Eryn Krueger Mekash

Makeup Artist


The Academy of Television Arts & Sciences Foundation Presents

02:26

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About
About this interview

In her four-hour-interview, Eryn Krueger Mekash discusses how she became interested in makeup and effects as a child. She talks about attending Sandy Burman's makeup effects school and what she learned from taking a Dick Smith course and Michael Westmore workshop. She outlines her time working for John Buechler, Stan Winston, and Rick Baker in their respective makeup effects shops, and recalls transitioning to more on-set work -- on the Academy Awards, General Hospital, Sabrina the Teenage Witch, Good Morning America, Unhappily Ever After, and Everybody Loves Raymond. She recounts how she first met Ryan Murphy, and talks about makeup looks she created or designed for several shows he created/produced, including Nip/Tuck, Glee, American Horror Story, American Crime Story, Feud, Hollywood, and Ratched. Mekash also describes her work on The Last of Us, speaks about the craft of makeup for television, offers advice to aspiring makeup artists, and speculates on dream projects she'd love to work on. B-roll includes show and tell of several masks, prosthetics, and makeup pieces used in shows that she worked on. Amy Harrington conducted the interview on September 19, 2023 in Burbank, CA.

All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.

"I saw a double feature of The Thing and An American Werewolf in London at the drive-in and I was completely blown away. I was about fourteen then. And I was like, 'that’s what I want to do.'"

People Talking About ...
Highlights
Eryn Krueger Mekash on making blood for Nip/Tuck and how changes in camera technology impacted her choices
02:55
Eryn Krueger Mekash on how the makeup on Glee changed from pilot to series
02:23
Eryn Krueger Mekash on creating the look for the"Infantata" for American Horror Story: Murder House
01:57
Eryn Krueger Mekash on working with Lady Gaga to create the look for "Elizabeth 'the Countess' Johnson" on American Horror Story: Hotel
01:44
Eryn Krueger Mekash on creating the look for Sarah Paulson as "Marcia Clark" on American Crime Story: The People v. O.J. Simpson
01:46
Eryn Krueger Mekash on advice to an aspiring makeup artist
02:00
Full Interview

Play Full Interview

Chapter 1

On her childhood and early influences; on spending a lot of time in the hospital as a child and watching a lot of Star Trek and movies; on starting to do effects makeup as a child; on An American Werewolf in London, the video for "Thriller," and movies solidifying her desire to work in makeup; on attending Sandy Burman's makeup effects school, and how that led to her first job in the industry -- working for John Buechler in his effects shop; on taking Dick Smith's advanced makeup course via mail
On working on Roger Corman sets; on lessons she learned from John Buechler; on working in Stan Winston's effects shop and realizing she liked mold-making; on the life-casting process, making foam prosthetics, and appliances; on working in Rick Baker's effects shop, Cinovation, and on several of the projects she worked on, including Gremlins 2: The New Batch; on taking a seminar with Michael Westmore and learning about out-of-kit makeup
On her work for the miniseries It and how working on a miniseries compared to working on a film; on her work for the 60th Annual Academy Awards and how she got her start on several ABC shows, including General Hospital; on the type of work she did on General Hospital and on getting her union hours on the show; on Michael Westmore hiring her after she got into the union, what she learned from him, and sourcing out work to his shop when she worked on Sabrina the Teenage Witch
On her work on commercials and infomercials; on doing makeup for people on Good Morning America during the time of the O.J. Simpson trial; on starting to get more into primetime shows and working on Unhappily Ever After; on working on Sabrina the Teenage Witch and Everybody Loves Raymond

Chapter 2

On how she started working on Nip/Tuck, and on the prosthetic work she did on the show; on working on Glee, and on the different types of makeup she did for the show; on working with Ryan Murphy on the show; on the creative and challenging work on American Horror Story and Ryan Murphy's innovations for the show
On using Christien Tinsley's transfer method for aging characters on an episode of Nip/Tuck, and getting nominated for an Emmy for that episode; on having additional responsibilities on the set of Nip/Tuck and eventually becoming a producer on other shows in the Ryan Murphy universe
On making blood for Nip/Tuck and how changes in camera technology impacted her choices; on intimacy covers for sex scenes on Nip/Tuck; on creating intimate prosthetics and privacy covers for Ratched and Hollywood; on looks/episodes from Nip/Tuck that she's particularly proud of
On how the makeup on Glee changed from pilot to series; on the challenges the choreography, slushies, and maintaining continuity posed for the makeup on Glee; on the makeup for the "Theatricality" episode of Glee; on recreating looks from "Thriller" for the Super Bowl episode of Glee

Chapter 3

On the role of a makeup designer -- her title on American Horror Story, and on how the visual effects and practical effects teams worked together on the show; on the challenges of working on location for different seasons of American Horror Story; on assembling her team for different seasons of American Horror Story
On creating the look for the "Infantata" for American Horror Story: Murder House; on creating the look for "Pepper" on American Horror Story: Asylum and American Horror Story: Freak Show; on creating the look for "Lana Winters" on American Horror Story: Asylum; on creating the look for "Myrtle Snow" on American Horror Story: Coven; on the look for "Marie Laveau" on American Horror Story: Coven and on how closely she works with the hair department; on the tattoos for "Penny" on American Horror Story: Freak Show
On the looks for conjoined twins "Bette Tattler" and "Dot Tattler" on American Horror Story:Freak Show; on working with Lady Gaga to create the look for "Elizabeth 'the Countess' Johnson" on American Horror Story: Hotel; on creating the look for the "Addiction Demon" on American Horror Story: Hotel; on some of her favorite makeup looks from American Horror Story: Cult; on "Coco's" birdcage wig from American Horror Story: Apocalypse
On creating the look for "Tuberculosis Karen" for American Horror Story: Double Feature; on how the COVID-19 pandemic impacted makeup for television and what the then-current production conditions were like; on the challenges of working with many of the same actors, and sometimes characters, on an anthology series like American Horror Story
On the craft of makeup for television: on her favorite part of doing makeup for the screen; on the role of a makeup artist; on how involved she is with network testing; on working with various complexions and skin tones

Chapter 4

On her approach to the makeup on The Normal Heart, and on winning an Emmy for her work; on creating the look for Sarah Paulson as "Marcia Clark" on American Crime Story: The People v. O.J. Simpson; on the look for Penelope Cruz as "Donatella Versace" on American Crime Story: The Assassination of Gianni Versace
On the looks for Jessica Lange, Susan Sarandon, and Catherine Zeta-Jones on Feud; on her approach to the 1940's looks on Hollywood; on her approach to the 1940's looks on Ratched and making them different from the looks on Hollywood; on her work on The Last of Us season one, episode five, "Endure and Survive"
On how makeup for television has changed since she first started in the industry; on the value of oral history interviews; on advice to an aspiring makeup artist; on her proudest career achievement and career regrets; on a dream project she'd love to work on; on where she sees herself in ten years
B-roll: on "Twisty" from American Horror Story: Freak Show; on Evan Peters' mask from American Horror Story: Cult; on recreating Leonard Engelman's makeup kit to make it period correct for Feud; on Evan Peters' hands on American Horror Story: Freak Show; on early makeup looks she did on herself when she was young; on Star Wars memorabilia -- including some of her and her husband's work on The Mandalorian; on Evan Peters' mustache from American Horror Story: Hotel; on comic books designed by Mike Mekash for American Horror Story: Cult; on Jessica Lange's lip prints and Angela Bassett's eyelashes from American Horror Story: Freak Show; on Jessica Lange's eyelashes on Feud
Shows

Academy Awards, The

View Show Page
Eryn Krueger Mekash on her work for the 60th Annual Academy Awards and how she got her start on several ABC shows, including General Hospital
04:12

American Crime Story

View Show Page
Eryn Krueger Mekash on creating the look for Sarah Paulson as "Marcia Clark" on American Crime Story: The People v. O.J. Simpson
01:46
Eryn Krueger Mekash on the look for Penelope Cruz as "Donatella Versace" on American Crime Story: The Assassination of Gianni Versace
01:06

American Crime Story: The Assassination of Gianni Versace

View Show Page
Eryn Krueger Mekash on the look for Penelope Cruz as "Donatella Versace" on American Crime Story: The Assassination of Gianni Versace
01:06

American Crime Story: The People v. O.J. Simpson

View Show Page
Eryn Krueger Mekash on creating the look for Sarah Paulson as "Marcia Clark" on American Crime Story: The People v. O.J. Simpson
01:46

American Horror Story

View Show Page
Eryn Krueger Mekash on the creative and challenging work on American Horror Story and Ryan Murphy's innovations for the show
03:56
Eryn Krueger Mekash on having additional responsibilities on the set of Nip/Tuck and eventually becoming a producer on other shows in the Ryan Murphy universe
05:03
Eryn Krueger Mekash on her role as makeup designer on American Horror Story and how the visual effects and practical effects teams worked together on the show
08:14
Eryn Krueger Mekash on the challenges of working on location for different seasons of American Horror Story
03:41
Eryn Krueger Mekash on assembling her team for different seasons of American Horror Story
04:06
Eryn Krueger Mekash on creating the look for the"Infantata" for American Horror Story: Murder House
01:57
Eryn Krueger Mekash on the process for creating "Twisty" for American Horror Story: Freak Show
00:51
Eryn Krueger Mekash on practical versus visual effects on American Horror Story: Hotel
00:53
Eryn Krueger Mekash on creating the look for "Pepper" on American Horror Story: Asylum and American Horror Story: Freak Show
03:43
Eryn Krueger Mekash on creating the look for "Lana Winters" on American Horror Story: Asylum
02:32
Eryn Krueger Mekash on creating the look for "Myrtle Snow" on American Horror Story: Coven
01:58
Eryn Krueger Mekash on the look for "Marie Laveau" on American Horror Story: Coven, and on how closely she works with the hair department
02:00
Eryn Krueger Mekash on the tattoos for "Penny" on American Horror Story: Freak Show
02:00
Eryn Krueger Mekash on the looks for conjoined twins "Bette Tattler" and "Dot Tattler" on American Horror Story: Freak Show
04:01
Eryn Krueger Mekash on working with Lady Gaga to create the look for "Elizabeth 'the Countess' Johnson" on American Horror Story: Hotel
01:44
Eryn Krueger Mekash on creating the look for the "Addiction Demon" on American Horror Story: Hotel
01:53
Eryn Krueger Mekash on some of her favorite makeup looks from American Horror Story: Cult
04:53
Eryn Krueger Mekash on "Coco's" birdcage wig from American Horror Story: Apocalypse
02:17
Eryn Krueger Mekash on creating the look for "Tuberculosis Karen" for American Horror Story: Double Feature
02:28
Eryn Krueger Mekash on the challenges of working with many of the same actors, and sometimes characters, on an anthology series like American Horror Story
04:13
Eryn Krueger Mekash on "Twisty" from American Horror Story: Freak Show
02:27
Eryn Krueger Mekash on Evan Peters' mask from American Horror Story: Cult
00:54
Eryn Krueger Mekash on Evan Peters' hands on American Horror Story: Freak Show
00:20
Eryn Krueger Mekash on Evan Peters' mustache from American Horror Story: Hotel
00:11
Eryn Krueger Mekash on comic books designed by Mike Mekash for American Horror Story: Cult
00:38
Eryn Krueger Mekash on Jessica Lange's lip prints and Angela Bassett's eyelashes from American Horror Story: Freak Show
00:24

American Horror Story: Apocalypse

View Show Page
Eryn Krueger Mekash on "Coco's" birdcage wig from American Horror Story: Apocalypse
02:17

American Horror Story: Asylum

View Show Page
Eryn Krueger Mekash on creating the look for "Pepper" on American Horror Story: Asylum and American Horror Story: Freak Show
03:43
Eryn Krueger Mekash on creating the look for "Lana Winters" on American Horror Story: Asylum
02:32

American Horror Story: Coven

View Show Page
Eryn Krueger Mekash on the challenges of working on location in New Orleans for different seasons of American Horror Story
03:41
Eryn Krueger Mekash on creating the look for "Myrtle Snow" on American Horror Story: Coven
01:58
Eryn Krueger Mekash on the look for "Marie Laveau" on American Horror Story: Coven, and on how closely she works with the hair department
02:00

American Horror Story: Cult

View Show Page
Eryn Krueger Mekash on some of her favorite makeup looks from American Horror Story: Cult
04:53
Eryn Krueger Mekash on Evan Peters' mask from American Horror Story: Cult
00:54
Eryn Krueger Mekash on comic books designed by Mike Mekash for American Horror Story: Cult
00:38

American Horror Story: Double Feature

View Show Page
Eryn Krueger Mekash on creating the look for "Tuberculosis Karen" for American Horror Story: Double Feature
02:28

American Horror Story: Freak Show

View Show Page
Eryn Krueger Mekash on the process for creating "Twisty" for American Horror Story: Freak Show
00:51
Eryn Krueger Mekash on the challenges of working on location in New Orleans for different seasons of American Horror Story
03:41
Eryn Krueger Mekash on creating the look for "Pepper" on American Horror Story: Asylum and American Horror Story: Freak Show
03:43
Eryn Krueger Mekash on the tattoos for "Penny" on American Horror Story: Freak Show
02:00
Eryn Krueger Mekash on the looks for conjoined twins "Bette Tattler" and "Dot Tattler" on American Horror Story: Freak Show
04:01
Eryn Krueger Mekash on "Twisty" from American Horror Story: Freak Show
02:27
Eryn Krueger Mekash on Evan Peters' hands on American Horror Story: Freak Show
00:20
Eryn Krueger Mekash on Jessica Lange's lip prints and Angela Bassett's eyelashes from American Horror Story: Freak Show
00:24

American Horror Story: Hotel

View Show Page
Eryn Krueger Mekash on practical versus visual effects on American Horror Story: Hotel
00:53
Eryn Krueger Mekash on working with Lady Gaga to create the look for "Elizabeth 'the Countess' Johnson" on American Horror Story: Hotel
01:44
Eryn Krueger Mekash on creating the look for the "Addiction Demon" on American Horror Story: Hotel
01:53
Eryn Krueger Mekash on Evan Peters' mustache from American Horror Story: Hotel
00:11

American Horror Story: Murder House

View Show Page
Eryn Krueger Mekash on creating the look for the"Infantata" for American Horror Story: Murder House
01:57

Everybody Loves Raymond

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Eryn Krueger Mekash on working on five seasons of Everybody Loves Raymond
01:35
Eryn Krueger Mekash on the tools and makeup needed for a sitcom like Everybody Loves Raymond, and on on differences in makeup for Everybody Loves Raymond and for Sabrina the Teenage Witch
03:37

Feud

View Show Page
Eryn Krueger Mekash on the looks for Jessica Lange, Susan Sarandon, and Catherine Zeta-Jones on Feud
04:58
Eryn Krueger Mekash on recreating Leonard Engelman's makeup kit to make it period correct for Feud
00:42
Eryn Krueger Mekash on Jessica Lange's eyelashes on Feud
00:51

General Hospital

View Show Page
Eryn Krueger Mekash on her work for the 60th Annual Academy Awards and how she got her start on several ABC shows, including General Hospital
04:12
Eryn Krueger Mekash on the type of work she did on General Hospital, and on getting her union hours on the show
04:56

Glee

View Show Page
Eryn Krueger Mekash on working on Glee, and on the different types of makeup she did for the show
02:54
Eryn Krueger Mekash on how the makeup on Glee changed from pilot to series
02:23
Eryn Krueger Mekash on the challenges the choreography, slushies, and maintaining continuity posed for the makeup on Glee
03:36
Eryn Krueger Mekash on the makeup for the "Theatricality" episode of Glee
02:45
Eryn Krueger Mekash on recreating looks from "Thriller" for the Super Bowl episode of Glee
05:03

Glee: Theatricality

View Show Page
Eryn Krueger Mekash on the makeup for the "Theatricality" episode of Glee
02:45

Good Morning America

View Show Page
Eryn Krueger Mekash on doing makeup for people on Good Morning America during the time of the O.J. Simpson trial
02:44

Hollywood

View Show Page
Eryn Krueger Mekash on creating intimate prosthetics and privacy covers for Ratched and Hollywood
02:27
Eryn Krueger Mekash on her approach to the 1940's looks on Hollywood
04:00

It

View Show Page
Eryn Krueger Mekash on her work for the miniseries It and how working on a miniseries compared to working on a film
03:39

Last of Us, The

View Show Page
Eryn Krueger Mekash on her work on The Last of Us season one, episode five, "Endure and Survive"
01:38

Mandalorian, The

View Show Page
Eryn Krueger Mekash on Star Wars memorabilia -- including some of her and her husband's work on The Mandalorian
01:14

Nip/Tuck

View Show Page
Eryn Krueger Mekash on how she started working on Nip/Tuck, on the prosthetic work, and working with Ryan Murphy on the show
06:20
Eryn Krueger Mekash on using Christien Tinsley's transfer method for aging characters on an episode of Nip/Tuck, and getting nominated for an Emmy for that episode
03:47
Eryn Krueger Mekash on having additional responsibilities on the set of Nip/Tuck and eventually becoming a producer on other shows in the Ryan Murphy universe
05:03
Eryn Krueger Mekash on making blood for Nip/Tuck and how changes in camera technology impacted her choices
02:55
Eryn Krueger Mekash on intimacy covers for sex scenes on Nip/Tuck
01:47
Eryn Krueger Mekash on looks/episodes from Nip/Tuck that she's particularly proud of
01:31

