News from the Archive

Birthday Wishes to Harvey Korman Who Turns 80 Today

February 16th, 2007


Harvey Korman— Carol Burnett Show regular, Mel Brooks films ensemble player, and The Flintstones' Great Gazoo— turns 80 years old today.

The Archive asks: What are your favorite comedy moments from Harvey Korman's career?

Click here to access the Archive of American Television Interview with Harvey Korman.

Click here to access the Archive of American Television Interview with Harvey Korman and Tim Conway discussing their work together.

Share and Enjoy:

Archive Interviewee Peter Ellenshaw, Disney's Legendary Matte Artist, Has Died

February 15th, 2007

Peter Ellenshaw, a matte artist whose work was seen in many projects for Walt Disney, has died at age 93. Mr. Ellenshaw's interview can be viewed at Television Academy headquarters in North Hollywood.

Interview description:
Mr. Ellenshaw described his long association with the Walt Disney Studios where he became a preeminent matte artist. He discussed the craft of the matte artist and how a matte is incorporated into a film. He talked about Disney’s foray into television with the Disneyland series, and mentioned his work on such segments of the show as Davy Crockett. B-roll consisted of Ellenshaw voicing-over descriptions of mattes done for various projects, as well as a few photos from his Disney years. Additionally, a 30-minute interview was conducted with his son, Harrison Ellenshaw, who talked about his father as well as the work that he has done as a special effects artist in his own right, which includes the feature film Star Wars. The interview was conducted by Karen Herman on September 11, 2003.

Link to Peter and Harrison Ellenshaw's website.

Share and Enjoy:

Glen & Les Charles' Archive Interview Is Now Online!

February 9th, 2007


Glen & Les Charles (along with James Burrows) are best known for creating the classic sitcom Cheers. Their 8-part Archive of American Televison Interview is now available for viewing online. The Charles brothers were interviewed separately about their early years and influences and jointly about their contributions to television as writer-producers. "Take a break from all your worries" and click here to access their complete interview.

Interview description:
The writing-partner brothers talked about their early years growing up near Las Vegas, Nevada and their decision in the mid-70s to try their hand at freelance writing for television. They talked about selling their first script (to M*A*S*H) and their break into staff writing at MTM Productions where they worked as writer-producers on Phyllis and the final season of The Bob Newhart Show. They talked about other writing assignments on such series as The Mary Tyler Moore Show and The Betty White Show. They detailed working with the cast and crew on the hit series Taxi, for which they produced (and wrote for) the ABC run [the show would run a final season on NBC]. The two chronicled their creation (with James Burrows) of the series Cheers for which they served as producers and later executive producers during the show’s entire eleven year run. The interview was conducted by Gary Rutkowski on December 8, 2003.

Share and Enjoy:

Reminder: Fred Rogers Memorial Scholarship Deadline is Coming Up

February 5th, 2007
Entry deadline is February 15, 2007.

The Academy of Television Arts & Sciences Foundation (which runs the Archive of American Television), in association with Ernst & Young LLP, is offering two scholarships in honor of Fred Rogers, the creator and host of Mister Rogers’ Neighborhood. The scholarships are intended to support and encourage aspiring upper division or graduate students to pursue careers in children’s media and further the values and principles of Fred Rogers’ work. To see our original post about this amazing opportunity (and about our interview with Fred Rogers himself), click here. Hurry, there are only a few more "snappy new days" left to apply!

Click here for full Fred Rogers Memorial Scholarship application information.

Share and Enjoy:

David Pressman's Archive of American Television Interview Is Now Online!

February 2nd, 2007


Director David Pressman was one of the key directors on the early anthology series Actors Studio which was the first dramatic series awarded the Peabody Award.

Actors Studio featured many of the young "method" actors who would come to prominence in later years including Marlon Brando, Kim Hunter, and Julie Harris. Pressman himself appeared as an actor in the series very first production— Tennessee Williams' "Portrait of a Madonna" starring Jessica Tandy and directed by Hume Cronyn.

Click here to access David Pressman's entire 7-part interview.

Actors Studio switched networks from ABC to CBS in November 1949.
Here is a photograph of David Pressman in the control booth at CBS.

Interview Description:
David Pressman began the interview by recounting his arrival in the U.S. from Russia in 1922 and his early interest in acting. He talked about acting at the Neighborhood Playhouse in the 1930s and his entrance into WWII in the early 40s (as well as describing the feeling of returning home from the war, seeing the Statue of Liberty from a porthole on his ship). He talked about the Actor’s Studio that was created in 1947, which he described as a “gym” for actors. He spoke in great detail about the “live” prestige ABC television drama series Actors Studio that started shortly after the Studio itself opened and which featured many of the emerging talent at the time. Pressman talked about appearing as an actor in the very first production of Actors Studio and then becoming one of the series primary directors. He talked about the process by which the productions were staged and directed for television. He listed the writers, performers, and other talent who worked on the show and the series’ struggle for sponsorship. Pressman talked about the excitement of working in “live” television and talked about other anthology series he directed. He detailed his struggle to work as a director in television despite the shadow of the Hollywood Blacklist, and how he ultimately switched careers to teaching until the end of the blacklist, when he returned to television, notably as an Emmy Award-winning director of the daytime serial One Life to Live. The interview was conducted by Karen Herman on July 27, 2004.

Share and Enjoy: