CPP/Belwin, 1988.

Wescott, Steven D. A Comprehensive Bibliography of Music for Film and Television. Detroit, Michigan: Information Coordinators, 1985.

MIKE POST. Born in San Fernando, California, U.S.A., 1945. Married; children: Jennifer and Aaron. Began career as member of Kenny Roger's country-rock band First Edition; went on to play for Sammy Davis, Jr., and Dean Martin; musical director, The Andy Williams Show, 1969; produced numerous television scores, including The Rockford Files, Hill Street Blues, L.A. Law, Doogie Howser, and NYPD Blue; arranged various Ray Charles LPs; record producer, Dolly Parton's 9 to 5, among others. Recipient: five Grammy Awards.

TELEVISION (scoring)

Two on a Beach, 1971; Gidget Gets Married, 1972; Griff, 1973; Needles and Pins, 1973; Toma, 1973; Locusts, 1974; The Morning After, 1974; The Rockford Files, 1974, The Texas Wheelers, 1974; The Bob Crane Show, 1975; The Invasion of Johnson County, 1976; Richie Brockelman: Missing 24 Hours, 1976; Scott Free, 1976; The Black Sheep Squadron, 1977; Charlie Cobb: Nice Night for a Hanging, 1977; Off the Wall, 1977; Doctor Scorpion, 1978; Richie Brockelman: Private Eye, 1978; The White Shadow, 1978; Big Shamus, Little Shamus, 1979; Captain America, 1979; Captain America II, 1979; The Duke, 1979; The 416th, 1979; The Night Rider, 1979; Operating Room, 1979; 240-Robert, 1979; Tennspeed and Brownshoe, 1980; Scout's Honor, 1980; Hill Street Blues, 1980; Coach of the Year, 1980; The Greatest American Hero, 1980; Palms Precinct, 1982; The Quest, 1982; Tales of the Gold Monkey, 1982; Will, G. Gordon Liddy, 1982; The A-Team, 1983; Bay City Blues, 1983; Big John, 1983; Hardcastle and McCormick, 1983; Riptide, 1983; The Rousters, 1983; Running Brave, 1983; Four Eyes, 1984; Hadley's Rebellion, 1984; Hard Knox, 1984; No Man's Land, 1984; The Return of Luter Gillie, 1984; The River Rat, 1984; Welcome to Paradise, 1984; Heart of a Champion, 1985; Stingray, 1985; Adam: His Song Continues, 1986; L.A. Law, 1986; The Last Precinct, 1986; Destination America, 1987; Hooperman, 1987; Sirens, 1987; Wiseguy, 1987; Murphy's Law, 1988; Sonny Spoon, 1988; The Ryan White Story, 1989; B.L. Stryker: The Dancer's Touch, 1989; Unspeakable Acts, 1990; Without Her Consent, 1990; NYPD Blue, 1993.

YouTube video player - HTML5 compatible.
  • Highlights
  • Interview
  • Shows
  • People
  • Topics
  • Genres
  • Professions

Highlights

  • Mike Post on writing the theme song to <i>Magnum, P.I.</i>Mike Post on writing the theme song to Magnum, P.I.
    Clip begins at: 03:35, Duration: 00m 32s
  • Mike Post on writing the theme song to <i> L.A. Law</i>Mike Post on writing the theme song to  L.A. Law
    Clip begins at: 27:35, Duration: 01m 39s
  • Mike Post on writing the theme song to <i>The Greatest American Hero</i>Mike Post on writing the theme song to The Greatest American Hero
    Clip begins at: 26:00, Duration: 01m 01s
  • Mike Post on meeting Stephen J. CannellMike Post on meeting Stephen J. Cannell
    Clip begins at: 03:27, Duration: 06m 45s
  • Mike Post on writing the theme song to <i> Doogie Howser, M.D.</i>Mike Post on writing the theme song to  Doogie Howser, M.D.
    Clip begins at: 08:12, Duration: 01m 19s

