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Ruth Engelhardt

Agent

"I think my career achievement is carrying the torch for women in the business. I know I am respected a lot, and I think I helped pave the way for more women. I don’t know, I don’t think I have a greatest achievement. I think my greatest achievement is I did really good work." 

About This Interview

Ruth Engelhardt (1921-2008) was interviewed for three-and-a-half hours in Los Angeles, CA.  Engelhardt vividly described her over 55-year association with the William Morris Agency.  She recalled how she worked her way up from being a secretary to an executive in Business Affairs by earning her law degree attending night school.  She discussed the structure of the Agency, the key figures in its executive suites, and its important television accounts.  She talked about the packaging of such television series as The Life of Riley, The Danny Thomas Show, and I Spy.  She spoke in great detail about the creation of one of the biggest hits of the 1980s, The Cosby Show.   Additionally, Engelhardt talked about such topics as contract negotiations, the era of the Hollywood Blacklist, and the 1975 formation of CAA by ex-WMA agents.  B-roll consisted of a few photos of Engelhardt with William Morris colleagues.  The interview was conducted by Karen Herman on October 9, 2003.

Related To This Video

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  • People
  • Topics

Shows

  • Andy Griffith Show, The
  • Bill Dana Show, The
  • Danny Thomas Show, The aka Make Room for Daddy
  • Dick Van Dyke Show, The
  • Gomer Pyle, U.S.M.C.
  • Mod Squad, The
  • Rowan and Martin's Laugh-In
  • That Girl

People

  • Aaron Spelling

Topics

  • Historic Events and Social Change
  • Television Industry
You need Flash player 8+ and JavaScript enabled to view this video.
  • Chapters
  • Shows
  • People
  • Topics

Chapters

  • Chapter 1
  • Full Chapter One
  • Chapter 2
  • Full Chapter Two
  • Chapter 3
  • Full Chapter Three
  • Chapter 4
  • On the impact of the quiz show scandals on sponsors; on working with the fledgling ABC network; on the creation of cost-plus financing; on the treatment of female executives; on negotiating the Writers Guild Live Agreement; on handling business affairs for Sheldon Leonard and Danny Thomas productions including The Dick Van Dyke Show, The Andy Griffith Show  and   Gomer Pyle, USM
  • Chapter 5
  • Full Chapter Five
  • Chapter 6
  • Ful Chapter Eight
  • Chapter 7
  • Full Chapter Seven
  • Chapter 8
  • Full Chapter Eight

Shows

  • Andy Griffith Show, The
    • Business affairs executive Ruth Engelhardt on the genesis of The Andy Griffith Show (01m 56s)
  • Bill Dana Show, The
    • Business affairs executive Ruth Engelhardt briefly on coming up with the joint-venture company names for the producers of The Bill Dana Show (Amigo Productions) and The Dick Van Dyke Show (Calvada Productions) (01m 01s)
  • Danny Thomas Show, The aka Make Room for Daddy
    • Business affairs executive Ruth Engelhardt briefly on the genesis of  The Danny Thomas Show (00m 37s)
  • Dick Van Dyke Show, The
    • Business affairs executive Ruth Engelhardt on the genesis of  The Dick Van Dyke Show;  on handling the show's legal affairs (03m 33s)
    • Business affairs executive Ruth Engelhardt briefly on coming up with the joint-venture company names for the producers of The Bill Dana Show (Amigo Productions) and The Dick Van Dyke Show (Calvada Productions) (01m 01s)
  • Gomer Pyle, U.S.M.C.
    • Business affairs executive Ruth Engelhardt briefly on the genesis of  Gomer Pyle, USMC (01m 35s)
  • Mod Squad, The
    • Business affairs executive Ruth Engelhardt on how The Mod Squad  was the first series financed using cost-plus financing (05m 43s)
  • Rowan and Martin's Laugh-In
    • Business affairs executive Ruth Engelhardt briefly on handling  Laugh-In (01m 00s)
  • That Girl
    • Business affairs executive Ruth Engelhardt briefly on the genesis of  That Girl (00m 31s)

People

  • Louis Edelman
    • Business affairs executive Ruth Engelhardt briefly on the genesis of  The Danny Thomas Show (00m 37s)
  • Anne Nelson
    • Business affairs executive Ruth Engelhardt on the treatment of women executives in the industry (during the mid-20th century) (04m 24s)
  • Aaron Spelling
    • Business affairs executive Ruth Engelhardt on how The Mod Squad  was the first series financed using cost-plus financing (05m 43s)

Topics

  • Historic Events and Social Change > Diversity in Television > Women
    • Business affairs executive Ruth Engelhardt on the treatment of women executives in the industry (during the mid-20th century) (04m 24s)
  • Television Industry > Industry Crossroads > Hollywood Blacklist (ca. 1950s)
    • Ruth Engelhardt on the Hollywood Blacklist, "the great witch hunt" (09m 50s)
  • Television Industry > Industry Crossroads > Quiz Show Scandals
    • Business affairs executive Ruth Engelhardt on how the quiz show scandals impacted sponsors (02m 42s)
  • Television Industry > Studio Management
    • Business affairs executive Ruth Engelhardt on how The Mod Squad  was the first series financed using cost-plus financing (05m 43s)
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