Roy Christopher
Production Designer
About This Interview
Roy Christopher was interviewed for nearly three hours in Los Angeles, CA. Christopher talked about his start at NBC where he began in television production design on The Dean Martin Show. He described his work in the 1970s on James Komack-produced series including Chico and the Man and Welcome Back, Kotter. He noted his work on several television specials, including The Richard Pryor Show and Our Town. He spoke in great detail about his design of the sets for the sitcoms Murphy Brown and Frasier. Lastly he talked about his considerable contributions to awards shows, including the Oscars, Emmys, and Grammys. Throughout the interview, Christopher discussed the craft of production design and his unique style that incorporated contemporary ideas into his work. B-roll consisted of over forty photos: the set designs for various Academy Awards and Emmy Awards shows, as well as stills from such series and specials as The Dean Martin Show, The Jonathan Winters Show, The Richard Pryor Show, Our Town, The Midnight Special, Chico and the Man, Make Your Own Kind of Music, The David Steinberg Show, Frasier, and Murphy Brown. The interview was conducted by Karen Herman on June 30, 2006.
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Highlights
Roy Christopher on the addition of "production designer" as a title in television and what the profession entails (02m 29s)
Roy Christopher on becoming the art director for Chico and the Man, and his approach to the show’s look (02m 55s)
Production Designer Roy Christopher on designing Gabe Kotter’s apartment for Welcome Back, Kotter and the lesson he learned when told by producers to make it “realistic” (01m 42s)
Roy Christopher on the stenciling work he did for gabe Kotter's apartment in Welcome Back, Kotter that became a trend in TV art direction (00m 43s)
Chapters
- Chapter 1
- On his early years and education; on his first TV jobs (painting scenery); on The Dean Martin Show
- Chapter 2
- Full Chapter Two
- Chapter 3
- Full Chapter Three
- Chapter 4
- On doing production design for Growing Pains; on Paper Angels; on doing production design for Lionel Ritchie's music video; on designing My Sister Sam; on designing Murphy Brown; on designing Wings; on designing Carol and Company; on starting on Frasier
- Chapter 5
- On the production design for Frasier and the overall appeal of the show
- On the production design for Newsradio
- On the production design for Just Shoot Me
- On the production design for Becker
- On the production design for Freddie; on Freddie Prinze, Jr. as compared to his father
- On being hired to design the Academy Awards telecast
- Chapter 6
- Full Chapter Six
- Chapter 7
- B-roll


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