Interview

  • Part 1
  • On his early life and influences; on early theme songs that he liked
    Clip begins at: 0:0
  • On playing for Sonny and Cher; on his early session work; on producing the band First Edition with Kenny Rogers
    Clip begins at: 16:05
  • Part 2
  • On producing and winning a Grammy for the song "Classical Gas"; on going to work for The Andy Williams Show; on working with Ray Charles
    Clip begins at: 0:0
  • On his two years as a conductor on The Andy Williams Show; on his music partner Pete Carpenter
    Clip begins at: 16:35
  • Part 3
  • On his writing process with partner Pete Carpenter; on meeting Stephen J. Cannell; on writing the theme song for Toma
    Clip begins at: 0:0
  • On writing the theme song to The Rockford Files; on his friendships with Stephen J. Cannell, Steven Bochco, and Dick Wolf; on writing the theme songs for Richie Brockelman, Private Eye and Baa Baa Blacksheep
    Clip begins at: 14:28
  • Part 4
  • On early career encouragement; on writing the theme songs to The White Shadow, Magnum, P.I., and Hill Street Blues; on public reaction to his work
    Clip begins at: 0:0
  • On then-current trends in television scoring; on music he listens to and scoring feature films; on writing the theme songs to The A-Team and L.A. Law
    Clip begins at: 14:45
  • Part 5
  • On writing the theme for L.A. Law; on what he's proudest of; on writing music for Quantum Leap, Doogie Howser, M.D., and Cop Rock
    Clip begins at: 0:0
  • On writing the theme for and scoring Law & Order and its spin-offs; on writing the theme for NYPD Blue
    Clip begins at: 16:11
  • Part 6
  • On composing various themes; on then-current (2005) projects
    Clip begins at: 0:0
  • On the business of composing for television; on career highlights and the Pete Carpenter Memorial Fund; on advice to aspiring composers and how he'd like to be remembered
    Clip begins at: 11:30

Shows

  • A-Team, The
    • Mike Post on writing the theme song to The A-Team
      Clip begins at: 27:01, Duration: 00m 34s
  • Andy Williams Show, The
    • Mike Post on his entry into television via The Andy Williams Show
      Clip begins at: 08:46, Duration: 01m 49s
    • Mike Post on working with his hero, Ray Charles, on conducting The Andy Williams Show  and how he came to pre-record the music for the show
      Clip begins at: 10:36, Duration: 06m 05s
    • Mike Post on his two seasons conducting the orchestra on The Andy Williams Show
      Clip begins at: 16:41, Duration: 03m 53s
    • Mike Post on what he learned working with various musical guests on The Andy Williams Show
      Clip begins at: 20:34, Duration: 02m 14s
  • Baa-Baa Black Sheep aka Black Sheep Squadron
    • Mike Post on writing the theme song for Baa-Baa Black Sheep
      Clip begins at: 26:37, Duration: 00m 48s
  • Cop Rock
    • Mike Post on composing for Cop Rock
      Clip begins at: 10:36, Duration: 05m 35s
  • Doogie Howser, M.D.
    • Mike Post on writing the theme song to Doogie Howser, M.D.
      Clip begins at: 08:12, Duration: 01m 19s
  • Grammys, The
    • Mike Post on winning a Grammy for "Classical Gas" and coming of age in Los Angeles
      Clip begins at: 04:07, Duration: 04m 39s
  • Greatest American Hero, The
    • Mike Post on writing the theme song to The Greatest American Hero
      Clip begins at: 26:00, Duration: 01m 01s
  • Hill Street Blues
    • Mike Post on working on Hill Street Blues with writer/producer Steven Bochco
      Clip begins at: 04:07, Duration: 03m 48s
  • L. A. Law
    • Mike Post on writing the theme song to L.A. Law
      Clip begins at: 27:35, Duration: 01m 39s
    • Mike Post on writing the theme music for L.A. Law
      Clip begins at: 00:00, Duration: 01m 09s
    • Mike Post on scoring L.A. Law
      Clip begins at: 05:12, Duration: 02m 02s
  • Lassie
    • Mike Post on the theme to Lassie
      Clip begins at: 04:00, Duration: 01m 26s
  • Law & Order
    • Mike Post on writing the theme for and scoring Law & Order
      Clip begins at: 16:11, Duration: 05m 11s
  • Law & Order: Special Victims Unit
    • Mike Post on writing the theme for and scoring the Law & Order spin-offs
      Clip begins at: 21:22, Duration: 01m 11s
  • Magnum, P. I.
    • Mike Post on writing the theme song to Magnum, P.I.
      Clip begins at: 03:35, Duration: 00m 32s
  • NYPD Blue
    • Mike Post on writing the theme for NYPD Blue
      Clip begins at: 22:34, Duration: 05m 56s
  • Quantum Leap
    • Mike Post on writing the theme song to Quantum Leap
      Clip begins at: 07:41, Duration: 00m 31s
  • Richie Brockelman, Private Eye
    • Mike Post on writing the theme song for Richie Brockelman, Private Eye
      Clip begins at: 24:05, Duration: 01m 29s
  • Rockford Files, The
    • Mike Post on writing the theme music for The Rockford Files
      Clip begins at: 14:28, Duration: 03m 22s
    • Mike Post on scoring The Rockford Files
      Clip begins at: 27:25, Duration: 00m 38s
  • Toma
    • Mike Post on writing the theme song for Toma
      Clip begins at: 13:14, Duration: 01m 14s
  • White Shadow, The
    • Mike Post on writing the theme song to The White Shadow
      Clip begins at: 02:37, Duration: 00m 58s

