Thomas W. Sarnoff
Executive
About This Interview
Of his work as a television executive, Thomas W. Sarnoff says, "the highlight of my career at NBC, was building a close knit and very efficient organization on the West Coast that served NBC very well for many years." In his Archive interview, Mr. Sarnoff discusses growing up in the shadow of his father, NBC founder David Sarnoff, and how television was a constant topic of conversation at home, and how he was even involved in an early signal test. In 1949, instead of joining NBC, he became a floor manager at ABC in Los Angeles. He was hired at NBC in 1952, as an Assistant to the Director of Finance and Operations and in 1957, he was promoted to Vice President, Production and Business Affairs. He discusses the contracts and negotiations he was involved with including negotiating land for the Burbank facility, and negotiating contracts for Bob Hope, Colonel Parker (Elvis Presley's manager), and for shows such as Gumby, Matinee Theater, and Bonanza. He concludes by talking about his longtime involvement with the Television Academy and its Foundation. Tom Sarnoff was interviewed in Los Angeles on June 10, 1999; Morrie Gelman conducted the three-hour interview.
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Highlights
Thomas W. Sarnoff on his role in founding the Archive of American Television (02m 16s)
Thomas W. Sarnoff on making the deal to broadcast the Emmy Awards nationally on NBC (00m 42s)
Thomas W. Sarnoff on taking a stand while developing Bonanza, when seeing that NBC was handing show concepts to MCA and buying them back (05m 45s)
On being "Gumby's godfather" and negotiating deals to bring Gumby to TV (03m 53s)
Chapters
- Chapter 1
- On his early years and family life with father David Sarnoff
- On witnessing the development of television at NBC and his early appearance in a TV test
- On his education, his service during World War II, and his move to California
- Chapter 2
- On working in production at ABC television
- On moving to MGM where he worked as a unit manager before moving to NBC
- On working at NBC in production and business affairs, where duties included NBC production facility land issues and oversight of the color series Matinee Theater
- Chapter 3
- On the importance of Matinee Theater for NBC color television; on NBC executives Pat Weaver and Robert Sarnoff
- On his contentious relationship with NBC executive Robert Kintner which came to a head with the development of Bonanza as an in-house NBC show
- Chapter 4
- On the friction between East and West Coast divisions of NBC
- On his negotiating style and forging deals with Elvis Presley, Bob Hope, and Disney
- On his philosophy of network programming and working with various NBC executives
- On David Sarnoff's death and the eventual end of Sarnoffs at RCA
- Chapter 5
- On being an NBC executive on the west coast and his response to the criticism about violence on television at that time
- On becoming president of NBC Entertainment (which handled non-broadcast entertainment) in 1969 and producing live arena shows with Disney
- On leaving NBC
- On being "Gumby's godfather" and negotiating deals to bring Gumby to TV
- Thomas W. Sarnoff on bringing back Bonanza in TV movies featuring the next generation - Bonanza: The Next Generation (1988), Bonanza: The Return (1993) and Bonanza: Under Attack (1995)
- Chapter 6
- On his affiliation with the Academy of Television Arts & Sciences throughout his career
- On chairing the TV Academy Foundation and his role in the founding of Archive of American Television
- On the highlights of his career, his father's legacy, and his thoughts on the current (1999) state of television
- On his family and how he'd like to be remembered
- On some of the people he's worked with over the years including Bob Finkel, Dick Welch, and John Conte
- Chapter 7
- On two photos: one with Phyllis Diller, the other of "Colonel" Tom Parker


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