Normal Heart, The

View Show Page
Eryn Krueger Mekash on her approach to the makeup on The Normal Heart, and on winning an Emmy for her work
08:10

Ratched

View Show Page
Eryn Krueger Mekash on creating intimate prosthetics and privacy covers for Ratched and Hollywood
02:27
Eryn Krueger Mekash on her approach to the 1940's looks on Ratched and making them different from the looks on Hollywood
01:25

Sabrina the Teenage Witch

View Show Page
Eryn Krueger Mekash on sourcing out work to Michael Westmore's shop when she worked on Sabrina the Teenage Witch
00:37
Eryn Krueger Mekash on how she started working on Sabrina the Teenage Witch
01:47
Eryn Krueger Mekash on the type of work she did on Sabrina the Teenage Witch
00:57
Eryn Krueger Mekash on differences in makeup for Everybody Loves Raymond and for Sabrina the Teenage Witch
02:03
Eryn Krueger Mekash on her role as department head on Sabrina the Teenage Witch, the structure of the makeup department on the show, and how closely she worked with other departments
07:14
Eryn Krueger Mekash on working with show creator Nell Scovell on Sabrina the Teenage Witch
01:18
Eryn Krueger Mekash on the type of work she would outsource to Michael Westmore's shop for Sabrina the Teenage Witch
04:01

Star Trek

View Show Page
Eryn Krueger Mekash on spending a lot of time in the hospital as a child -- where she watched Star Trek and movies and became fascinated with monsters and science fiction
00:36

Unhappily Ever After

View Show Page
Eryn Krueger Mekash on starting to get more into primetime shows and working on Unhappily Ever After
01:49
Topics

Advice

View Topic
Eryn Krueger Mekash on advice to an aspiring makeup artist
02:00

COVID-19 Pandemic

View Topic
Eryn Krueger Mekash on how the COVID-19 pandemic impacted makeup for television and what the then-current production conditions were like
05:28

Creative Influences and Inspiration

View Topic
Eryn Krueger Mekash on An American Werewolf in London, the video for "Thriller," and movies solidifying her desire to work in makeup
01:49

Emmy Awards

View Topic
Eryn Krueger Mekash on using Christien Tinsley's transfer method for aging characters on an episode of Nip/Tuck, and getting nominated for an Emmy for that episode
03:47
Eryn Krueger Mekash on winning an Emmy for the makeup on The Normal Heart
01:33

First Big Break

View Topic
Eryn Krueger Mekash on attending Sandy Burman's makeup effects school, and how that led to her first job in the industry -- working for John Buechler
08:48

Health and Medicine

View Topic
Eryn Krueger Mekash on how the COVID-19 pandemic impacted makeup for television and what the then-current production conditions were like
05:28

Historic Events and Social Change

View Topic
Eryn Krueger Mekash on how the COVID-19 pandemic impacted makeup for television and what the then-current production conditions were like
05:28
Eryn Krueger Mekash on her approach to the makeup on The Normal Heart, and on winning an Emmy for her work
08:10

LGBTQIA+

View Topic
Eryn Krueger Mekash on her approach to the makeup on The Normal Heart, and on winning an Emmy for her work
08:10

Memorable Moments on Television

View Topic
Eryn Krueger Mekash on the makeup for the "Theatricality" episode of Glee
02:46

Pivotal Career Moments

View Topic
Eryn Krueger Mekash on attending Sandy Burman's makeup effects school, and how that led to her first job in the industry -- working for John Buechler
08:48
Eryn Krueger Mekash on An American Werewolf in London, the video for "Thriller," and movies solidifying her desire to work in makeup
01:49

Representation on Television

View Topic
Eryn Krueger Mekash on her approach to the makeup on The Normal Heart, and on winning an Emmy for her work
08:10

Technological Innovation

View Topic
Eryn Krueger Mekash on making blood for Nip/Tuck and how changes in camera technology impacted her choices
02:55
Eryn Krueger Mekash on her role as makeup designer on American Horror Story and how the visual effects and practical effects teams worked together on the show
08:14
Eryn Krueger Mekash on how makeup for television has changed since she first started in the industry -- technological innovations
03:18

Television Industry

View Topic
Eryn Krueger Mekash on advice to an aspiring makeup artist
02:00
Professions

