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Stanford Tischler

Editor

"Comedy is harder to cut than straight stuff. I don’t think you have to know more, but you have to have a feel for it. There’s a mixture between being objective and subjective when you’re putting something together. You’ve got to feel what is good and what your view is, and in a comedy, what is funny and what is not. How to temper it and cut it so that if it’s a boom, boom, boom, you’re building up to it. It’s a wonderful way to cut."

About This Interview

Stanford Tischler was interviewed for two hours in Sherman Oaks, CA.  Tischler talked about his early start in the business as an apprentice sound effects editor at RKO Studios.  He spoke in detail about the regime at RKO presided over by Howard Hughes and about his personal experiences working on the film Hard, Fast, and Beautiful, directed by Ida Lupino.  He described his transition into full-fledged editing as the editor for Collier Young and Ida Lupino’s Filmakers production company, where he edited such films as The Bigamist.  Tischler spoke about his entry into television on such series as the dramatic anthology TV Reader’s Digest.  He talked about his work at syndication giant Ziv Productions, on such series as The Everglades.  He briefly talked about his work in the 1960s on Peyton Place and Judd for the Defense.  Tischler then discussed his work on the long-running series M*A*S*H, for which he served as editor during the series entire run.  B-roll consisted of several photos relating to M*A*S*H, including shots from the editing suites.  The interview was conducted by Gary Rutkowski on November 19, 2003.

Related To This Video

  • Shows
  • People
  • Topics

Shows

  • AfterMASH
  • Bachelor Father
  • Code 3
  • Everglades, The
  • Judd for the Defense
  • Leave it to Beaver
  • M*A*S*H
  • M*A*S*H: "The Interview"
  • Medicine Man
  • Only in America
  • Partners, The
  • Peyton Place
  • Peyton Place: The Next Generation
  • Sea Hunt
  • TV Reader’s Digest

People

  • Alan Alda
  • Larry Gelbart
  • Burt Metcalfe
  • Harry Morgan
  • Gene Reynolds

Topics

  • Historic Events and Social Change
  • Television Industry

Featured Content

Video: Opening titles of M*A*S*H

M*A*S*H
Tags: Free Full Episodes,Classic Video Clips,TV Land Schedule

Resources

Links:

IMDb page on Stanford Tischler

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  • Highlights
  • Chapters
  • Shows
  • People
  • Topics

Highlights

  • Editor Stanford Tischler on his experience working with Frank Capra, while working as a sound effects editor on It's A Wonderful Life (00m 36s)Editor Stanford Tischler on his experience working with Frank Capra, while working as a sound effects editor on It's A Wonderful Life (00m 36s)
  • Editor Stanford Tischler on Howard Hughes' attempts to lengthen the production of the feature film Hard, Fast, and Beautiful (1951) (03m 20s)Editor Stanford Tischler on Howard Hughes' attempts to lengthen the production of the feature film Hard, Fast, and Beautiful (1951) (03m 20s)
  • Editor Stanford Tischler on how his cut-down editing job on the feature film We Go to Monte Carlo impressed Ida Lupino and Collier Young of The Filmmakers (01m 37s)Editor Stanford Tischler on how his cut-down editing job on the feature film We Go to Monte Carlo impressed Ida Lupino and Collier Young of The Filmmakers (01m 37s)
  • <DIV contenteditable="true" class="gx_free">Editor Stanford Tischler on Ida Lupino never losing battles (re: Don Siegel) and her talent/respect by crews</DIV> (01m 26s)
    Editor Stanford Tischler on Ida Lupino never losing battles (re: Don Siegel) and her talent/respect by crews
    (01m 26s)
  • Editor Stanford Tischler on his start in TV with Revue Productions as filler work for his film work with The Filmmakers (01m 49s)Editor Stanford Tischler on his start in TV with Revue Productions as filler work for his film work with The Filmmakers (01m 49s)
  • Editor Stanford Tischler on his experiences and work on the series TV Reader's Digest (05m 04s)Editor Stanford Tischler on his experiences and work on the series TV Reader's Digest (05m 04s)
  • Editor Stanford Tischler on shooting stock footage on his weekends starting while he was working on TV's Reader's Digest and how he provided specific shots for Code 3<i/> (03m 11s)Editor Stanford Tischler on shooting stock footage on his weekends starting while he was working on TV's Reader's Digest and how he provided specific shots for Code 3 (03m 11s)
  • Editor Stanford Tischler on how the racy reputation of Peyton Place lost his daughter one of her friends (00m 20s)Editor Stanford Tischler on how the racy reputation of Peyton Place lost his daughter one of her friends (00m 20s)
  • Editor Stanford Tischler on the tone of M*A*S*H and its message (01m 49s)Editor Stanford Tischler on the tone of M*A*S*H and its message (01m 49s)
  • Editor Stanford Tischler on the classic M*A*S*H episode "Abyssinia, Henry" and when he was informed about the show's ending (01m 13s)Editor Stanford Tischler on the classic M*A*S*H episode "Abyssinia, Henry" and when he was informed about the show's ending (01m 13s)
  • <DIV contenteditable="true" class="gx_free" style="width: 99%;">Editor Stanford Tischler the M*A*S*H series finale, and how he noticed that the streets were empty while it aired</DIV> (01m 36s)
    Editor Stanford Tischler the M*A*S*H series finale, and how he noticed that the streets were empty while it aired
    (01m 36s)
  • <DIV contenteditable="true" class="gx_free" style="width: 99%;">Editor Stanford Tischler on M*A*S*H as his proudest career achievement</DIV> (00m 25s)
    Editor Stanford Tischler on M*A*S*H as his proudest career achievement
    (00m 25s)

