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X-Files, The
People Who Talked About This Show
Chris Carter
James Hong
John Bartley
Peter Boyle
Vince Gilligan
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People Talking About This Show
John Bartley
Director of Photography John Bartley on getting hired for
The X-Files
(01m 35s)
Director of Photography John Bartley on his impressions of the
X-Files
pilot, and his own work on the series (00m 58s)
Director of Photography John Bartley on lighting
The X-Files
when he first started (01m 54s)
Director of Photography John Bartley on the set of
The X-Files
and the long hours he and the crew put in (01m 51s)
Director of Photography John Bartley on adding color to
The X-Files
as he continued with the show (00m 39s)
Director of Photography John Bartley on the kinds of equipment he used on
The X-Files
(03m 02s)
Director of Photography John Bartley on watching
The X-Files
on TV while he worked on the show (00m 38s)
Director of Photography John Bartley on the directors of
The X-Files
(01m 11s)
Director of Photography John Bartley on a typical workday on
The X-Files
(01m 07s)
Director of Photography John Bartley on working with
X-Files
leads David Duchovny and Gillian Anderson (01m 26s)
Director of Photography John Bartley on the look of
The X-Files
(01m 04s)
Director of Photography John Bartley on leaving
The X-Files
(00m 48s)
Director of Photography John Bartley on the amount of darkness in the lighting of
The X-Files
(00m 38s)
Director of Photography John Bartley on
X-Files
/
Roswell
producer-director David Nutter (00m 50s)
Peter Boyle
Peter Boyle on his guest-starring role as Clyde Bruckman on
The X-Files
(02m 21s)
Chris Carter
Chris Carter describes coming up with
X-Files
characters Mulder and Scully; the origin of their names
Chris Carter on the premise of the
X-Files
, "I Want to believe"; his thoughts on area abduction
Chris Carter on pitching
X-Files
to Fox executives; reaction to the pilot
Chris Carter on casting
X-Files
; Gillian Anderson and David Duchovny
Chris Carter on the filming the pilot of the
X-Files
; audience reaction to the debut; the mythology arc
Chris Carter on the
X-Files
main theme and title
Chris Carter on the character's motivation in the first season of
X-Files
; the romance, the themes and goals
Chris Carter on Mulder's shooting on X-Files; the family relationships; coming up with story ideas
Chris Carter on the X-Files' core audience
Chris Carter on the
X-Files
Season 1 finale
Chris Carter on the
X-Files'
cigarette smoking man, Deep Throat, and the Lone Gunman
Chris Carter on the
X-Files'
Post-modern Prometheus episode
Chris Carter on David Duchovny's leaving X-files and the season 7 finale and the season 7 finale
Vince Gilligan
Vince Gilligan on getting hooked on the
X-Files
in 1993 and getting an introduction to Chris Carter, who was related to Gilligan's agent
Vince Gilligan on writing the
X-Files
episode "Soft Light" and then being offered a job as a staff writer on the show, which he initially turned down
Vince Gilligan on the
X-Files
"The second greatest job of my life" that taught him everything he needed to know about writing for TV; on the mythology versus the standalone episodes
Vince Gilligan on the writers' room at X-Files; on the first episode he wrote as a staff writer "Pusher"; on the writing process (02m 16s)
Vince Gilligan on what he liked about the lack of rules on
X-Files
for the writers
Vince Gilligan on Folie Aux Deux- an
X-Files
episode he wrote and how the visual element was incorporated into the show; on why the visual is as important as the dialogue (02m 14s)
Vince Gilligan on the importance of the visual element on
X-Files
and his input as a writer
Vince Gilligan on the only script he wrote for
X-Files
that was re-written
Vince Gilligan on the censorship limits on
X-Files;
on the episode "Pusher" about Russian Roulette; on the episode "Paper Hearts" where he couldn't show an entry wound (02m 33s)
Vince Gilligan on the writers on The X-Files;
Vince Gilligan on the conspiracy theories explored by writers on The
X-Files
; on the influences for the show
Vince Gilligan on whether the writers on
X-Files
actually believed in supernatural phenomena: on "I Want to Believe"
Vince Gilligan on the X-Files episode "Bad Blood" influenced by the film "Rashomon"
Vince Gilligan on how the
X-Files
writer's room would "break" the story by building a scene "brick by brick" ; the hardest part of writing for TV (03m 14s)
Vince Gilligan on how much the writers on the
X-Files
were aware of the early Internet forums and fan chat rooms
Vince Gilligan on the
X-Files
mythology episodes
Vince Gilligan on the balance between comedy and drama on the
X-Files
; on his reputation for writing the funnier episodes; his episode "Small Potatoes"
Vince Gilligan on the first episode of
X-Files
he directed "Je Souhaite" (I Wish) in Season 7
Vince Gilligan on directing the
X-Files
episode "Sunshine Days" in which Michael Emerson someone who imagined he was living in the Brady Bunch house, which they reconstructed for the episode (05m 41s)
Vince Gilligan on the
X-Files
episode "Drive" where he met and worked with actor Bryan Cranston for the first time; later Cranston would star in Gilligan's
Breaking Bad
series playing a similar role, and why Cranston was perfect to play a "sympathetic creep" (07m 06s)
Vince Gilligan on being nominated for an Emmy for an
X-Files
episode "Memento Mori"
Vince Gilligan on the
X-Files
episode "Memento Mori" in which Scully gets cancer
Vince Gilligan on how the writers adapted to news that David Duchovny was leaving X-Files
Vince Gilligan on the "jump the shark" episode of
X-Files
and the resolution for the
Lone Gunmen
spinoff series (03m 07s)
Vince Gilligan on the finale of X-Files
Vince Gilligan on the legacy of X-Files (01m 02s)
James Hong
Actor James Hong briefly on guest-starring on The X-Files (01m 14s)
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