Makeup Artist

View Profession
Eryn Krueger Mekash on starting to do effects makeup as a child, loving Halloween, and doing makeup for her Halloween costumes
03:53
Eryn Krueger Mekash on An American Werewolf in London, the video for "Thriller," and movies solidifying her desire to work in makeup
01:49
Eryn Krueger Mekash on attending Sandy Burman's makeup effects school, and how that led to her first job in the industry -- working for John Buechler
08:48
Eryn Krueger Mekash on the life-casting process, making foam prosthetics, and appliances
04:50
Eryn Krueger Mekash on her role as makeup designer on American Horror Story and how the visual effects and practical effects teams worked together
08:14
Eryn Krueger Mekash on assembling her team for American Horror Story
04:06
Eryn Krueger Mekash on how closely she works with the hair department
00:38
Eryn Krueger Mekash on how the COVID-19 pandemic impacted makeup for television and what the then-current production conditions were like
05:28
Eryn Krueger Mekash on her favorite part of doing makeup for the screen
01:26
Eryn Krueger Mekash on the role of a makeup artist
01:31
Eryn Krueger Mekash on how involved she is with network testing
01:24
Eryn Krueger Mekash on working with various complexions and skin tones
01:10
Eryn Krueger Mekash on how makeup for television has changed since she first started in the industry
03:18
Eryn Krueger Mekash on advice to an aspiring makeup artist
02:00

Producers

View Profession
Eryn Krueger Mekash on having additional responsibilities on the set of Nip/Tuck and eventually becoming a producer on other shows in the Ryan Murphy universe
05:03

Stylists

View Profession
Eryn Krueger Mekash on starting to do effects makeup as a child, loving Halloween, and doing makeup for her Halloween costumes
03:53
Eryn Krueger Mekash on An American Werewolf in London, the video for "Thriller," and movies solidifying her desire to work in makeup
01:49
Eryn Krueger Mekash on attending Sandy Burman's makeup effects school, and how that led to her first job in the industry -- working for John Buechler
08:48
Eryn Krueger Mekash on the life-casting process, making foam prosthetics, and appliances
04:50
Eryn Krueger Mekash on her role as makeup designer on American Horror Story and how the visual effects and practical effects teams worked together
08:14
Eryn Krueger Mekash on assembling her team for American Horror Story
04:06
Eryn Krueger Mekash on how closely she works with the hair department
00:38
Eryn Krueger Mekash on how the COVID-19 pandemic impacted makeup for television and what the then-current production conditions were like
05:28
Eryn Krueger Mekash on her favorite part of doing makeup for the screen
01:26
Eryn Krueger Mekash on the role of a makeup artist
01:31
Eryn Krueger Mekash on how involved she is with network testing
01:24
Eryn Krueger Mekash on working with various complexions and skin tones
01:10
Eryn Krueger Mekash on how makeup for television has changed since she first started in the industry
03:18
Eryn Krueger Mekash on advice to an aspiring makeup artist
02:00
Genres

Awards Shows

View Genre
Eryn Krueger Mekash on her work for the 60th Annual Academy Awards and how she got her start on several ABC shows, including General Hospital
04:12

Comedy Series

View Genre
Eryn Krueger Mekash on her work on the primetime series Unhappily Ever After, Sabrina the Teenage Witch, and Everybody Loves Raymond
23:56
Eryn Krueger Mekash on makeup on Glee
14:56
Eryn Krueger Mekash on working on Glee, and on the different types of makeup she did for the show
02:54

Commercials

View Genre
Eryn Krueger Mekash on her work on commercials and infomercials
03:05

Daytime/Primetime Serials

View Genre
Eryn Krueger Mekash on the type of work she did on General Hospital, and on getting her union hours on the show
04:57

Drama Series

View Genre
Eryn Krueger Mekash on makeup on Nip/Tuck
17:36
Eryn Krueger Mekash on how she started working on Nip/Tuck, on the prosthetic work she did on the show, and on working with Ryan Murphy on the show
06:20
Eryn Krueger Mekash on the creative and challenging work on American Horror Story and Ryan Murphy's innovations for the show
03:56
Eryn Krueger Mekash on creating looks for various seasons of American Horror Story
01:03:36
Eryn Krueger Mekash on makeup looks for American Crime Story, Feud, Hollywood, and Ratched
13:18

News and Documentary

View Genre
Eryn Krueger Mekash on doing makeup for people on Good Morning America during the time of the O.J. Simpson trial
02:44

