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Roy Christopher

Production Designer

"I’d like to teach designers how to read a script, how to break it down, how to think. What they’re really paying for is your mind.  They want you to be able to take verbal stuff, written stuff, and translate it into verbal terms -- that’s an art. Open your mind to that. Read a poem and paint it."

About This Interview

Roy Christopher was interviewed for nearly three hours in Los Angeles, CA.  Christopher talked about his start at NBC where he began in television production design on The Dean Martin Show.  He described his  work in the 1970s on James Komack-produced series including Chico and the Man and Welcome Back, Kotter. He noted his work on several television specials, including The Richard Pryor Show and Our Town. He spoke in great detail about his design of the sets for the sitcoms Murphy Brown and Frasier.  Lastly he talked about his considerable contributions to awards shows, including the Oscars, Emmys, and Grammys. Throughout the interview, Christopher discussed the craft of production design and his unique style that incorporated contemporary ideas into his work.  B-roll consisted of over forty photos: the set designs for various Academy Awards and Emmy Awards shows, as well as stills from such series and specials as The Dean Martin Show, The Jonathan Winters Show, The Richard Pryor Show, Our Town, The Midnight Special, Chico and the Man, Make Your Own Kind of Music, The David Steinberg Show, Frasier, and Murphy Brown. The interview was conducted by Karen Herman on June 30, 2006.

Related To This Video

  • Shows
  • People
  • Genres

Shows

  • Academy Awards, The
  • Andy Williams Specials
  • Becker
  • Chico and the Man
  • Frasier
  • Freddie
  • Growing Pains
  • Just Shoot Me
  • Murphy Brown
  • NewsRadio
  • Welcome Back Kotter

People

  • Candice Bergen

Genres

  • Music Shows & Variety Shows/Specials
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  • Highlights
  • Chapters
  • Shows
  • People
  • Genres

Highlights

  • Roy Christopher on the addition of "production designer" as a title in television and what the profession entails (02m 29s)Roy Christopher on the addition of "production designer" as a title in television and what the profession entails (02m 29s)
  • Roy Christopher on becoming the art director for <i>Chico and the Man</i>, and his approach to the show’s look (02m 55s)Roy Christopher on becoming the art director for Chico and the Man, and his approach to the show’s look (02m 55s)
  • Production Designer Roy Christopher on designing Gabe Kotter’s apartment for <i>Welcome Back, Kotter</i>  and the lesson he learned when told by producers to make it “realistic” (01m 42s)Production Designer Roy Christopher on designing Gabe Kotter’s apartment for Welcome Back, Kotter and the lesson he learned when told by producers to make it “realistic” (01m 42s)
  • Roy Christopher on the stenciling work he did for gabe Kotter's apartment in <i>Welcome Back, Kotter</i>  that became a trend in TV art direction (00m 43s)Roy Christopher on the stenciling work he did for gabe Kotter's apartment in Welcome Back, Kotter that became a trend in TV art direction (00m 43s)

Chapters

  • Chapter 1
  • On his early years and education; on his first TV jobs (painting scenery); on The Dean Martin Show
  • Chapter 2
  • Full Chapter Two
  • Chapter 3
  • Full Chapter Three
  • Chapter 4
  • On doing production design for Growing Pains; on Paper Angels; on doing production design for Lionel Ritchie's music video; on designing My Sister Sam; on designing Murphy Brown; on designing Wings; on designing Carol and Company; on starting on Frasier
  • Chapter 5
  • On the production design for Frasier  and the overall appeal of the show
  • On the production design for Newsradio
  • On the production design for Just Shoot Me
  • On the production design for Becker
  • On the production design for Freddie; on Freddie Prinze, Jr. as compared to his father
  • On being hired to design the Academy Awards telecast
  • Chapter 6
  • Full Chapter Six
  • Chapter 7
  • B-roll

Shows

  • Academy Awards, The
    • Roy Christopher on being hired to design the Academy Awards telecast
      (04m 09s)
    • Roy Christopher on the process of designing the sets for the Academy Awards
  • Andy Williams Specials
    • Roy Christopher on bringing Pop Art to television production design in the mid-to-late '60s on such shows as the Andy Williams special "Love, Andy," and how well it appeared on camera (03m 01s)
  • Becker
    • Roy Christopher on the production design for Becker
      (02m 33s)
  • Chico and the Man
    • Production designer Roy Christopher on keeping current and how pleased he was that he designed both Freddie Prinze’s show Chico and the Man in the 1970s and his son’s show Freddie (2005-06) (01m 15s)
    • Roy Christopher on becoming the art director for Chico and the Man, and his approach to the show’s look (02m 55s)
  • Frasier
    • Roy Christopher on the production design for Frasier  and the overall appeal of the show
      (17m 12s)
  • Freddie
    • Production designer Roy Christopher on keeping current and how pleased he was that he designed both Freddie Prinze’s show Chico and the Man in the 1970s and his son’s show Freddie (2005-06) (01m 15s)
    • Roy Christopher on the production design for Freddie; on Freddie Prinze, Jr. as compared to his father
      (02m 48s)
  • Growing Pains
    • Art Director Roy Christopher on designing the sets for Growing Pains, and the challenge of creating an interesting "family sitcom" set (02m 58s)
  • Just Shoot Me
    • Roy Christopher on the production design for Just Shoot Me
      (01m 22s)
  • Murphy Brown
    • Art Director Roy Christopher on his work on Murphy Brown (05m 35s)
  • NewsRadio
    • Roy Christopher on the production design for NewsRadio
      (00m 53s)
  • Welcome Back Kotter
    • Roy Christopher on his feeling about Welcome Back, Kotter and how he modeled the art direction of the high school on his own high school (01m 14s)
    • Production Designer Roy Christopher on designing Gabe Kotter’s apartment for Welcome Back, Kotter and the lesson he learned when told by producers to make it “realistic” (01m 42s)
    • Roy Christopher on the stenciling work he did for gabe Kotter's apartment in Welcome Back, Kotter that became a trend in TV art direction (00m 43s)

People

  • Freddie
    • Roy Christopher on the production design for Freddie; on Freddie Prinze, Jr. as compared to his father
      (02m 48s)
  • Candice Bergen
    • Art Director Roy Christopher on seeing Candice Bergen's talent on Murphy Brown (00m 39s)
  • Freddie Prinze
    • Roy Christopher on the production design for Freddie; on Freddie Prinze, Jr. as compared to his father
      (02m 48s)

Genres

  • Comedy Series
    • Art Director Roy Christopher on designing the sets for Growing Pains, and the challenge of creating an interesting "family sitcom" set (02m 58s)
  • Music Shows & Variety Shows/Specials
    • Roy Christopher on bringing Pop Art to television production design in the mid-to-late '60s on such shows as the Andy Williams special "Love, Andy," and how well it appeared on camera (03m 01s)
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