Sam Denoff
Writer/ Producer
About This Interview
In his interview for the Archive of American Television, Sam Denoff (1928-2011) describes his work in radio at WNEW in New York and his move to Los Angeles to work in television, starting with The Steve Allen Show. He talks about working on The Andy Williams Show before landing a job with writing partner Bill Persky on The Dick Van Dyke Show. Denoff discusses his work as a writer and producer on this classic sitcom, in which he co-wrote memorable episodes such as “Coast-to-Coast Big Mouth” and "That's My Boy?" Denoff details the production of the landmark series That Girl, starring Marlo Thomas, which he and Persky co-created and co-produced, as well as the series Good Morning World. He recalls other series he created, which include The Funny Side, Big Eddie, On Our Own, and Turnabout. Denoff describes specials he worked on, including The Sid Caesar, Imogene Coca, Carl Reiner, Howard Morris Special (1967), The Bill Cosby Special (1968), Dick Van Dyke and the Other Woman (1969) and Hallmark Hall of Fame's “The Man Who Came to Dinner,” with Orson Welles (1972). Denoff also touches on writing for The Annual American Comedy Awards and working as a consultant for the Jerry Lewis MDA Telethon. Bill Freiberger conducted the four hour interview in Brentwood, CA on March 9, 2000.
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Chapters
- Chapter 1
- On his childhood; on playing piano; on loving radio shows; on wanting to be a songwriter
- On working as a page at NBC and observing the live dramatic anthology series being filmed at Studio 8H; on working at S. Klein department store; on interviewing for a job at WNEW radio
- Chapter 2
- On writing for WNEW radio in New York; on meeting longtime collaborator Bill Persky; on writing "Let's Keep the Dodgers in Brooklyn"; on getting an agent and starting to write for comedians
- On working for Sid Caesar; on his first memories of television; on getting hired to write for Steve Allen; on writing for the ABC affiliate show
- Chapter 3
- On writing for non-broadcast affiliate shows for NBC; on working with Jack Palance and Gene Kelly
- On writing for The Andy Williams Show; on meeting Jonathan Winters
- On writing for The Dick Van Dyke Show; on working with Carl Reiner and Sheldon Leonard
- Chapter 4
- On lessons from Carl Reiner; on why The Dick Van Dyke Show remains funny
- On the non-existent writer's room of The Dick Van Dyke Show; on the disappearane of lead time in television; on how accurately The Dick Van Dyke show portrayed a writer's room
- On the cast of The Dick Van Dyke Show
- Chapter 5
- On specific episodes of The Dick Van Dyke Show; "That's my Boy", "I'd Rather Be Bald than Have no Head at All"; "October Eve", "The Gunslinger", "Coast to Coast Big Mouth"
- On his writing partnership with Bill Persky; on winning Emmy awards; on the assassination of JFK
- On The Julie Andrews specials; on writing for The Bill Dana Show; on the Hollywood Blacklist
- Chapter 6
- On the Blacklist; on creating That Girl with Marlo Thomas; on Danny Thomas
- On the pilot episode and cast of That Girl; on a typical work week; on Daisy Productions and his favorite episodes of That Girl
- Chapter 7
- On the audience reaction to That Girl; on Good Morning World; on the Sid Caesar reunion special; on reuniting Dick Van Dyke and Mary Tyler Moore
- O n The Funny Side, hosted by Gene Kelly; on The Montefuscos, Big Eddie, The Don Rickles Show and the Hallmark Hall of Fame
- Chapter 8
- On "The Man Who Came To Dinner" with Orson Welles and Don Knotts; on splitting from his longtime comedy partner Bill Persky; on The Late Summer, Early Fall Bert Convy Show, The Sunshine Boys pilot with Neil Simon, On Our Own produced by David Susskind; On Turnabout with Sharon Gless; on working with Garry Shandling
- On current projects; on teaching at USC; on not wanting to retire; on advice to aspiring writers; on career highlights and how he'd like to be remembered
- Chapter 9
- On photos of people with whom he's worked - Joan Collins, Bess Armstrong, Orson Welles, Bill Persky, Dick Van Dyke, Sheldon Leonard, Steve Allen, Don Rickles


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