Sci-Fi/Supernatural Series

View Genre
Eryn Krueger Mekash on her work on The Last of Us season one, episode five, "Endure and Survive"
01:38

TV Movies/Miniseries/Dramatic Specials

View Genre
Eryn Krueger Mekash on her work for the miniseries It and how working on a miniseries compared to working on a film
03:40
Eryn Krueger Mekash on her approach to the makeup on The Normal Heart, and on winning an Emmy for her work
08:10
People

Dave Anderson

View Person Page
Eryn Krueger Mekash on creating the look for the "Addiction Demon" on American Horror Story: Hotel
01:53
Eryn Krueger Mekash on some of her favorite makeup looks from American Horror Story: Cult
04:53

Kim Ayers

View Person Page
Eryn Krueger Mekash on assembling her team for different seasons of American Horror Story
00:28

Rick Baker

View Interview Page
Eryn Krueger Mekash on working in Rick Baker's effects shop, Cinovation, and on several of the projects she worked on, including Gremlins 2: The New Batch
03:37
Eryn Krueger Mekash on Rick Baker's reaction to her recreating looks from "Thriller" for the Super Bowl episode of Glee
01:49
Eryn Krueger Mekash on Rick Baker's chair
00:38

Angela Bassett

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Eryn Krueger Mekash on the look for "Marie Laveau" on American Horror Story: Coven and on how closely she works with the hair department
02:00
Eryn Krueger Mekash on Jessica Lange's lip prints and Angela Bassett's eyelashes from American Horror Story: Freak Show
00:24

Matt Bomer

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Eryn Krueger Mekash on her approach to the makeup on The Normal Heart, and on winning an Emmy for her work
08:10

John Buechler

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Eryn Krueger Mekash on attending Sandy Burman's makeup effects school, and how that led to her first job in the industry -- working for John Buechler
08:48
Eryn Krueger Mekash on lessons she learned from John Buechler
02:15

Sandy Burman

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Eryn Krueger Mekash on attending Sandy Burman's makeup effects school, and how that led to her first job in the industry -- working for John Buechler
08:48

Michelle Ceglia

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Eryn Krueger Mekash on "Coco's" birdcage wig from American Horror Story: Apocalypse
02:17

Frances Conroy

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Eryn Krueger Mekash on creating the look for "Myrtle Snow" on American Horror Story: Coven
01:58

Roger Corman

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Eryn Krueger Mekash on working on Roger Corman sets
01:58

Penelope Cruz

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Eryn Krueger Mekash on the look for Penelope Cruz as "Donatella Versace" on American Crime Story: The Assassination of Gianni Versace
01:06

Clint Eastwood

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Eryn Krueger Mekash on working on several Clint Eastwood movies
00:27

Leonard Engelman

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Eryn Krueger Mekash on recreating Leonard Engelman's makeup kit to make it period correct for Feud
00:42

Brad Falchuk

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Eryn Krueger Mekash on working with Brad Falchuk
01:05

Lady Gaga

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Eryn Krueger Mekash on working with Lady Gaga to create the look for "Elizabeth 'the Countess' Johnson" on American Horror Story: Hotel
01:44

Barrie Gower

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Eryn Krueger Mekash on her work on The Last of Us season one, episode five, "Endure and Survive"
01:38

Naomi Grossman

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Eryn Krueger Mekash on creating the look for "Pepper" on American Horror Story: Asylum and American Horror Story: Freak Show
03:43

Leslie Grossman

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Eryn Krueger Mekash on "Coco's" birdcage wig from American Horror Story: Apocalypse
02:17

Grace Gummer

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Eryn Krueger Mekash on the tattoos for "Penny" on American Horror Story: Freak Show
02:00

Michelle Krusiec

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Eryn Krueger Mekash on Michelle Krusiec's makeup as "Anna May Wong" on Hollywood
00:39

Jessica Lange

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Eryn Krueger Mekash on creating the looks for Jessica Lange and Susan Sarandon on Feud
04:09
Eryn Krueger Mekash on Jessica Lange's lip prints and Angela Bassett's eyelashes from American Horror Story: Freak Show
00:24
Eryn Krueger Mekash on Jessica Lange's eyelashes on Feud
00:51

Ana Lozano

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Eryn Krueger Mekash on the look for Penelope Cruz as "Donatella Versace" on American Crime Story: The Assassination of Gianni Versace
01:06

Julian McMahon

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Eryn Krueger Mekash on intimacy covers for sex scenes on Nip/Tuck
00:35