Chapters

  • Chapter 1
  • Full Chapter One
  • Chapter 2
  • Full Chapter Two
  • Chapter 3
  • Full Chapter Three
  • Chapter 4
  • Full Chapter Four

Shows

  • AfterMASH
    • Editor Stanford Tischler the series AfterMASH and how it was edited (01m 36s)
  • Bachelor Father
    • Editor Stanford Tischler on his work on Bachelor Father (and occasionally Leave it to Beaver) at Revue Studios (03m 35s)
    • Editor Stanford Tischler on being let go from Revue Studios (where he worked on Bachelor Father) because his salary was too high (00m 41s)
  • Code 3
    • Editor Stanford Tischler on shooting stock footage on his weekends starting while he was working on TV Reader's Digest and how he provided specific shots for Code 3 (01m 05s)
  • Everglades, The
    • Editor Stanford Tischler briefly on the 16mm color syndicated film series The Everglades (00m 54s)
  • Judd for the Defense
    • Editor Stanford Tischler on shooting stock footage on his weekends starting while he was working on TV Reader's Digest and how he provided specific shots for Code 3— a project he abandoned when he became the associate producer of Judd for the Defense (00m 53s)
    • Editor Stanford Tischler on starting as an associate producer on Judd For the Defense after salvaging the pilot  (01m 05s)
    • Editor Stanford Tischler on the underrated talents of Judd for the Defense lead Carl Betz (00m 37s)
  • Leave it to Beaver
    • Editor Stanford Tischler on his work on Bachelor Father (and occasionally Leave it to Beaver) at Revue Studios (03m 35s)
  • M*A*S*H
    • Editor Stanford Tischler on getting hired on M*A*S*H and his experience editing the pilot (01m 43s)
    • Editor Stanford Tischler on assembling the opeing titles shots for M*A*S*H  (00m 55s)
    • Editor Stanford Tischler on Larry Gelbart's penchant for "fixes" on M*A*S*H   (01m 04s)
    • Editor Stanford Tischler on working with executive producer Gene Reynolds on M*A*S*H   (00m 28s)
    • Editor Stanford Tischler on Larry Gelbart's talents on M*A*S*H   (00m 33s)
    • Editor Stanford Tischler on the tone of M*A*S*H and its message (01m 49s)
    • Editor Stanford Tischler on working with executive producer Burt Metcalfe on M*A*S*H   (00m 29s)
    • Editor Stanford Tischler on the overlapping of episodes in production on M*A*S*H   (01m 32s)
    • Editor Stanford Tischler on working with  M*A*S*H star Alda Alda (00m 40s)
    • Editor Stanford Tischler on the classic M*A*S*H episode "Abyssinia, Henry" and when he was informed about the show's ending (01m 13s)
    • Editor Stanford Tischler on not laughing while screening dailies with cast and crew because he was concentrating on his work on M*A*S*H (00m 29s)
    • Editor Stanford Tischler on the classic M*A*S*H episode "The Interview" (00m 56s)
    • Editor Stanford Tischler on the classic M*A*S*H episode "Life Time," shown in real time, and how it compared to the 1949 feature film The Set-Up that he worked on, which was also presented in real time (01m 19s)
    • Editor Stanford Tischler on the high standard for quality on M*A*S*H (00m 34s)
    • Editor Stanford Tischler the M*A*S*H series finale, and how he noticed that the streets were empty while it aired (02m 05s)
    • Editor Stanford Tischler on how actor Harry Morgan disliked performing the racist moment required of his character in his guest appearance on M*A*S*H in "The General Flipped at Dawn" (which preceded his regular role) (01m 21s)
    • Editor Stanford Tischler on M*A*S*H as his proudest career achievement (00m 25s)
  • M*A*S*H: "The Interview"
    • Stanford Tischler on editing the classic M*A*S*H episode "The Interview" (00m 56s)
  • Medicine Man
    • Editor Stanford Tischler on the pilot Medicine Man that starred Ernie Kovacs, which was being shot at the time of Kovacs' death (01m 45s)
  • Only in America
    • Editor Stanford Tischler on how the mid-70s pilot Only in America was not picked up by ABC because it was considered too "ethnic" (01m 06s)
  • Partners, The
    • Editor Stanford Tischler on how stars Don Adams and Rupert Crosse had a falling out and didn't work together outside of shooting their master shots, making scenes difficult to edit on The Partners (01m 48s)
  • Peyton Place
    • Editor Stanford Tischler on being hired on Peyton Place after turning to real estate when he was out of work (00m 53s)
    • Editor Stanford Tischler on the use of long takes on Peyton Place   (00m 33s)
    • Editor Stanford Tischler on how the racy reputation of Peyton Place lost his daughter one of her friends (00m 20s)
    • Editor Stanford Tischler on the failure of the TV movie Peyton Place: The Next Generation (00m 59s)
    • Editor Stanford Tischler on the failure of the TV movie Peyton Place: The Next Generation (00m 59s)
  • Peyton Place: The Next Generation
    • Editor Stanford Tischler on the failure of the TV movie Peyton Place: The Next Generation (00m 59s)
  • Sea Hunt
    • Editor Stanford Tischler on his work assembling the week's work on Sea Hunt (01m 03s)
  • TV Reader’s Digest
    • Editor Stanford Tischler on his experiences and work on the series TV Reader's Digest (05m 04s)
    • Editor Stanford Tischler on shooting stock footage on his weekends starting while he was working on TV Reader's Digest and how he provided specific shots for Code 3 (00m 53s)

