David E. Kelley


The Academy of Television Arts & Sciences Foundation Presents

02:26

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David E. Kelley
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Dr. John Leverence

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Dr. John Leverence on how the rift and subsequent split with NATAS (the National Academy of Television Arts and Sciences) presented questions regarding which shows would be eligible for Daytime and Primetime Emmys; on how a legacy genre show like police procedurals from producers such as David E. Kelley would be a Primetime show and could not overlap for Daytime Emmys (Ed. note: Dr. Leverence would like to note he misspoke here and meant David E. Kelley, not David R. Kelley)
02:31

Steven Bochco

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Steven Bochco on hiring David E. Kelley as a story editor for L.A. Law
01:32
Steven Bochco on how he felt the quality of L.A. Law diminished after David E. Kelley left the series [briefly]
00:52

Hector Elizondo

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Hector Elizondo on working with David E. Kelley on Chicago Hope
01:06

Leslie Moonves

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Leslie Moonves on the programming of ER and Chicago Hope
01:34

Carl Reiner

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Carl Reiner on his admiration for Devid E. Kelley, Susan Harris, and Jerry Seinfeld
01:31

William Shatner

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William Shatner on being cast in the role of "Denny Crane" on The Practice for producer David E. Kelley, and on the character moving to the series Boston Legal
04:41

David Shore

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David Shore on writing for The Practice
02:58
David Shore on the writing process for The Practice
02:00

Lynn Stalmaster

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Lynn Stalmaster on casting David E. Kelley's Chicago Hope starring Mandy Patinkin
02:28

W.G. Snuffy Walden

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W.G. Snuffy Walden on composing for The Brotherhood of Poland, New Hampshire
01:11

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