People

  • Cher
    • Mike Post on playing for Sonny and Cher
      Clip begins at: 16:05, Duration: 01m 51s
  • Steven Bochco
    • Mike Post on his friendships with Stephen J. Cannell, Steven Bochco, and Dick Wolf
      Clip begins at: 19:13, Duration: 04m 52s
    • Mike Post on writing the theme song for Richie Brockelman, Private Eye
      Clip begins at: 24:05, Duration: 01m 29s
    • Mike Post on working on Hill Street Blues with writer/producer Steven Bochco
      Clip begins at: 04:07, Duration: 03m 48s
    • Mike Post on composing for Cop Rock
      Clip begins at: 10:36, Duration: 05m 35s
    • Mike Post on writing the theme for and scoring NYPD Blue
      Clip begins at: 23:18, Duration: 05m 12s
    • Mike Post on then-current (2005) projects and how he works with Stephen J. Canell, Steven Bochco, and Dick Wolf
      Clip begins at: 07:04, Duration: 04m 26s
  • Sonny Bono
    • Mike Post on playing for Sonny and Cher
      Clip begins at: 16:05, Duration: 01m 51s
  • Ray Charles
    • Mike Post on working with his hero, Ray Charles, on The Andy Williams Show  and how he came to pre-record the music for the show
      Clip begins at: 10:36, Duration: 06m 05s
  • Stephen J. Cannell
    • Mike Post on the talent of Stephen J. Cannell
      Clip begins at: 10:12, Duration: 03m 52s
    • Mike Post on writing the theme music for The Rockford Files
      Clip begins at: 14:04, Duration: 05m 08s
    • Mike Post on then-current (2005) projects and how he works with Stephen J. Canell, Steven Bochco, and Dick Wolf
      Clip begins at: 07:04, Duration: 04m 26s
    • Mike Post on his friendships with Stephen J. Cannell, Steven Bochco, and Dick Wolf
      Clip begins at: 19:13, Duration: 04m 52s
    • Mike Post on meeting Stephen J. Cannell
      Clip begins at: 03:27, Duration: 06m 45s
  • Henry Mancini
    • Mike Post on early encouragement from Henry Mancini 
      Clip begins at: 00:00, Duration: 02m 37s
  • Randy Newman
    • Mike Post on composing for Cop Rock
      Clip begins at: 10:36, Duration: 05m 35s
  • Kenny Rogers
    • Mike Post on producing the band First Edition 
      Clip begins at: 22:19, Duration: 06m 20s
  • Tom Smothers
    • Mike Post on producing the hit song "Classical Gas" for Mason Williams
      Clip begins at: 00:01, Duration: 04m 06s
  • Andy Williams
    • Mike Post on his entry into television via conducting for The Andy Williams Show 
      Clip begins at: 08:46, Duration: 01m 49s
  • Dick Wolf
    • Mike Post on his friendships with Stephen J. Cannell, Steven Bochco, and Dick Wolf
      Clip begins at: 19:13, Duration: 04m 52s
    • Mike Post on writing the theme for and scoring Law & Order
      Clip begins at: 16:11, Duration: 05m 11s
    • Mike Post on then-current (2005) projects and how he works with Stephen J. Canell, Steven Bochco, and Dick Wolf
      Clip begins at: 07:04, Duration: 04m 26s