People

  • Alan Alda
    • Editor Stanford Tischler on working with  M*A*S*H star Alda Alda (00m 40s)
  • Carl Betz
    • Editor Stanford Tischler on the underrated talents of Judd for the Defense lead Carl Betz (00m 37s)
  • Frank Capra
    • Editor Stanford Tischler on his experience working with Frank Capra, while working as a sound effects editor on It's A Wonderful Life   (00m 36s)
  • Larry Gelbart
    • Editor Stanford Tischler on Larry Gelbart's talents on M*A*S*H   (00m 33s)
    • Editor Stanford Tischler on Larry Gelbart's penchant for "fixes" on M*A*S*H   (01m 04s)
  • Howard Hughes
    • Editor Stanford Tischler on Howard Hughes' attempts to lengthen the production of the feature film Hard, Fast, and Beautiful (1951) (03m 20s)
  • Ernie Kovacs
    • Editor Stanford Tischler on the pilot Medicine Man that starred Ernie Kovacs, which was being shot at the time of Kovacs' death (01m 45s)
  • Ida Lupino
    • Editor Stanford Tischler on working with Ida Lupino and Collier Young at The Filmmakers (00m 50s)
    • Editor Stanford Tischler on Ida Lupino never losing battles (re: Don Siegel) and her talent/respect by crews (01m 26s)
  • Burt Metcalfe
    • Editor Stanford Tischler on working with executive producer Burt Metcalfe on M*A*S*H   (00m 29s)
  • Harry Morgan
    • Editor Stanford Tischler on how actor Harry Morgan disliked performing the racist moment required of his character in his guest appearance on M*A*S*H in "The General Flipped at Dawn" (which preceded his regular role) (01m 21s)
  • Gene Reynolds
    • Editor Stanford Tischler on working with executive producer Gene Reynolds on M*A*S*H   (00m 28s)
  • Collier Young
    • Editor Stanford Tischler on working with Ida Lupino and Collier Young at The Filmmakers
      (00m 50s)

Topics

  • Historic Events and Social Change > Diversity in Television
    • Editor Stanford Tischler on how the mid-70s pilot Only in America was not picked up by ABC because it was considered too "ethnic" (01m 06s)
  • Television Industry > Censorship / Standards & Practices
    • Editor Stanford Tischler on how in the 1950s the word "condominium" was deleted from a script (00m 22s)
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