Mike Mekash

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Eryn Krueger Mekash on assembling her team for different seasons of American Horror Story
00:35
Eryn Krueger Mekash on the tattoos for "Penny" on American Horror Story: Freak Show
02:00
Eryn Krueger Mekash on some of her favorite makeup looks from American Horror Story: Cult
04:53
Eryn Krueger Mekash on her proudest career achievement
01:42
Eryn Krueger Mekash on Star Wars memorabilia -- including some of her and her husband's work on The Mandalorian
01:14
Eryn Krueger Mekash on comic books designed by Mike Mekash for American Horror Story: Cult
00:38

Donna Messina

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Eryn Krueger Mekash on her work for the 60th Annual Academy Awards and how she got her start on several ABC shows, including General Hospital
04:12

Lea Michele

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Eryn Krueger Mekash on how the makeup on Glee changed from pilot to series
01:11

Bart Mixon

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Eryn Krueger Mekash on her work for the miniseries It and how working on a miniseries compared to working on a film
03:39

Ryan Murphy

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Eryn Krueger Mekash on working with Ryan Murphy on Nip/Tuck and on Pretty/Handsome
04:46
Eryn Krueger Mekash on having additional responsibilities on the set of Nip/Tuck and eventually becoming a producer on other shows in the Ryan Murphy universe
05:03

Sarah Paulson

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Eryn Krueger Mekash on creating the look for "Lana Winters" on American Horror Story: Asylum
02:32
Eryn Krueger Mekash on the looks for conjoined twins "Bette Tattler" and "Dot Tattler" on American Horror Story: Freak Show
04:01
Eryn Krueger Mekash on creating the look for "Tuberculosis Karen" for American Horror Story: Apocalypse
02:28
Eryn Krueger Mekash on creating the look for Sarah Paulson as "Marcia Clark" on American Crime Story: The People v. O.J. Simpson
01:46

Evan Peters

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Eryn Krueger Mekash on some of her favorite makeup looks from American Horror Story: Cult
04:53
Eryn Krueger Mekash on Evan Peters' hands on American Horror Story: Freak Show
00:20
Eryn Krueger Mekash on Evan Peters' mustache from American Horror Story: Hotel
00:11

Doris Roberts

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Eryn Krueger Mekash on working with Doris Roberts on Everybody Loves Raymond
00:50

Susan Sarandon

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Eryn Krueger Mekash on creating the looks for Jessica Lange and Susan Sarandon on Feud
02:35

Nell Scovell

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Eryn Krueger Mekash on working with show creator Nell Scovell on Sabrina the Teenage Witch
01:18

Dick Smith

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Eryn Krueger Mekash on taking Dick Smith's advanced makeup course via mail
01:51

Sarah Tanno

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Eryn Krueger Mekash on working with Lady Gaga to create the look for "Elizabeth 'the Countess' Johnson" on American Horror Story: Hotel
01:44

Holland Taylor

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Eryn Krueger Mekash on Holland Taylor's makeup on Hollywood
00:30

Christien Tinsley

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Eryn Krueger Mekash on using Christien Tinsley's transfer method for aging characters on an episode of Nip/Tuck, and getting nominated for an Emmy for that episode
03:47
Eryn Krueger Mekash on creating the look for "Pepper" on American Horror Story: Asylum and American Horror Story: Freak Show
03:43
Eryn Krueger Mekash on creating the look for "Lana Winters" on American Horror Story: Asylum
02:32

Alexander Ward

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Eryn Krueger Mekash on creating the look for the "Addiction Demon" on American Horror Story: Hotel
01:53

Michael Westmore

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Eryn Krueger Mekash on taking a seminar with Michael Westmore and learning about out-of-kit makeup
02:57
Eryn Krueger Mekash on Michael Westmore hiring her after she got into the union, what she learned from him, and sourcing out work to his shop when she worked on Sabrina the Teenage Witch
07:56
Eryn Krueger Mekash on the type of work she would outsource to Michael Westmore's shop for Sabrina the Teenage Witch
04:01

Stan Winston

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Eryn Krueger Mekash on working in Stan Winston's effects shop and realizing she liked mold-making
02:22

Ben Woolf

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Eryn Krueger Mekash on creating the look for the"Infantata" for American Horror Story: Murder House
01:57

Catherine Zeta-Jones

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Eryn Krueger Mekash on creating the looks for Catherine Zeta-Jones on Feud
00:49

All Interviews

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