Topics

  • Pop Culture
    • Mike Post on the theme to Lassie
      Clip begins at: 04:00, Duration: 01m 26s
    • Mike Post on writing the theme music for The Rockford Files
      Clip begins at: 14:04, Duration: 05m 08s
    • Mike Post on writing the theme song for Richie Brockelman, Private Eye
      Clip begins at: 24:05, Duration: 01m 29s
    • Mike Post on writing the theme song for Baa-Baa Black Sheep
      Clip begins at: 26:37, Duration: 00m 58s
    • Mike Post on writing the theme song for Toma
      Clip begins at: 13:14, Duration: 01m 14s
    • Mike Post on writing the theme song to The White Shadow
      Clip begins at: 02:37, Duration: 00m 58s
    • Mike Post on writing the theme song to Magnum, P.I.
      Clip begins at: 03:35, Duration: 00m 32s
    • Mike Post on working on Hill Street Blues  with writer/producer Steven Bochco
      Clip begins at: 04:07, Duration: 03m 48s
    • Mike Post on writing the theme song to The Greatest American Hero
      Clip begins at: 26:00, Duration: 01m 01s
    • Mike Post on writing the theme song to The A-Team
      Clip begins at: 27:01, Duration: 00m 34s
    • Mike Post on writing the theme song to L.A. Law
      Clip begins at: 27:35, Duration: 01m 39s
    • Mike Post on writing the theme music for L.A. Law
      Clip begins at: 00:00, Duration: 01m 09s
    • Mike Post on writing the theme song to Quantum Leap
      Clip begins at: 07:41, Duration: 00m 31s
    • Mike Post on writing the theme song to Doogie Howser, M.D.
      Clip begins at: 08:12, Duration: 01m 19s
    • Mike Post on composing for Cop Rock
      Clip begins at: 10:36, Duration: 05m 35s
    • Mike Post on writing the theme for and scoring Law & Order
      Clip begins at: 16:11, Duration: 06m 22s
    • Mike Post on writing the theme for and scoring NYPD Blue
      Clip begins at: 23:18, Duration: 05m 12s
  • Pop Culture > TV Theme Songs
    • Mike Post on the theme to Lassie
      Clip begins at: 04:00, Duration: 01m 26s
    • Mike Post on writing the theme music for The Rockford Files
      Clip begins at: 14:04, Duration: 05m 08s
    • Mike Post on writing the theme song for Richie Brockelman, Private Eye
      Clip begins at: 24:05, Duration: 01m 29s
    • Mike Post on writing the theme song for Baa-Baa Black Sheep
      Clip begins at: 26:37, Duration: 00m 58s
    • Mike Post on writing the theme song for Toma
      Clip begins at: 13:14, Duration: 01m 14s
    • Mike Post on writing the theme song to The White Shadow
      Clip begins at: 02:37, Duration: 00m 58s
    • Mike Post on writing the theme song to Magnum, P.I.
      Clip begins at: 03:35, Duration: 00m 32s
    • Mike Post on working on Hill Street Blues  with writer/producer Steven Bochco
      Clip begins at: 04:07, Duration: 03m 48s
    • Mike Post on writing the theme song to The Greatest American Hero
      Clip begins at: 26:00, Duration: 01m 01s
    • Mike Post on writing the theme song to The A-Team
      Clip begins at: 27:01, Duration: 00m 34s
    • Mike Post on writing the theme song to L.A. Law
      Clip begins at: 27:35, Duration: 01m 39s
    • Mike Post on writing the theme music for L.A. Law
      Clip begins at: 00:00, Duration: 01m 09s
    • Mike Post on writing the theme song to Quantum Leap
      Clip begins at: 07:41, Duration: 00m 31s
    • Mike Post on writing the theme song to Doogie Howser, M.D.
      Clip begins at: 08:12, Duration: 01m 19s
    • Mike Post on composing for Cop Rock
      Clip begins at: 10:36, Duration: 05m 35s
    • Mike Post on writing the theme for and scoring Law & Order
      Clip begins at: 16:11, Duration: 06m 22s
    • Mike Post on writing the theme for and scoring NYPD Blue
      Clip begins at: 23:18, Duration: 05m 12s
  • Television Industry
    • Mike Post on how the business of television scoring has changed since the '70s
      Clip begins at: 11:30, Duration: 03m 43s

Genres

  • Music Shows & Variety Shows/Specials
    • Mike Post on what he learned working with various musical guests on The Andy Williams Show
      Clip begins at: 20:34, Duration: 02m 14s

Professions

  • Music Professionals
    • Mike Post on the process of scoring a television episode
      Clip begins at: 21:08, Duration: 02m 42s
    • Mike Post on what he's proudest of in his music career
      Clip begins at: 01:09, Duration: 04m 03s
    • Mike Post on how the business of television scoring has changed since the '70s
      Clip begins at: 11:30, Duration: 03m 43s
    • Mike Post on advice to aspiring television or film composers and how he'd like to be remembered
      Clip begins at: 18:23, Duration: 01m 52s
  • Music Professionals > Composer
    • Mike Post on his process of writing musical themes
      Clip begins at: 00:00, Duration: 03m 27s
    • Mike Post on how he got hired (by Stephen J. Cannell) and his work ethic
      Clip begins at: 12:17, Duration: 01m 47s
    • Mike Post on coming up with the theme music for The Rockford Files, using a synthesizer, being a "behind-the-scenes" guy
      Clip begins at: 14:04, Duration: 05m 08s
    • Mike Post on the process of scoring a television episode
      Clip begins at: 21:08, Duration: 02m 42s
    • Mike Post on what he's proudest of in his music career
      Clip begins at: 01:09, Duration: 04m 03s
    • Mike Post on how the business of television scoring has changed since the '70s
      Clip begins at: 11:30, Duration: 03m 43s
    • Mike Post on advice to aspiring television or film composers and how he'd like to be remembered
      Clip begins at: 18:23, Duration: 01m 52s
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Submitted by Captain Kaos on Sat, 2013-01-26 15:38.
I love the great action/drama TV-shows from the 70´s & 80´s. A large share has the great music from Post & Carpenter. I´m still hoping for a 4 or 5 CD-Set with original recordings from "The Rockford Files", "Magnum,p.i.", "The A-Team", "Riptide" and some other great stuff.

Submitted by Anonymous on Wed, 2012-07-18 04:58.
Why is there no mention of Magnum, PI?

Submitted by dexfx69 on Sat, 2011-05-14 02:12.
he makes it sound so easy - and that's indicitive of his monumental talent and attitude.

Submitted by dexfx69 on Sat, 2011-05-14 02:02.
some people are nice, gifted and lucky. meet mike post.

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